In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his ten-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan.
Samuel L. Jackson
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Massachusetts.
When anti-death-penalty activist David Gale is convicted and condemned to death for the murder of a colleague, reporter Bitsey Bloom sets out to learn the story behind Gale's crime. What she finds challenges her belief in Gale's guilt and, finally, in the justice system.Written by
Jim Beaver <firstname.lastname@example.org>
Smart story-telling with twists, great acting yet shoddy tempo
Twisting and turning, this film uses great actors and direction for an interesting story: is David Gale, staunch opponent of the death penalty, guilty of rape and murder? Kate Winslet plays a journalist who is to interview Gale three days prior to his execution on the fourth. One follows Gale's story as he tells it, and it wavers from heart-wrenching to horrid, exciting to sluggish. Is the man guilty or innocent? Will the journalist unveil anything? And who's the cowboy? I really liked the film, much because of Alan Parker's special sense of pathos, but also because of the very good acting and radiant story. If it weren't for the shoddy sense of tempo, I'd say this film would deserve a place next to "The Usual Suspects", in a weird way.
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