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A young woman chooses celibacy, turns to religion, and demonizes men in order to control her intense sexual desire. Her sister suddenly visits her seaside village, which opens many old wound... Read allA young woman chooses celibacy, turns to religion, and demonizes men in order to control her intense sexual desire. Her sister suddenly visits her seaside village, which opens many old wounds and leads to tragedies.A young woman chooses celibacy, turns to religion, and demonizes men in order to control her intense sexual desire. Her sister suddenly visits her seaside village, which opens many old wounds and leads to tragedies.
Michael Locsin
- Miguel
- (as Michael Angelo)
Arthur Cassanova
- The Second Village Leader
- (as Arthur Casanova)
Cheriebee Santos
- Child One
- (as Cherriebee Santos)
Featured review
Silip (which translate literally as Sneak Peek/ Peek-A-Boo -a nod to its sexploitation beginning) tells the story of a rural salt drying area deep within the mountains of northern Philippines where urbanism and sexual politics has yet to arrive. When an old inhabitant with her beau returns, a thirst within the a trio of women and a local hotshot results into a grim sexual doom within the conservative area.
Ehh.
I think there is an argument to say the last half of the film could be considered as a masterpiece BUT there are just moments in this that feels like Men writing Women. It just reeks its exploitation far too close to its "meaningful" themes at times. It distracts in a negative way. It focuses on them as sex object unable to control their desires but in a way that only sex-ploitation would do. I think especially towards the key sexual scene towards the end.
Also, the script here is very awkward. I sometimes think that the subtitle is doing it so much favors lol. I speak Tagalog, and even for that times standard - it does come off quite stilted AND very heavy on exposition of themes.
Its kinda sad, because I really think this was such great acting in this. I especially love Myra Manibog's portrayal of a sex-crazed philandering wife who just wants them nuts hard. She hits the gothic stylization that the film needed. Sarsi Emmanuel and Ma. Isabel Lopez where more nuanced but ultimately was also good.
Not recommended but I think Scorpio Nights developed these themes in a much better light.
Ehh.
I think there is an argument to say the last half of the film could be considered as a masterpiece BUT there are just moments in this that feels like Men writing Women. It just reeks its exploitation far too close to its "meaningful" themes at times. It distracts in a negative way. It focuses on them as sex object unable to control their desires but in a way that only sex-ploitation would do. I think especially towards the key sexual scene towards the end.
Also, the script here is very awkward. I sometimes think that the subtitle is doing it so much favors lol. I speak Tagalog, and even for that times standard - it does come off quite stilted AND very heavy on exposition of themes.
Its kinda sad, because I really think this was such great acting in this. I especially love Myra Manibog's portrayal of a sex-crazed philandering wife who just wants them nuts hard. She hits the gothic stylization that the film needed. Sarsi Emmanuel and Ma. Isabel Lopez where more nuanced but ultimately was also good.
Not recommended but I think Scorpio Nights developed these themes in a much better light.
- akoaytao1234
- Apr 10, 2025
- Permalink
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Did you know
- TriviaIn this 1985 movie all the sex scenes are simulated. In a 2007 interview Maria Isabel Lopez explained how Filipino producers and directors started from 1986 to make 'pene' film: "When you do a sexy film, audiences would demand more. What will you show next? And then the filmmaker would have to outdo himself by showing more. So there was this escalation of violence and sensuality. After my generation, you know what happened? The sexy films became movies with penetration. I don't do that stuff, mine is just simulated. After that, they have to outdo themselves. The filmmakers, the producers and the move-going public wanted to see more. So they have to discover even younger actresses in the street, discover lesser stars, and the actresses became like toilet paper. That's how they (the producers) described them - tissue paper. Use them once and then throw them away. Use them for one to two films - they haven't even recovered money yet to buy themselves a car, and they are already out of the industry. And then they'll get a fresher face, younger. So my contemporaries were a decade younger than me. Because I was in my mid twenties when I was doing the sexy films, and the other films, the lead star is fifteen years old! You know, I was a middle aged woman, and my span of being a sexy star was up to one decade. I was in the industry so long, and there was a huge turnover of actresses. I outlasted them. But I told you, I have a supporting cast who will do all of the worst scenes. And since I'm the blockbuster drawer, I'm the crowd drawer in the film, they capitalize on my name, they listen to my ground rules."
- ConnectionsFeatured in Tunay na buhay: Isabel Lopez/Roldan Aquino (2011)
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