G

I have no gripe about this movie. The plot is an adaptation of what The Great Gatsby, which I love.

Anyone who says that the beginning gives away the end, probably has attention deficiency disorder and didn't pay attention to the actual story. There were many instances in which you suspect the movie would end with the opening scene, but it just didn't.

And I don't agree with anyone saying that the characters are "stereotyped." There are many types of blacks portrayed in this movie, from the "straight from the ghetto and 'real' about it" to the reserved, cool "gangsters" to the type that wants to conform to "higher" society. The rowdiness and uncouthness of the people in Summer G's party are necessary in keeping the feeling of the book The Great Gatsby, where the newly-rich in Gatsby's party are unaware of the etiquette of blue-blood society.

And to those who said "there is no hip hop," I believe that I did hear some rap/hiphop played several times throughout the movie. You don't expect to have an entire music video film, do you? Overall, I thought this movie was great. There was some arguably unnecessary material sprinkled throughout the film, but it should definitely get higher than a 4.4.

Like this review, G could never capture the eloquence of F. Scott Fitzgerald. What made this movie good was the skeleton provided by Fitzgerald, what made this movie bad was the adaptation. This film had its share of corn. What the first half of the century called "melodrama" we call corny. So that is due to no fault of the producer or the screenwriter. At the same time, the timelessness of the story is what will capture the attention of the audience. On some level we all love a little melodrama. Those who have read the novel will enjoy finding the urban parallels. I was even motivated to read the book again after the screening.

The enigmatic Gatsby found a counterpart in Summer G without as much mystery. Richard T. Jones is very good at playing the strong silent type. Chenoa Maxwell's Sky Hightower captured the desperate innocence of the classic's Daisy. And Blair Underwood's Chip Hightower was a Tom like no other. There was a little unnecessary comic relief and a few extra characters all building to a crescendo and an almost operatic ending.

It's difficult to adapt classic novels. This is not the first attempt for The Great Gatsby. Robert Redford and Mia Farrow attempted in 1974. I found that version very boring. So in comparison G was much better but the corn factor was a little extra. All in all much more good than bad.

I think the movie "G" puts an interesting and suspenseful spin on a boring and non-captivating novel. I was required to read "Great Gatsby" my senior year in high school, and we my class got a chance to view it at a film festival we were all amazed. Christopher Scott Cherot made me fall in love with a plot line that I had previously not cared for at all. It was a brilliant idea to take a bland setting and prodominately white characters and put a hip-hop spin on it. The climax of the movie can use a little work, but the movie is awesome as is.

No, it didn't have great fx, no it didn't run on BET after 106 and Park, yes it was an indy film. But I got it. It was different , Cool, smart, and hip. Chenoa Maxwell is breath taking. I don't get all the hard reviews. I loved it and want it on DVD for my collection. I think the director is a little different kinda kat. I liked Have Plenty, and this film G was "on it" all you critics need to watch it again...I got it...maybe you critics went to a bad public school where the Great Gastby wasn't required reading to graduate. Richard T Jones was good in this too, and I like Blair Underwood as a villain. This was ome good stuff. Im tired of gangster, rapper, hip hop laced art...we have too much of it and we need to see some different images of black culture.

Cherot's earlier film, "Hav Plenty", was one of my favorite movies. The chemistry between Cherot and Maxwell's characters in "Hav Plenty" was magical, albeit also disturbing in some ways. Hav (Maxwell's character) was a self-admitted freak and you find yourself asking why can't D. Money look past her breath-taking physical beauty and see the darkness within? But, this review is about Cherot's later movie, "G". It was a big disappointment. I rented it from Blockbuster immediately after noticing Chenoa Maxwell starred in it. I didn't even notice that it was another Cherot movie until after I watched it ... twice. The significance of that fact is that I was thinking "G" suffered from not having Cherot as the director, then I found out this was a Cherot film. Uh-oh.

This movie has two problems. One is the weak script. The entire premise is 100% unbelievable. Rappers in the Hamptons? Come on. Maybe, this could have been pulled off as a comedy, but as drama the premise is ill-conceived.

This movie has so much potential. Blair Underwood nails his character, as always. And, Richard T. Jones manages to tone down his obvious comedic skills and delivers a leading man whose charisma is all the more impressive when you realize he convinces us that Sky (Maxwell's character) should be with him instead of the brother every sister in the world would love to wake up next to, Blair Underwood. Pay attention to the second scene in which we see Summer G. (Jones' character). You sense everything you need to know about Summer G. before he evens says a word. Jones' acting is that deep in this movie. It is, by far, his best work I have seen to date.

Problem number two is Chenoa Maxwell. Chenoa Maxwell is one of the finest sisters on the planet. That, in itself, is enough to convince most men, and more women than you might think, to see this movie. But, she, apparently, is an actress who needs quite a bit of help from her director. She was so fascinating in "Hav Plenty". But, in "G" she appears, well, amateurish. And, I say that as a fan who sincerely wants to see her do well. I couldn't help being drawn to her character in the episodes she played in "Girlfriends". She played opposite Golden Brooks, another sister with drop dead gorgeous looks. Yet, when the two had a scene together, I found myself drawn to Maxwell's character. But, "G" is the worst work I have seen yet from Maxwell.

I always saw Chenoa Maxwell playing a role. I never saw Sky, the character Chenoa was supposed to be portraying. Chenoa doesn't look comfortable with this role. In her love scene with Jones, he is buck naked, oblivious to the rest of the world, only into Sky. But, Sky isn't there. Instead, there is Chenoa, more concerned about what body parts not to show than of losing herself in G.s embrace. I can respect a sister deciding not to show her body on camera. But, a sister with those sort of values should not have accepted this role.

I think , when it comes to love scenes, the actors have to put all personal inhibitions aside and immerse themselves in their characters. It it then up to the director to tastefully edit out shots which are not flattering. If you don't trust your director to do that, you can not give your character your whole heart and soul. Halle Berry had to do this in "Monster's Ball". In her infamous love scene with Billy Bob Thornton's character, Halle is nowhere to be found. At that moment, the only woman in the room is Leticia Musgrove. Yes, it annoys me that White Folks picked that particular story to come up, finally, with another best actress award for a sister. But, Chenoa could learn a lot from Halle's work in "Monster's Ball". Think back to the last scene of "Monster's Ball", when Halle's character told us so much without ever saying one word. Now, that was the level of talent we needed to see from my girl Chenoa.

Chenoa, please, sister woman, at some point, if you intend to take this acting thing to the next level, you have to be willing to move further from Chenoa and closer to the character you are playing. Embrace her, take chances, even chances that you personally might be a little uncomfortable with. I, for one, know you have it in you.

But, if your personal value system is not compatible with the whole Hollywood acting scene, to the point where you decide being Chenoa is more important than being an actress, I ain't mad at cha. I have no doubt you could be a success at anything else you put your head to. But, whatever you choose to do, do it with all your mind, heart, soul, and body.

Istlota