An after-the-fact work intended to bridge between Roger Avary's adaptations of two Bret Easton Ellis novels, "Rules of Attraction" and "Glamorama", "Glitterati" is a feature-length ... See full summary »
The cab driver sets American Zed up with Zoe in his Paris hotel. Despite FFR1000 charged, she's an art student with day jobs e.g. bank. Safecracker Zed meets his junkie friend after 11 years to rob a bank.
Red, a safe cracker who has just been released from prison, is trying to hold his family together as his past catches up with him in the form of Luc, a psychopathic contract killer who's seeking revenge for the death of his brother.
Victor Ward, a model in 1990's Manhattan is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with a beautiful model and having an... See full summary »
Camden College. Sean Bateman is the younger brother of depraved Wall Street broker Patrick Bateman. He's also a drug dealer who owes a lot of money to "fellow" dealer Rupert Guest, as well as a well-known womanizer, for he sleeps with nearly half of the female population on campus. Lauren Hynde is, technically, a virgin. She's saving herself for her shallow boyfriend, Victor Johnson, who's left the States to backpack across Europe. Her slutty roommate, Lara, has the hots for Victor as well. Paul Denton, who used to date Lauren, is openly bisexual and attracted to Mitchell Allen, who's dating Candice to prove to Paul that he's not gay. Sean loves Lauren. Paul loves Sean. And Lauren may love Sean.Written by
When Sean and his drug dealer fight, the cocaine around the drug dealer's nose disappears and reappears between shots. See more »
and it's a story that might bore you, but you don't have to listen, because I always knew it was going to be like that.
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The credits run backwards, starting with the disclaimer ("Any similarity to persons living or dead...") and rolling upwards to end with the cast. See more »
At least one broadcast on British TV removed the girl's suicide entirely, cutting the scene just before she begins slitting her wrist, straight to the subsequent close-up of the dripping tap. This removed the girl's reaction, and caused a very abrupt fade-out of the music. This is far more than the BBFC removed (only the close up of the wrist-slitting) from the DVD/ Home video version. See more »
This movie will leave you feeling so empty. There are no likeable characters and no standard storyline construction (there is no beginning, middle or end as such). But, you see, that's the point. This certainly will not be everybody's "cup of coffee" so to speak. Too many people like their movies to wrap everything up at the end and have everything explained to them and for Lassie to save the day. If you are one of these people then don't bother. On the other hand if you like a movie to challenge you then I am sure you will find ROA superb.
Based on the book of the same name by Bret Easton Ellis it is probably THE best book to film adaptation I have ever seen. It captures Ellis' tone perfectly. Take some morally corrupt but beautiful people and show how much of a waste they are. Nobody ever listens to one another and everybody is out for number one. They are all selfish, greedy, and self centred. You are given not one character to like. It is a dark dark comedy about the corruption of excess and moral vacuum left behind. It is in my humble opinion brilliant. You will physically feel that vacuum in your stomach after watching the movie. These people and their actions are the perfect allegory for our ME culture. One significant difference from the book is the timeline which is updated to more current times from the books 80's context.
Roger Ebert went to see this twice because he was unsure how he felt about it. In the end he felt it was too unrealistic with regard to the nudity and attitude to it and he couldn't reconcile with the fact that there was no one to like in it. In response he received many letters from students saying that this is exactly how it is on campuses in the US, that this is what they do every weekend. That might give you an indication of the level of reality achieved here and also an idea of the culture gap. This is another movie where older people may just not get it. When I read Ebert's review his main criticism's centred on the characters but personally I found myself throughout the movie saying for almost all characters `I know someone like that'.
Go see it, but be prepared to feel nothing. It's decadent. It's great!
P.S. I haven't read the other reviews but if you are silly enough to compare this to American Pie or such nonsense then you are WAAAAAY off the mark.
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