In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple...
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The final installment in Ulrich Seidl's Paradise trilogy, 'Paradise: Hope' tells the story of overweight thirteen-year-old Melanie and her first love. While her mother travels to Kenya ('... See full summary »
Teresa, a fifty-year-old Austrian mother, travels to the paradise of the beaches of Kenya, seeking out love from African boys. But she must confront the hard truth that on the beaches of Kenya, love is a business.
In conurbations where hundreds of thousands live alongside one another, in the era of a highly technological society, in which communication has never played such a significant role, man ... See full summary »
Main character of this movie is Rene Rupnik, a former math teacher. He is forty years old and lives together with his mother in a desolate block of flats. Ever since his early youth women ... See full summary »
Ulrich Seidls follow wealthy tourists going on safari to kill often endangered species. Some determinedly searching for trophies, others to enjoy. Even if every prey comes at a price., they... See full summary »
This is a film about the 'students ball' in Horn, the little Austrian town Seidl grew up. The movie portraits the young débutantes as well as the local notables, all of them eagerly involved in maintaining the stiff and stifling ritual.
In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple with a serious marriage problem and an old man, whose wife died long before on the search for some sexual entertainment live their lives while their lifelines cross from time to time.Written by
Moritz Muehlenhoff <firstname.lastname@example.org>
A perfect film about life as it often is: Brutal, hard to take but sometimes very beautiful
This film is great. As often heard, it is indeed very realistic and sometimes brutal, but unlike some other people I am clearly not of the opinion that it is depressing, negativistic or dismantling Austria as a proto-fascist society. Quite the contrary: While there are indeed some very heavy scenes in HUNDSTAGE and some characters are to be called very bad persons, at the same time you watch love, beauty and humor in Ulrich Seidls film. And that's exactly what distinguishes HUNDSTAGE for me from other films that try to show the lives of the 'ordinary people' in an intense, realistic way; their hustle, their wishes, their dark sides: Seidl clearly never tries to prove, that the lives of the working-class people are trash! In my opinion, viewers who come to this conclusion seem to be very afraid of admitting, that nearly nobody's live is as 'clean' and 'normal' as we would like other people to believe. And that every live has its dark and often depressing sides. The most beautiful scene: The old Viennese man, watching his old girl dancing 'the oriental way', as he is calling it. I think everybody who finds this scene ugly lacks a sense of beauty and should ask themselves what it is, that's proto-fascist: The characters in HUNDSTAGE or viewers, who are turned off by the body of a 70+ year old woman, dancing with all her charms for her lover.
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