Personal Velocity (2002)

Three women's escapes from their afflicted lives. Each struggles to flee from the men who confine their personal freedom.

Director:

Rebecca Miller

Writers:

Rebecca Miller (book), Rebecca Miller

Stars:

Kyra Sedgwick, Parker Posey, Fairuza Balk

6 wins & 5 nominations.

Cast

Cast overview, first billed only:
Kyra Sedgwick	...	Delia Shunt
Parker Posey	...	Greta Herskowitz
Fairuza Balk	...	Paula
John Ventimiglia	...	Narrator (voice)
Ron Leibman	...	Avram Herskowitz
Wallace Shawn	...	Mr. Gelb
David Warshofsky	...	Kurt Wurtzle
Leo Fitzpatrick	...	Mylert
Tim Guinee	...	Lee
Patti D'Arbanville	...	Celia
Ben Shenkman	...	Max
Joel de la Fuente	...	Thavi Matola (as Joel De La Fuente)
Marceline Hugot	...	Pam
Brian Tarantina	...	Pete Shunt
Seth Gilliam	...	Vincent

Storyline

A tale of three women who have reached a turning point in their lives. Delia is a spirited, working-class woman from a small town in New York who leaves her abusive husband and sets out on a journey to reclaim the power she has lost. Greta is a sharp, spunky editor who is rotten with ambition. To spite the hated infidel ways of her father, she has settled into a complacent relationship and is struggling (not too hard) with issues of fidelity to her kind but unexciting husband. Finally Paula, who ran away from home and got pregnant, is now in a relationship she doesn't want. She's a troubled young woman who takes off on a journey with a hitchhiker after a strange, fateful encounter on a New York street.

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Plot Keywords:

abusive husband | hand job | female nudity | topless female nudity | sex scene | 

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Genres:

Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for brief violence, some strong sexuality and language

Details

Country:

USA

Language:

English

Release Date:

20 December 2002 (USA)

Also Known As:

Enter Fleeing

Filming Locations:

Ellenville, New York, USA

Box Office

Budget:

$125,000 (estimated)

Opening Weekend USA:

$29,943, 24 November 2002

Gross USA:

$811,299

Cumulative Worldwide Gross:

$890,502

Company Credits

Production Co:

Blue Magic Pictures, Goldheart Pictures, IFC Productions

Technical Specs

Runtime:

86 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Quotes

Greta Herskowitz: How could he still love me? If he does, it's because he doesn't know me. I'm rotten with ambition, a lusty little troll, the kind of demon you'd find at the bottom floor of hell pulling fingernails off the loansharks.

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Crazy Credits

To my mother

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Connections

Featured in Personal Velocity: Creating 'Personal Velocity' (2003)

User Reviews

Strike one out of three

A critic I read before seeing this movie (Lynden Barber of the Sydney Morning Herald) opined that it was a book illustrated with film rather than a proper movie. He's right, but that does not make it a complete write-off. There is as much voice-over as in a football match (why use a male?) but the visuals still convey some of the stories, which are not all without interest.

There are three separate stories of women having trouble with men; two from the working class and one an upwardly mobile book editor. They are tenuously connected by a street incident. One has a bashing husband, another, a husband she has outgrown, and the third has problems with her boyfriend, her stepfather and her maternal instinct. All seem to favour running away as the solution; stand and fight is not the female way, at least not in New York State.

The author of the original short stories is Rebecca Miller, who also directed from her own screenplay. This certainly accounts for the literary quality. Rebecca has a famous literary father, the great Arthur Miller, and I suspect he is in the film somewhere as a character or at least a presence. The working class girl stories are too trite to be involving (though very well played by Kyra Sedgwick and Fairuza Balk) but the middle story of the book editor (played coolly by Parker Posey) rings true. The use of digital video suits the subject-matter (Dogma 95 on the Hudson) and the whole thing is competently realised. It is the weakness in the first and third stories that disappoints.