After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her...
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Two seemingly happily married French couples are forced to contend with a number of issues: Nearing the end of his career, small-town doctor Jacques (Jean-Pierre Bacri) and his wife Carole ... See full summary »
Realising a dishonest deal has been found out a diamond merchant commits suicide, leaving the gems in question for his wife. Knowing the business from the time before drink largely took ... See full summary »
Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites ... See full summary »
After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her days off, Jacques is torn between the pleasure of Laura's company, and the headache that such an intrusion brings to his new domain of singlehood.Written by
Sujit R. Varma
Filling the gaps, The Housekeeper tempts the spectator while cheats on him.
The best thing coming from this Berri film is that plausibility and prediction conspire to improve a weak plot. The spectator, however, gets the surprise of his life when, in a sudden twist, the film reveals he has been watching the wrong movie. Give the kudos to the actors: sexily believable and deceitfully ordinary. Jacques and Laura, the main characters in this autumn-spring old line plot, early show their true self. She, young and beautiful, knows he is in a middle of a sentimental crisis. He, mature and confused, is never deceived by her egotist intentions. A sexual relationship is sure to occur, and so it does. But, it comes as a strange mix of feelings and desires, that the film never gets it clear. That's the relevance of this story: life cannot be deconstructed and explained in terms of art. Just the mirror, as the good Stendhal knew almost two centuries ago. Une femme de menage (more explicative than the English title) is a quiet thought on the passing of chances and the options we make; and a lecture on the futility of adapting our expectations to a self-deceitful sense of self-importance.
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