7.0/10
571
4 user 5 critic

Eierdiebe (2003)

A man who loses a very personal part of his body to cancer decides he wants it back in this offbeat black comedy.

Director:

Robert Schwentke
Reviews
1 win & 1 nomination. See more awards »

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Cast

Credited cast:
Wotan Wilke Möhring ... Martin Schwarz
Julia Hummer Julia Hummer ... Susanne
Antoine Monot Jr. ... Harry
Alexander Beyer ... Roman Schwarz
Janek Rieke ... Nickel
Doris Schretzmayer ... Schwester Elke
Götz Schubert ... Dr. Bofinger
Fatih Cevikkollu Fatih Cevikkollu ... Pfleger
Marie Gruber Marie Gruber ... Gabriele Schwarz
Thomas Thieme Thomas Thieme ... Hans Schwarz
Leander Haußmann ... Winnie
Rest of cast listed alphabetically:
Mirko Borscht Mirko Borscht ... Neuer Patient des Dr. Bofinger
Jürgen Brandschedel Jürgen Brandschedel ... Herr Körner
Claudia Bratfisch Claudia Bratfisch ... Frau Körner
Victor Calero Victor Calero ... Patient Eins
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Storyline

A man who loses a very personal part of his body to cancer decides he wants it back in this offbeat black comedy.

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

See all certifications »
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Details

Official Sites:

Official site [Germany]

Country:

Germany

Language:

German

Release Date:

22 January 2004 (Germany) See more »

Also Known As:

Családi ékszerek See more »

Filming Locations:

Berlin, Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Writer/director Robert Schwentke survived testicular cancer himself. See more »

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User Reviews

Uproarious black comedy
13 September 2003 | by wribar-1See all my reviews

FAMILY JEWELS, which showed at Filmfest Kansas City on September 6, is an uproarious black comedy based on director and writer Robert Schwentke's bout with testicular cancer. With a M.A.S.H.-like irreverence for the medical profession, Schwentke attacks the taboos of death, balls, and cancer, with a deft absurdist touch. The Clash-inspired original soundtrack sets the tone. The film takes place almost entirely in a Berlin hospital, and is stylishly shot in bluish tones. It focuses on the main character's attempt to retrieve his post-op cancerous testicle. The heist is carried out by three twenty-something bald men attached to their rolling chemo-dispensers. The director uses auxiliary sound to great effect, from the snap of the doctor's latex gloves, the drip of the chemo drugs, or the screams of the horror videos preferred by the protagonists' roommates.

Schwentke is able to draw out amazing performances from his actors, particularly the main character, whose face registers dismay, fear, disgust and will-sometimes in a single shot.

Perhaps because it is autobiographical, the film shows great wisdom in how family members react to news of a life-threatening illness. The film finds humanity in the hero's refusal to let disease define him, and in the connections he forms with a waif-like female cancer victim and his two hospital roommates.

Not for the squeamish, the film is graphic but tasteful. And while the medical treatment seems-thank goodness-quite dated, the humor and characters are not.


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