Every year the most beautiful girl will be sacrificed to the Python God. When a girl named Sia is the next to be sacrificed, she hides in the house of the village idiot, a man who goes ...
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Every year the most beautiful girl will be sacrificed to the Python God. When a girl named Sia is the next to be sacrificed, she hides in the house of the village idiot, a man who goes around shouting hyper-aggressive criticisms against everything. Sia is found by the soldiers but the army commander had for some time prepared a revolt against the emperor and saves Sia on the way. Will Sia reveals the terrible secret she learned about the Python God ?Written by
Max Scharnberg, Stockholm, Sweden
A play of Shakespearean aspirations cannot fit the screen
It is clear that the stage play must have been a searingly powerful experience. There are numerous metaphors proceeding simultaneously, and most of them are pointedly identifying sins of modern politics. It makes me wish I could have been there.
In an attempt to translate this to the screen, the artifice that comes natural to the stage feels awkward. The photography and the staging try to appear at least somewhat realistic. As a result, characters come across as one-dimensional instead of being archetypes. The acting seems wooden at times rather than being larger than life. The violence that would never be realistic on stage cannot make up its mind here.
But in all, it is still a wonderful document. There is a powerful punchline at the very end (last 10 seconds) that is not to be missed, and it pushed this up to a 7 for me.
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