6.5/10
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Max (2002)

R | | Drama, War | 20 June 2003 (UK)
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A film studying the depiction of a friendship between an art dealer named Rothman and his student, Adolf Hitler.

Director:

Menno Meyjes

Writer:

Menno Meyjes
3 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Cusack ... Max Rothman
Noah Taylor ... Adolf Hitler
Leelee Sobieski ... Liselore von Peltz
Molly Parker ... Nina Rothman
Ulrich Thomsen ... Captain Mayr
David Horovitch ... Max's Father
Janet Suzman ... Max's Mother
András Stohl András Stohl ... NCO
John Grillo ... Nina's Father
Anna Nygh Anna Nygh ... Nina's Mother
Krisztián Kolovratnik Krisztián Kolovratnik ... Nina's Brother
Peter Capaldi ... David Cohn
Yuliya Vysotskaya ... Hildegard
János Kulka János Kulka ... Mr. Epp
Kata Pálfi Kata Pálfi ... Mrs. Epp (as Katalin Pálfy)
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Storyline

Munich, 1918. German-Jew Max Rothman has returned to much of his pre-war life which includes to his wife Nina and their two children, to his mistress Liselore von Peltz, and to his work as an art dealer. He has however not returned to being an aspiring painter as he lost his dominant right arm during the war. He is approached by an aspiring painter, a thirty-year old Austrian war veteran named Adolf Hitler, who wants him to show his works. Although he doesn't think the paintings are all that original and he doesn't really like Hitler as a person, Rothman takes Hitler under his wings if only because of their camaraderie of being war veterans, and knowing that Hitler had nothing and no one to come back to after the war unlike himself. Rothman believes that Hitler has promise if only he can find his original artistic point of view. In part out of need for money, Hitler, on the urging of Captain Karl Mayr, agrees to work for the army as a political spokesman in anti-Semitic propaganda. ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Art + Politics = Power

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Hungary | Canada | UK

Language:

English

Release Date:

20 June 2003 (UK) See more »

Also Known As:

Hoffman See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$30,157, 29 December 2002

Gross USA:

$539,879

Cumulative Worldwide Gross:

$660,763
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

To help get this controversial movie financed, producer/star John Cusack took no salary for acting in the lead role. See more »

Goofs

The family gathers to listen to the reports of the Armistice Agreement Terms (November 1918) on a radio. However, broadcasting in Germany didn't start until 1923 and was strictly experimental and limited before that. See more »

Quotes

[first lines]
[George Grosz crashes and drunkenly runs stumbling in, looks around at the paintings on display, and begins to vomit]
Max Rothman: George, so glad you like it.
See more »

Connections

Referenced in Children of the Setting Suns (2006) See more »

Soundtracks

Happy Birthday
(uncredited)
Written by Mildred J. Hill and Patty S. Hill
See more »

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User Reviews

 
There is no future in the future
7 February 2003 | by ferguson-6See all my reviews

Greetings again from the darkness. What a phenomenal script! Dealing with the absolute most controversial subject possible, Menno Meyjes (writer and director), provides a fascinating look at the early years of history's most despised figure. "What if" Hitler's art had won over his politics? So much of history would have changed, one can only imagine. As a matter of fact, how about a script showing what could have been? This one teases us with the fork in the road. Noah Taylor is absolutely chilling as a frustrated Hitler, just back form WWI and struggling to find his place in a crippled Germany. John Cusack, as art dealer Max Rothman, is tremendous in what is truly his first role as an adult (no wise-ass or chick flick here). Comparing the two and how they deal with post-war syndrome is enthralling. So similar, yet so different. I doubt this film gets made without Cusack and I doubt it will find much of an audience due to the fear of many to this day to even entertain the thought of Hitler as a human being. Trust me, this is not a sympathetic view of Hitler, merely a glimpse into his formation. Molly Parker has a nice turn as Cusack's wife. Where has she been? More than 20 film credits and I don't recognize her! It is always a pleasure to see Leelee Sobieski ("Joy Ride") although she has very little to do in this one. Wonderful script, mediocre direction and two fabulous performances make this one worth seeing ... although, sadly, very few will.


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