At Phoenix Progressive School, where everyone tries to outdo each other with creative self-expression, 16-year-old Molly Maxwell (Lola Tash) would rather be invisible than risk revealing ... See full summary »
A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to 'The Crucible'.
Trieste Kelly Dunn
Ten years ago Sarah Hathaway's gifted and troubled son, Thomas, ran away from their home in Los Angeles. Unable to deal with the doubt and guilt, Sarah's life slowly disintegrates ending in... See full summary »
Gifted 18-year-old Meg has been abandoned by her father and neglected by her hardworking mother. Left to care for her emotionally disturbed younger sister, her world begins to unravel. She finds an outlet in writing poetry and support from her English teacher, Mr. Auster. But what started out as a mentoring relationship begins to get a bit more complex.Written by
This film was edited on an Apple Macintosh Computer with "Final Cut Pro" and "Cinema Tools" software. See more »
When Meg changes to join Auster and family on the beach, she has on a red bikini and over it, a red sweater. She has the sweater on when she gets there. But later, when Auster asks to "walk her home," she does not have the sweater, and Auster has to lend her his gray sweater to keep her warm. See more »
A world emerges from little details. For example, when we buried my son, I had forgotten to put in my contact lenses. I stood over him before they closed the coffin, trying to fix him in my memory. I could see the red from his sweater and his blue pants, and there was a scab on his forehead that hadn't healed. It was from a bicycle accident. I could feel that scab when I kissed him, but when I looked at him... he was out of focus.
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Written and Performed by Mick Mahan
(c) 1998 Octave Below Music (BMI) See more »
Great piece of screen writing.
It's always nice to come across a little gem of a film like this one is. The characters are crafted so well that there is nary a false note in the entire piece. The dynamics between the daughter (Meg) and her mother, Meg and her sister, and Meg and her teacher all ring true; at times painfully so. As things so often occur in real life, this was no neat little package of events and resolutions but characters stumbling through situations making good and bad decisions and coming out on the other side having learned something from their experiences.
Why can't everyone write like this! Kudos to Karen Moncrief for showing such great respect for her audience. I hope you have many more opportunities to add to your writing and directing resume. I've seen tons of films and very few of them are standouts. This is one of them.
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