8.2/10
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Die Hoffnung stirbt zuletzt (2002)

A young policewoman is transferred from her provincial police base in Lower Saxony to a city police station in Hamburg. At first she is very happy, meeting nice colleagues and having a lot ... See full summary »

Director:

Marc Rothemund
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6 wins & 2 nominations. See more awards »

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Cast

Credited cast:
Anneke Kim Sarnau ... Corinna Safranski
Axel Prahl Axel Prahl ... Eddy Garbitsch
Wotan Wilke Möhring ... Jens
Barbara Philipp Barbara Philipp ... Iris
Frank Sieckel ... Robert
Irmelin Beringer Irmelin Beringer ... Michaela
Rest of cast listed alphabetically:
Gernot Endemann ... Vater Heinz
Michael Gerlinger Michael Gerlinger ... Polizist
Volker Hanisch Volker Hanisch ... Polizist
Elena Meißner Elena Meißner ... Junkiebraut
Edie Samland Edie Samland ... Beate Garbitsch
David Scheller David Scheller
Siegfried Terpoorten ... Freund
Angelika Thomas Angelika Thomas ... Mutter Claudia
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Storyline

A young policewoman is transferred from her provincial police base in Lower Saxony to a city police station in Hamburg. At first she is very happy, meeting nice colleagues and having a lot of exciting jobs to do. But then her boss comes on to her and as she refuses having sex with him, the climate in the police station changes. Her colleagues intrigate on her, she is declared psychically ill. At the end, she sees only one way. Written by Anonymous

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Genres:

Drama

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Details

Country:

Germany

Language:

German

Release Date:

3 April 2002 (Germany) See more »

Also Known As:

A remény hal meg utoljára See more »

Company Credits

Production Co:

TV-60 Filmproduktion See more »
Show more on IMDbPro »

Technical Specs

Color:

Color
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User Reviews

 
Ambitious yet superficial TV flick
19 January 2005 | by MusideSee all my reviews

The basic premise of the story is interesting, albeit original. "Die Hoffnung stirbt zuletzt" is a drama that deals with mobbing in its most sadistic way and focuses on the feelings of the victim. Unfortunately, both victim and perpetrators are sketched rather two-dimensional and clichéd.

Even worse, "bad guy" and "nice guy" "exchange" roles in the middle of the movie for reasons of plot construction without sufficient explanation, thus adding to the confusion and disorientation of the watcher. The ending is, like most of the plot points, predictable and extremely unoriginal.

The everyday life of a cop is shown in a very realistic way, and some of the acting is good. But the script does not use its potential to its full degree at all.


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