Director Patrik-Ian Polk provides exciting character developments, brilliant cinematography and life lessons for all, particularly for members of the black LGBT community. Cameos by key actors from the Noah Arc series are visual delights.
Meet Myles and Brody, best friends and total opposites. Myles is a hopeless romantic looking for Mr. Right. Brody is a sexy player on the hunt for Mr. Right Now. These two friends make a ... See full summary »
Michael Adam Hamilton,
Zurich, 1956. The young teacher Ernst Ostertag falls head over heels in love with the transvestite star Robi Rapp and finds himself torn between his bourgeois existence and his commitment ... See full summary »
After the Kray family meeting at the Waldorf near the film's beginning, Jack Kray emerges onto the street, and into an angry gay rights protest, with dark hair which he doesn't sport in any other scene. It's unexplained, and not a flashback because Anthony climbs onto his car as part of the protest. See more »
Oh well that really sucks, because ya see I just found this great country house with an herb garden and a fish pond that we could move into this weekend. And there's this little Bosnian girl, I... I just got her off of eBay last week and she's desparate for two daddies. So I think we'd make a great family, don't you? I mean do you have a u-haul, 'cause uh... Well, we could rent one.
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An above average film marred by a couple bad decisions
A technical quibble first: my hearing is less than perfect, and Poster Boy has a lot of mumbled dialogue with no subtitles on the DVD. New films without subtitles are just inexcusable in my opinion--what is someone who is deaf supposed to do? Just not watch that film?
The best aspect of the film is the acting. The core cast are all fantastic. What didn't work so well for me was the cinematography, editing and the general low budget approach. The cinematography is mostly (or maybe all) hand-held, with a lot of shaky cam shots and a lot of blurriness. The film is loaded with overexposed shots and a dominance of white. While that may have been so for metaphorical reasons, it's not the most pleasant thing to watch aesthetically if it's relentless--and that's also not the best way to get the metaphorical aspects across. The editing is frequently frenetic. In combination with the locations, sets and general lack of music, Poster Boy has the feel of a 100-thousand dollar art house drama made by a director who is way too obsessed with The Blair Witch Project.
Fortunately, the story is better than that would suggest, although it's not perfect. This would have been far more on-target and controversial 15 years ago (given our present knowledge and overall lack of reaction to the sexuality of some political offspring), but it's still engaging enough, especially given the performances, and at any rate, it deals with important issues that are still far from resolved in our culture.
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