When two brothers organize the robbery of their parent's jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
A street-wise, middle-aged moll named Gloria stands up against the mobs, which is complicated by a six-year-old urchin with a will of his own who she reluctantly takes under her wing after ... See full summary »
Needing extra cash, two brothers conspire to pull off the perfect, victimless crime. No guns, no violence, no problem. But when an accomplice ignores the rules and crosses the line, his actions trigger a series of events in which no one is left unscathed.Written by
Michael Shannon recalled that when he came to audition Sidney Lumet prompted him to read only one line before telling him he was excused. An uncertain Shannon got up to leave and overheard Lumet immediately tell the casting director, "That's who I want." See more »
In the first holdup sequence, the shade on the front door of the shop is all the way down. In later shots the shade is nearly open. See more »
A multi-perspective heist movie that turns into so much more
BEFORE THE DEVIL KNOWS YOU'RE DEAD starts off promisingly, setting up a simple heist that goes awry, told from varying perspectives (in RASHOMON style). At around the hour mark, Sidney Lumet transforms this film into something that is so much more than the sum of its parts; it eventually morphs into a multi-faceted family drama, exploring the full realm of human emotions/relations, as the story comes to its chilling climax.
As is the case with Lumet, he manages to coax exceptional performances out of his star-studded cast, without any notion of over-acting or hyperbole. Philip Seymour Hoffman, in one of his best roles, is a complex, mysterious, and interesting character, and oftentimes dwarfs Ethan Hawke, who plays his brother, Hank. That's not to say that Hawke is not bad; in fact he is quite above adequate, in a troubled role that suits his style. Marisa Tomei is excellent for her relatively short appearance (the fact that she bares her flesh adds to this). Albert Finney's character (Andy and Hank's father) is the most intriguing, and in my opinion, he deserved a bit more screen-time. Amy Ryan also performs her job adequately.
BEFORE THE DEVIL KNOWS YOU'RE DEAD is not an exceptional movie, but it proves that Lumet is still near the top of his game at the (apparent) twilight of an illustrious career. Many of his characteristics and trademarks appear here, not least of which involves the use of his characters. Infused with a killer script (no pun intended), smart dialogue and pacing, and a decent score, BEFORE THE DEVIL KNOWS YOU'RE DEAD is a must-see. A truly underrated gem. 8/10. 3 stars (out of 4). Should just enter my Top 250 at 248. Highly recommended.
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