| Cast overview, first billed only: | |||
| John Cusack | ... | Max Rothman | |
| Noah Taylor | ... | Adolf Hitler | |
| Leelee Sobieski | ... | Liselore von Peltz | |
| Molly Parker | ... | Nina Rothman | |
| Ulrich Thomsen | ... | Captain Mayr | |
| David Horovitch | ... | Max's Father | |
| Janet Suzman | ... | Max's Mother | |
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András Stohl | ... | NCO |
| John Grillo | ... | Nina's Father | |
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Anna Nygh | ... | Nina's Mother |
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Krisztián Kolovratnik | ... | Nina's Brother |
| Peter Capaldi | ... | David Cohn | |
| Yuliya Vysotskaya | ... | Hildegard | |
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János Kulka | ... | Mr. Epp |
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Kata Pálfi | ... | Mrs. Epp (as Katalin Pálfy) |
Munich, 1918. German-Jew Max Rothman has returned to much of his pre-war life which includes to his wife Nina and their two children, to his mistress Liselore von Peltz, and to his work as an art dealer. He has however not returned to being an aspiring painter as he lost his dominant right arm during the war. He is approached by an aspiring painter, a thirty-year old Austrian war veteran named Adolf Hitler, who wants him to show his works. Although he doesn't think the paintings are all that original and he doesn't really like Hitler as a person, Rothman takes Hitler under his wings if only because of their camaraderie of being war veterans, and knowing that Hitler had nothing and no one to come back to after the war unlike himself. Rothman believes that Hitler has promise if only he can find his original artistic point of view. In part out of need for money, Hitler, on the urging of Captain Karl Mayr, agrees to work for the army as a political spokesman in anti-Semitic propaganda. ... Written by Huggo
MAX (2002) *** John Cusack, Noah Taylor, Molly Parker, Leelee Sobieski, Ulrich Thomsen. Filmmaker Menno Meyjes' audacious yet non-offensive examination on the colossal What If of all time: What if Adolph Hitler continued his path into a career as an artist instead of a genocidal madman? Based on facts and an amalgamated character in the form of Max Rothman (a never finer Cusack in one of his best adult' roles to date) a WWI vet who has returned to his Munich based art dealership minus a limb with an ever-gnawing question: What now? Enter problematic young artist wannabe and fellow German war vet Hitler (Taylor in a tricky yet full-force to be reckoned with turn) insisting his friendship with the tormented Rothman to the limits (and the beginnings of the end for history). The film is a tad bland in some areas however the prickly wonderings of what may have been make it all the worthwhile.