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Fear X (2003)

PG-13 | | Thriller | 4 April 2003 (Denmark)
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When his wife is killed in a seemingly random incident Harry (Turturro), prompted by mysterious visions, journeys to discover the true circumstances surrounding her murder.

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(screenplay by), (screenplay by)
1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Harry
... Kate
... Phil (as Stephen McIntyre)
... Agent Lawrence
... Ed (as Eugene M. Davis)
... Diner Cop
Jacqueline Ramel ... Claire
... Peter
... Ellen
... Prostitute
... Hotel Waitress
... Adamson
Spencer Duncanson ... Man
Dan K. Toth ... Hotel Clerk
Jeffrey R. Lawrence ... Sergeant Frank
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Storyline

After his wife is murdered in a parking garage, mall security agent Harry obsessively studies security camera footage in order to find out who has killed her and why. After the discovery of a meaningful clue, his investigation soon takes a dark turn. Written by bjongen

Plot Summary | Add Synopsis

Taglines:

The Past Can Never Be Rewound

Genres:

Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for intense thematic material | See all certifications »
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Details

Country:

| | |

Language:

Release Date:

4 April 2003 (Denmark)  »

Also Known As:

Fear X - Im Angesicht der Angst  »

Filming Locations:

 »

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Box Office

Budget:

$6,600,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The thought map of Harry Caine is inspired by the thought maps that Nicolas Winding Refn puts up on his wall when starting a new film project. See more »

Quotes

[first lines]
Harry: Unit 14 here. I got a white, middle-aged male, he just took a cardigan and slipped it into his bag. Area A-91, over.
Control Room Guard: Copy. Got the suspect on camera. Over.
Harry: Stay on him, here I go...
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Crazy Credits

The closing credits appear on footage from CCTV security tapes. See more »

Connections

Featured in NWR (Nicolas Winding Refn) (2012) See more »

Soundtracks

Theatrical Overture
By Pit Orchestra
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User Reviews

Haunting downbeat Noir-ish mystery
9 February 2003 | by See all my reviews

"Fear X" is a change of pace and scenery for both Danish director Refn ("Pusher", "Bleeder") and writer Selby Jr. ("Last Exit To Brooklyn", "Requiem For A Dream") who mostly deal with violent urban decay and despair.

A shopping mall security guard, John Turturro, is trying to track down whoever shot his wife in the same mall. A co-worker supplies him with endless surveillance tapes which he watches over and over, while taking photos of blurry 'suspects' of the tapes. Little by little he collects fragments of evidence of the identity of the murderer. But "Fear X" is not a straight forward thriller with a crystal clear conclusion, it's more of a dark unsettling psychological journey of a man in need of healing for his loss.

Snowy Canada is stand-in for Midwestern small town Wisconsin in this independent film (co-produced by Denmark, Britian, and Canada) that has a "Fargo" look to it. The director's two first films was clearly inspired by the works of Scorsese and especially Abel Ferrara, but "Fear X" is less easy to compare to others. There's a conspiracy feel of movies like "Blow Up" and "The Conversation" but some of the surreal images in the end recalls David Lynch and vintage Polanski. The pace is subtle just like John Turturro's awesome lowkey performance which suits the film perfectly because you can totally identify and feel for his character's quest for the truth. Brian Eno's haunting score also fits the movie quite nicely and gives a feeling of genuine dread. Anyone who think all Danish movies are overhyped Dogme experiments shot on video by epileptic camera men are in for a nice surprise. The film is shot in beautiful scope by Kubrick's cinematopgrapher. The always reliable James Remar, whom I loved since "The Warriors", also deserves praise for his small but important role.

"Fear X" received some good reviews at the recent Sundance festival, and will hopefully find a larger audience. Refn still remains the most promising Danish director, in my opinion, because he totally operates outside the Danish trendy mainstream film circles with a genuine love for movies, from classic Italian cinema to hardboiled American crime flicks, which make his vision of filmmaking pretty unique in Denmark and Europe.


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