A young soprano becomes the obsession of a disfigured musical genius who lives beneath the Paris Opéra House. He kidnaps the soprano and forces the owners of the play to keep her as the lead role of the play.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
10 years has passed since a fire broke out in Paris - leaving only a mask behind... As the love story continues in Coney Island, NY, The Phantom's undying love has grown for the soprano ... See full summary »
Begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back. The ghost demands they keep giving his protégé lead roles. Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student. The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan?Written by
During the Final Lair scene, after the Phantom says "You try my patience, make your choice," Christine mouths the words "I love you" to Raoul. See more »
When The Phantom brings Christine to the lair, she is wearing stockings. However once she faints and the scene shifts to the Joseph Buquet scene and then back to the lair, they are mysteriously missing. One explanation for this, however, is that the phantom simply took the liberty of removing Christine's stockings while she was unconscious. See more »
Sold. Your number, sir? Thank you. Lot 665, ladies and gentlemen: a papier-mâché musical box in the shape of a barrel organ.
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Stunning!!! Magnificent!!! Powerful!!! Beautiful, Sexy, and Tragically Heartbreaking
I can't believe I waited so long to see this movie. I've never seen the stage play. I lived in L.A. for about 17 years, attended acting school, and performed in some musicals before, but was never that crazy about seeing them, so I really didn't know what to expect. I thought "Chicago" was okay. I went to see it on a whim. But when that chandelier went up and the sweeping transformation happened to the opera house from black and white dusty ruin to a lush landscape of red velvet and gold ornate statues to the equal sweep of that unimaginably beautiful music, I literally forgot to breathe. Every time I see it I still get goosebumps. You feel that you've just been magically transported to another world. I loved every frame, every note, every performance from the very beginning to the very end. The critics must be crazy. This movie should be up for every award ever made!! I can't stop watching it. I've seen it ten times already and can't wait for the next time. It's definitely now in my top ten of all time. Joel Schumacher, and Andrew Lloyd Webber have created a MASTERPIECE!!!
What can I say about the performances that hasn't been said, they were superb. Emmy Rossum was innocent, beautiful, and angelic with a voice to match. Patrick Wilson was perfect as Raoul; handsome, and with a voice as smooth as silk. However, I can't say enough about Gerard Butler. His emotional range is absolutely stunning. Not since Richard Burton or Larry Olivier in Richard III have I seen an actor who can encompass so many different levels on the turn of a dime: Murderous rage; intense sexuality and longing; incredible vulnerability. I can't believe the comments I've seen on his singing. His voice was beautiful, sensuous, and the amazing thing was his singing matched every emotion he was feeling from highest to lowest. In the beginning we see a very confident, strong, domineering individual partial to strangling people when cornered, (not the most sympathetic of individuals,) who nevertheless shows a sensitivity and sweetness despite all of his extremely fatal faults; that is, in the more than competent hands of Gerard Butler. His performance is so beautifully and deftly drawn that gradually by the end of the film we see what's been behind the mask all along: He's just a lost little boy who never grew up.
I also have to comment on the "Point of No Return" number. That has got to be the sexiest scene I've EVER seen. And neither of them lost a stitch of clothing. Well, accept maybe a cape and a mask. But I digress. I'm sorry, but I would have dropped Raoul like a hot potato just to lie in that swan bed and let him sing to me ALLLL day, and ALLLL night, among other things.....use your imagination. So he lived in a sewer and had a little anger management problem. We could have worked through it with a good therapist. I mean this guy gave Christine what every hot blooded woman wants: Total and obedient worship. Am I right girls? Anyway to all you naysayers, I say this movie would have been nothing without him. To tell you the truth I kept wondering, "Who is this guy, where did he come from? So I did what the rest of you do and looked him up on "imdb." I'd seen "Dracula 2000," and "Timeline," but I didn't recognize him at all. Since then I've seen his other film roles, (to be honest the films weren't that great, but that's not his fault. You've got to take what you're offered.) So I just have to note another of his astonishing talents: I swear he changes with every role. His voice and his face, even his body molds to whatever character he's playing. I cannot believe that he is not up for Best Actor, or that this film is not up for at least ten Oscars. Incidentally, I shall be boycotting them this year, and I urge you to do the same. Compared to this film, the rest is just drivel. Anyway, Mr. Butler is an amazing actor. I'm so glad Mr. Schumacher had the tremendous insight to cast him. I hope now he will get the roles he so richly deserves. I'd pay admission to watch that man walk across the street. I can't believe he'd never had a voice lesson before. I hope he does more recording. I still can't get those songs out of my head, got the CD and still can't stop playing it. To all those spoil sports, GET OVER IT!! This is a MOVIE, it's not the stage play. You must embrace it on it's own turf. And WHAT a movie, I can't wait to purchase the DVD so I can savor it like the finest wine that it is to my hearts content. If you haven't seen it yet, you've missed something extremely special. It's one of the finest and most beautiful films ever made.
I have to thank you "imdb," at least we, for once, get a chance to air our opinions. I will never see another movie without consulting my fellow "little people" again. Thank you so much for this opportunity.
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