This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.Written by
The phrase "I should tell you" is said/stated 27 times throughout the course of the movie. See more »
During the "La Vie Boheme A" sequence, Maureen switches places. At the beginning of the "Bisexuals, Trisexuals..." section, Maureen is shown to be in front of Angel, Mark, and Mimi, who are in the middle of the table, in one shot on the line "Bisexuals", but in the very next shot ("Trisexuals"), she is shown to be at the end of the table where she normally is. See more »
Mark, Angel, Maureen, Roger, Collins, Benjamin Coffin III, Mimi:
Five hundred twenty-five thousand six hundred minutes. Five hundred twenty-five thousand moments so dear. Five hundred twenty-five thousand six hundred minutes. How do you measure, measure a year? In daylights, in sunsets, in midnights, in cups of coffee. In inches, in miles, in laughter, in strife. In five hundred twenty-five thousand six hundred minutes - how do you measure a year in the life? How about love? How about love? How about love? Measure in love... seasons of love.
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The two disc DVD features an alternate ending where we find the main eight cast members back on the stage singing the last number. Although the number bookends the movie very nicely, and adds a shot of Angel missing from his spotlight, which is homage to the Broadway production, the concept was scratched for the current finale. See more »
I saw 'Rent' at a screening on Nov.12. I had seen the stage version both in NYC with the original cast as well as in LA with a different cast. The music and story has been echoing in my head for the past 10 years. So I was bound to be critical, but determined to be open-minded as this was going to be a film, not a stage musical. Chris Columbus did a wonderful job in preserving the message and feelings Jonathan Larson I think wanted people to take away with them. The changes made to bring this story to the screen were artfully accomplished. The film is gritty and sad and has a feeling of hopelessness that was difficult to transmit in a stage venue. The music that made it into the film is spectacular, and the soundtrack is indeed better than the OBC recording. The loss of several songs, though at first disappointing, works in the context of the movie. I hope all you fellow 'Rentheads' give this film the chance it deserves. I will be in the theater on opening day next week to see it again for sure.
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