Critic Reviews



Based on 37 critic reviews provided by
Boston Globe
This is a love letter from one auteur to another that doesn't feel like a term paper. Instead, Far From Heaven is an honest-to-God drama with resonance all its own.
A movie for hardcore film geeks and regular folk alike, a stunning, and stunningly improbable, fusion of postmodern pastiche and old-school Hollywood melodrama. It's both a marvelous technical accomplishment and a tragic love story that sweeps you off your feet.
Entertainment Weekly
Bold and brilliant.
Village Voice
A supremely intelligent pastiche.
Ironizes without parodying an antique screen manner, then reaches out from beneath this smooth cover to grab us.
Washington Post
Three sterling performances from Moore, Haysbert and Quaid, all of whom grapple with psychic pain in different, touching ways.
Haynes took an enormous risk here, but thanks to his thoughtful script and an utterly sincere performance from Moore, what could have easily become a cold, calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking.
If it's ultimately a failure -- and I think it is -- it's still worth seeing, because it's the most ambitious and magnificent failure in recent memory. That, in a sense, qualifies it as a certain kind of "good movie."
Glossy or not, the movie is unflinchingly tough-minded, down to its Hollywood-weepy ending, which, if you think about it, may be the year's gloomiest.
Wall Street Journal
Yet dramatic energy is in short supply. The actors move about this elaborate movie museum in a modified dream state, as if living in the present while rooted in the past. But the strategy doesn't work. It's an imitation of lifelessness.

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