A corporation hires a professional assassin to pose as its trade show representative who must organize the wedding of a Middle Eastern pop star, which will allow him the opportunity to kill a Middle Eastern politician.
Fantastic improbabilities, happenstance and the undying bridge of love are part of this romantic fantasy about an Inuit who crosses years, oceans and the ravages of WWII to find his ... See full summary »
Jason Scott Lee,
Munich, 1918. German-Jew Max Rothman has returned to much of his pre-war life which includes to his wife Nina and their two children, to his mistress Liselore von Peltz, and to his work as an art dealer. He has however not returned to being an aspiring painter as he lost his dominant right arm during the war. He is approached by an aspiring painter, a thirty-year old Austrian war veteran named Adolf Hitler, who wants him to show his works. Although he doesn't think the paintings are all that original and he doesn't really like Hitler as a person, Rothman takes Hitler under his wings if only because of their camaraderie of being war veterans, and knowing that Hitler had nothing and no one to come back to after the war unlike himself. Rothman believes that Hitler has promise if only he can find his original artistic point of view. In part out of need for money, Hitler, on the urging of Captain Karl Mayr, agrees to work for the army as a political spokesman in anti-Semitic propaganda. ...Written by
To help get this controversial movie financed, producer/star John Cusack took no salary for acting in the lead role. See more »
The family gathers to listen to the reports of the Armistice Agreement Terms (November 1918) on a radio. However, broadcasting in Germany didn't start until 1923 and was strictly experimental and limited before that. See more »
[George Grosz crashes and drunkenly runs stumbling in, looks around at the paintings on display, and begins to vomit]
George, so glad you like it.
See more »
Greetings again from the darkness. What a phenomenal script! Dealing with the absolute most controversial subject possible, Menno Meyjes (writer and director), provides a fascinating look at the early years of history's most despised figure. "What if" Hitler's art had won over his politics? So much of history would have changed, one can only imagine. As a matter of fact, how about a script showing what could have been? This one teases us with the fork in the road. Noah Taylor is absolutely chilling as a frustrated Hitler, just back form WWI and struggling to find his place in a crippled Germany. John Cusack, as art dealer Max Rothman, is tremendous in what is truly his first role as an adult (no wise-ass or chick flick here). Comparing the two and how they deal with post-war syndrome is enthralling. So similar, yet so different. I doubt this film gets made without Cusack and I doubt it will find much of an audience due to the fear of many to this day to even entertain the thought of Hitler as a human being. Trust me, this is not a sympathetic view of Hitler, merely a glimpse into his formation. Molly Parker has a nice turn as Cusack's wife. Where has she been? More than 20 film credits and I don't recognize her! It is always a pleasure to see Leelee Sobieski ("Joy Ride") although she has very little to do in this one. Wonderful script, mediocre direction and two fabulous performances make this one worth seeing ... although, sadly, very few will.
31 of 37 people found this review helpful.
Was this review helpful to you?
| Report this