Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
Roger uses his son Igor to ruthlessly traffic and exploit undocumented immigrants. When one of the immigrants is killed, Igor is guilt-ridden and wants to care for the dead man's family against his father's orders.
Liège, Belgium. Sandra is a factory worker who discovers that her workmates have opted for a EUR1,000 bonus in exchange for her dismissal. She has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.
At nightfall, a four-engine aircraft landed at an airport. Only one passenger goes down, Joe, the last survivor of the Jewish family Falsch. He has left Berlin for forty years, in 1938. In ... See full summary »
Olivier - meticulous, careful, even-handed - teaches carpentry at a vocational school in Liège. He's asked to take on Francis, 16, a new student. He declines the request then begins to watch, even spy on, the new lad. Olivier knows something. Later that day, he's visited by Magali, his ex-wife, who tells him that she's remarrying and is pregnant. Olivier seems to follow instinctive responses: "why today?" he demands of Magali; he continues to follow Francis; he changes his mind about enrolling the youth. What's the history between the two? After that becomes clear, what is it Olivier will do? Is this precise and measured carpenter in control of himself?Written by
The Son is a movie about forgiveness, and how the very act of forgiving propels you forward as a human being. And to not only forgive the person who took away your son, but to become a guardian, a teacher to that person is an act of grace. Olivier exhibits this grace throughout the movie, but it is a grace that is not evident by just watching him on a day to day basis. You have have to follow him, listen to him, be with him constantly and understand his circumstances to realize this. I suppose, in a way, that many people possess this grace, but its hard to find it in them if you can't follow them around with a camera. Olivier, on the surface, would not seem like a very interesting person if you saw him on the street, or worked with him on a daily basis, and the boy seems like a dolt, but this movie makes them so interesting, so compassionate, not as characters, but as real people. It teaches you to look beneath the surface of things, of human beings, and if you look hard enough, you'll find beauty everywhere.
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