6.6/10
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10 user 11 critic

Marie-Jo et ses 2 amours (2002)

| Drama | 26 June 2002 (France)
Marie-Jo et ses 2 amours Poster
Having reached middle age, a woman must choose between the two men in her life.

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Cast

Credited cast:
... Marie-Jo
... Daniel
... Marco
... Julie
Jacques Boudet ... Jean-Christophe
Yann Trégouët ... Sylvain
Frédérique Bonnal ... Mrs. Fauvelet
Souhade Temimi ... La collègue de Marie-Jo
Maya Seuleyvan ... La dame à la minerve (as Maia Sevleyan)
Frédéric Garbe ... Le toubib
Danielle Stefan ... L'invitée à la fête
Jacques Germain ... Le pilote
Axel Köhler ... Le commandant allemand (as Alex Koehler)
Rest of cast listed alphabetically:
Richard Ano
Brigitte Beck
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Storyline

Marie-Jo is a middleaged woman living an ordinary life in Marseilles with her husband, Daniel and her daughter, Julie. Daniel runs a small construction business in which Marie-Jo helps. She also works at the local hospital. Outwardly their marriage is loving. But Marie-Jo has been in love with another man for more than twelve months.Marco works as a harbour pilot and is deeply in love with Marie-Jo. Learning that loving two men is impossible, Marie-Jo is forced to make a choice. Written by johnno.r@xtra.co.nz

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Plot Keywords:

marseille | daughter | female frontal nudity | skinny dipping | female rear nudity | See All (10) »

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Drama

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Details

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Release Date:

26 June 2002 (France)  »

Also Known As:

Maria i jej dwie milosci  »

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Box Office

Opening Weekend:

$535,332 (France), 28 June 2002
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Company Credits

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1.85 : 1
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Trivia

Chosen by "Telerama" (France) as one of the 10 best pictures of 2002 (#07) See more »

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User Reviews

 
Is this really a Guédiguian movie?
11 May 2003 | by – See all my reviews

Located in Marseille (as usual), a middle-age married woman falls in love with another man, not her husband. She decides going to live with her lover. Well, there is not problem at all at the moment, but why nobody explains what are the feelings of the woman, her doubts and stuff? She leaves the familiar house with no explanations, in the manner as she was doing an everyday thing. It's a continuous and ridiculous succession of lovers looking lovers through a window listening to songs like "What a wonderful world" when they make love. And the end, oh dear, the end is so preposterous that I feel very ashamed to tell it to nobody. Guédiguian, I still have faith in your movies ("Marius et Jeanette", ...) but don't frighten me like this never more.
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