The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
A commercial transport ship and its crew are marooned on a planet full of bloodthirsty creatures that only come out to feast at night. But then, they learn that a month-long eclipse is about to occur.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail ... See full summary »
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him. Bad move.
Two crew members of a spaceship wake up from hypersleep to discover that all their colleagues are missing. Despite this, it appears that they are not alone.
Selene, a vampire warrior, is entrenched in a conflict between vampires and werewolves, while falling in love with Michael, a human who is sought by werewolves for unknown reasons.
Director:
Len Wiseman
Stars:
Kate Beckinsale,
Scott Speedman,
Shane Brolly
Riddick, now a hunted man, finds himself in the middle of two opposing forces in a major crusade. Colm Feore plays Lord Marshal, a warrior priest who is the leader of a sect that is waging the tenth and perhaps final crusade 500 years in the future. Judi Dench is Aereon, an ambassador from the Elemental race. She is an ethereal being who helps Riddick unearth his origins.Written by
Jade Maxim
According to David Twohy in an interview, the reason why Riddick went into seclusion for 5 years on the U.V. system Planet 6 because Riddick decided to isolate himself because bad things happen when he is around people. See more »
Goofs
Crematoria has no vegetation on the surface, due to it constantly being "wiped clean" by the suns heat burning away everything in sight when the planet rotates/orbits the local star. It would be considered a "dead planet", meaning no life of any kind. As a result, there would be no oxygen for anyone on the planet to breathe. See more »
Quotes
[first lines]
Aereon:
They are an army unlike any other... crusading across the stars toward a place called UnderVerse, their promised land - a constellation of dark new worlds. Necromongers, they're called. And if they cannot convert you, they will kill you. Leading them, the Lord Marshal. He alone has made a pilgrimage to the gates of the UnderVerse... and returned a different being. Stronger. Stranger. Half alive and half... something else. If we are to survive, a new balance must be found. In normal...
See more »
Crazy Credits
The closing credits are displayed over extreme close-ups of elaborate Necromonger sculpture. Eventually the sculpture is revealed to be a statue of Riddick sitting in the Lord Marshall's throne. See more »
Alternate Versions
Director's Cut DVD release contains additional scenes and runs for approx 127 minutes. This includes some general alternate/additional footage that was cut from the theatrical versions for pacing and for a PG-13 rating. Additional scenes include:
A earlier introduction to Kyra, being forced into one of the empty hellhound cages on cremetoris.
The sub-plot of the Furyan energy is completely restored, several instances of these scenes are visible in the trailer for the film but not contained in the theatrical version of the film.
Riddick, while in cryo-sleep aboard Toombs' Skif en-route to Helion Prime is approached in a vision by Shirah (Played by Kristin Lehman as in the game "Chronicles Of Riddick: Escape From Butcher Bay"), and she starts to tell him about Furya before he is interrupted by his arrival at Helion Prime.
The Purifier's speech to the captured people of Helion Prime is longer (Director David Twohy on the commentary comments that this is the complete version as originally intended).
Vaako and Dame Vaako's discussion about the Lord Marshall being promoted to full death is extended, continuing with him and her discussing his demise and foreplay.
After Dame Vaako queries Aereon about Riddick, she discusses what she learns with Vaako over a telepathy/communication with him on the transport.
The fight sequences between Riddick and the Necromonger armies on the surface of Crematoria is completely unedited, containing full sound effects of the fight and is more visually brutal.
After the fight on the surface of Crematoria, Riddick is surrounded by Necromongers and Vaako is about to shoot him when Shirah re-appears to him and reveals the truth about what happened on Furya, the revelation sending out a blast from Riddick, knocking all the soldiers down and leaving Riddick unconscious - A shot of this "blast" can be seen in the trailer.
The ending is more abrupt, Riddick says "you keep what you kill" instead of Vaako, and Aereon's voice-over is not included.
Just had fun watching TCOR and am pretty happy about it. Good action, great visual stuff. A worthy successor to Pitch Black, though the two films are hardly related. Vin Diesel does a good and convincing job at playing an action antihero. As usual, Judy Dench adds to the film, even though her role is small here. The story is pure pulp SF and is short and predictable but is refreshingly dark and (mostly) unsentimental. It actually also has some interesting bits and nice side stories as a (smallish) bonus. Bits and pieces have been copied from Dune, without the film being a Dune copy. Compared to Dune, TCOR has more action and fewer Lynch oddities & boring bits. In my book, both films are good, about equally so.
Reading some of the other reviews, it seems that people are fairly polarized in their opinions of this film. Like most pulp science fiction, it takes a different sort of suspension of belief from that which makes usual films work. However, the action makes it a fair bit easier, and I found it a lot more engrossing and convincing than any of the five (ridiculous but entertaining) Star Wars films, the uniformly unwatchable Star Trek stuff, or, for that matter, most blockbusting light entertainments. But that is just me. If you hate Dune, exaggerated action scenes, or (minor) plot inconsistencies, then you probably won't like this film. Otherwise, chances are good that you will.
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Just had fun watching TCOR and am pretty happy about it. Good action, great visual stuff. A worthy successor to Pitch Black, though the two films are hardly related. Vin Diesel does a good and convincing job at playing an action antihero. As usual, Judy Dench adds to the film, even though her role is small here. The story is pure pulp SF and is short and predictable but is refreshingly dark and (mostly) unsentimental. It actually also has some interesting bits and nice side stories as a (smallish) bonus. Bits and pieces have been copied from Dune, without the film being a Dune copy. Compared to Dune, TCOR has more action and fewer Lynch oddities & boring bits. In my book, both films are good, about equally so.
Reading some of the other reviews, it seems that people are fairly polarized in their opinions of this film. Like most pulp science fiction, it takes a different sort of suspension of belief from that which makes usual films work. However, the action makes it a fair bit easier, and I found it a lot more engrossing and convincing than any of the five (ridiculous but entertaining) Star Wars films, the uniformly unwatchable Star Trek stuff, or, for that matter, most blockbusting light entertainments. But that is just me. If you hate Dune, exaggerated action scenes, or (minor) plot inconsistencies, then you probably won't like this film. Otherwise, chances are good that you will.