Metropolis

This is another great masterpiece in anime. Also, it's very different from others, as reviewers have pointed out.

I never expected old-1930-ish-saxopohone jazz music to be playing in an anime movie. It's a great movie, and, like Akira, the Matrix, and Princess Mononoke (or, Mononoke Hime as I prefer), it gets better every time you see it.

and in the climax of the movie, you hear Ray Charles' "I Can't Stop Loving You". Puts in the same touch as how Gene Kelly's "Singin' in the Rain" was put in "A Clockwork Orange". It engraves the scene in your head, never to forget, and it does bring the scene back to your mind once you hear that song. It's happened to me lots of times after i saw Clockwork Orange.

Review: 5/5, Good Movie scale Ratings: US PG-13, UK PG, Canada PG

For crying out loud, it's stylized! That's why the soundtrack is jazz and blues and stuff. That's why the character animation is "crappy".

Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.

It's meant to be like a Prohibition era Chicago or something.

In my short life I've developed a taste for a film that challenges me as a viewer and is more than the sum of it's parts. Metropolis is one such movie. While most will only give it credit for being a visual masterpiece, Metropolis is a well - rounded work with strong characters, themes and music. Not only does the character design have a fresh and captivating style, each character has his or hers own unique features. The setting is so rich and vibrant at times and dark and mysterious at others, it could only have been created through animation. The use of old western jazz and borderline ragtime music gives the huge city an earthy feeling, which is reflected in the architecture of the lower levels of the city. The themes are classic science fiction themes. I shy away from calling them derivative or repetitive because they still remain some of the most relevant ideas portrayed in any genre. Katsuhiro Otomo's screenplay is understated, contrasting the near "in your face" visuals. He is one of the most highly regarded writers in the genre, and he shows why here. The chilling ending is a destructive one, but it isn't the apocalyptic disaster some people make it out to be. The use of "Can't stop loving you" by Ray Charles frames the scene so well, and I found it far more moving and touching than the ending of Dr. Strangelove, which it is rightfully compared to. So, to all movie lovers, not just anime lovers, I ask you to go see this work of art and let it absorb you and change you. You will be better for it.

I have always been a fan of the 60's and 70's anime. I feel that the 80's and 90's Anime got a bit out of hand, but this film brings me back to the experimentation, the wonder, visuals and the drawing you into forgetting this is only 'anime' at all.

The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.

I'm not a big fan of Manga I must admit. The movies I've seen have been few and far between and while I certainly enjoyed the likes of Ninja Scroll, Akira and Ghost In The Shell, I've never had much urge to seek out a really wide knowledge of the genre. That being said though, Metropolis has to rank as one of my top five films of all time, not just the animated ones.

Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.

But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.

Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.