6.6/10
6,677
86 user 73 critic

Max (2002)

R | | Drama, War | 20 June 2003 (UK)
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A film studying the depiction of a friendship between an art dealer named Rothman and his student, Adolf Hitler.

Director:

Menno Meyjes

Writer:

Menno Meyjes
3 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Cusack ... Max Rothman
Noah Taylor ... Adolf Hitler
Leelee Sobieski ... Liselore von Peltz
Molly Parker ... Nina Rothman
Ulrich Thomsen ... Captain Mayr
David Horovitch ... Max's Father
Janet Suzman ... Max's Mother
András Stohl András Stohl ... NCO
John Grillo ... Nina's Father
Anna Nygh Anna Nygh ... Nina's Mother
Krisztián Kolovratnik Krisztián Kolovratnik ... Nina's Brother
Peter Capaldi ... David Cohn
Yuliya Vysotskaya ... Hildegard
János Kulka János Kulka ... Mr. Epp
Kata Pálfi Kata Pálfi ... Mrs. Epp (as Katalin Pálfy)
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Storyline

Munich, 1918. German-Jew Max Rothman has returned to much of his pre-war life which includes to his wife Nina and their two children, to his mistress Liselore von Peltz, and to his work as an art dealer. He has however not returned to being an aspiring painter as he lost his dominant right arm during the war. He is approached by an aspiring painter, a thirty-year old Austrian war veteran named Adolf Hitler, who wants him to show his works. Although he doesn't think the paintings are all that original and he doesn't really like Hitler as a person, Rothman takes Hitler under his wings if only because of their camaraderie of being war veterans, and knowing that Hitler had nothing and no one to come back to after the war unlike himself. Rothman believes that Hitler has promise if only he can find his original artistic point of view. In part out of need for money, Hitler, on the urging of Captain Karl Mayr, agrees to work for the army as a political spokesman in anti-Semitic propaganda. ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Art + Politics = Power

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Hungary | Canada | UK

Language:

English

Release Date:

20 June 2003 (UK) See more »

Also Known As:

Hoffman See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$30,157, 29 December 2002, Limited Release

Gross USA:

$527,019, 2 March 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Writer/director Menno Meyjes reports that before the script was written, Steven Spielberg's Amblin company was interested in the project. But Spielberg told Meyjes he couldn't bring himself to help make a movie he thought would dishonor Holocaust survivors. Nevertheless, he considered the script an excellent one and encouraged the director to push for its realization, but without Amblin. See more »

Goofs

Hitler became a vegetarian 13 years later - in 1931. See more »

Quotes

[first lines]
[George Grosz crashes and drunkenly runs stumbling in, looks around at the paintings on display, and begins to vomit]
Max Rothman: George, so glad you like it.
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Connections

Referenced in Children of the Setting Suns (2006) See more »

Soundtracks

Happy Birthday
(uncredited)
Written by Mildred J. Hill and Patty S. Hill
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User Reviews

 
Max is a speculative story about Hitler and a Munich art dealer.
20 November 2006 | by holmest-2See all my reviews

Max has good acting, and some interesting ideas. But it is a mediocre film that is full of historical flaws. Namely, in 1918, Hitler was already working for the Abwehr in the role of political agitator, and anti-Marxist. As far as it is known, Hitler never pursued his interest in painting in a practical sense after the first world war, although Hitler always had a verbal opinion on the matter. (This is where I give the film kudos for at least giving us a hint at Hitler's artistic vision.) Another flaw, unless of course it was purposely contrived by the film's director, presents Hitler as a pathetic loner, shouting at disinterested war veterans and German civilians. The opposite is true. Hitler captivated his audiences from the start with his oratory. Also, Hitler was never intimidated by women, in fact women were among the basis of his popularity and entrance into the powerful circles of Munich society. Hitler was a man of willpower, I doubt that a Munich art dealer, or anyone else for that matter, could have successfully dissuaded Hitler from his self-appointed destiny.


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