Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company ...
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Two boyhood friends are separated due to the disappearance of the sister of one of them, then later meet again as teenagers, when one of them has become a pop singer, and they discover feelings that they did not know they had.
Jet is the star gigolo in Hong Kong. Arrogant, sexy, everyone falls in love with him, but he falls in love with no one... until one day he meets Sam, the hunkiest policeman to ever pound a ... See full summary »
Sumin is an orphan trying to balance work in a factory with study at an art college and an evening job. One night, a rich young businessman makes an advance on him during one of his driving... See full summary »
"Hold Me Tight". A man comes to Hong Kong and becomes deeply in love with a girl. He watches when this girl has a passionate relationship with her boyfriend. As he approaches her life, he ... See full summary »
Three teenage boys Yong-ju, Gi-Woong and Gi-Taek, were once best friends in middle school, but they become estranged from each other once they enter high school. While Yong-ju and Gi-Taek ... See full summary »
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Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays as hard as he works. Few know that Handong's tastes run more to boys than girls. Lan Yu is a country boy, newly arrived in Beijing to study architecture. More than most students, he is short of money and willing to try anything to earn some. He has run into Liu Zheng, who pragmatically suggests that he could prostitute himself for one night to a gay pool-hall and bar owner. But Handong happens to be in the pool hall that evening, and he nixes the deal. He takes Lan Yu home himself and gives the young man what turns out to be a life-changing sexual initiation. Handong and Lan Yu meet often, and the boy is soon very secure in his love for the man. But Handong insists that he wants a play-mate, not a lifelong companion, and warns Lan Yu that they will eventually break up. Meanwhile, he showers...Written by
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Liu Ye and Hun Jun worked on their rapport only four times before production, playing basketball (of which Liu at 6-foot-1 was a star player at school) and dining. They spent time with their respective girlfriend and wife present, to clarify their romance will only be fictional. See more »
When Chen Handong takes Lan Yu home for the first time, an American television show is playing in the background, and the announcer says "not only is Los Angeles the largest city in California, but it is also the state capitol." This is wrong, Sacramento is the state capitol of California. See more »
LAN YU is another indication that films from China are becoming increasingly more poignant, less dependent on spectacle, and certainly more daring in view of the political milieu. Director Stanley Kwan not only has courage to make this poignant film, he also has the gifts to create an atmospheric, gentle, quiet, and luminously photographed love story. He draws understated performances from his actors, never stooping to caricature, always respectful of the inherent delicacy of his subject matter. Lan Yu is a handsome young gay architecture student who becomes involved with Hangdong, a closeted Beijing businessman. The affair they pursue is subtle yet not without passion, the kind of understated passion that rings true rather than playing for sensationalism. The plot twists and turns - Lan Yu is set aside by Hangdong for a "proper marriage" which leads to divorce and to other losses, bringing Hangdong back to seek his real love - Lan Yu. The change in their relationship speaks loudly for a wider acceptance of same sex love. To reveal the ending would be a disservice to the viewer. Part of the joy of this simple story is the sensitivity of Hangdong's colleagues in responding to the his various dilemmas: there is no "bad guy", no prejudice, no castigation - these friends are committed and make homophobia seem merely a foreign, unimportant word. This film is a model of restraint and intelligent, finely crafted story telling. The actors are uniformly excellent and win our hearts. Highly Recommended!
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