Evan Treborn suffers blackouts during significant events of his life. As he grows up, he finds a way to remember these lost memories and a supernatural way to alter his life by reading his journal.
With the help of a mysterious pill that enables the user to access one hundred percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
A soldier wakes up in someone else's body and discovers he's part of an experimental government program to find the bomber of a commuter train. A mission he has only 8 minutes to complete.
Director:
Duncan Jones
Stars:
Jake Gyllenhaal,
Michelle Monaghan,
Vera Farmiga
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Director:
Rian Johnson
Stars:
Joseph Gordon-Levitt,
Bruce Willis,
Emily Blunt
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
An extraterrestrial race, forced to live in slum-like conditions on Earth, suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology.
Evan Treborn grows up in a small town with his single, working mother and his friends. He suffers from memory blackouts where he suddenly finds himself somewhere else, confused. Evan's friends and mother hardly believe him, thinking he makes it up just to get out of trouble. As Evan grows up he has fewer of these blackouts until he seems to have recovered. Since the age of seven he has written a diary of his blackout moments so he can remember what happens. One day at college he starts to read one of his old diaries, and suddenly a flashback hits him like a brick!Written by
Anonymous
They only had three of the postboxes to blow up and they only got it right on the third try. See more »
Goofs
When Evan is in the wheelchair and talks to Kayleigh, his face is desaturated (see commentary track Director's Cut DVD). The effect is visible when people pass behind Evan. Their skin-tone changes when they walk through that desaturated part of the image. See more »
Quotes
[first lines]
[reading aloud as he writes a note]
Evan:
If anyone finds this, it means my plan didn't work and I'm already dead. But if I can somehow go back to the beginning of all of this, I might be able to save her.
See more »
Crazy Credits
The title, "The Butterfly Effect," is superimposed over a depiction of a butterfly beating its wings, which is itself superimposed upon an X-ray profile of a human brain. See more »
Alternate Versions
The director's cut contains a few new scenes:
Evan discovering that his grandfather had the same gift, and also was considered crazy, like his father
Evan and Andrea go to a palm reader that tells Evan he has no lifeline
Andrea telling Evan she was pregnant twice before he was born.
A scene in the prison where the prisoners publicly read Evan's journals.
A scene in the prison where the other prisoners come to rape Evan one night.
An extended hospital scene where Evan is visiting sick Andrea.
When Animals Attack
Written by Chris King, Dave Wadsworth, Ric Roccapriore, Keith Kaplan and Howard Karp
Performed by Even Rude
Courtesy of PWNETD Music See more »
Every so often we all seem to move away from the usual nothings we talk about amongst our friends, and instead get into a deeply philosophical conversation about the workings of Chaos Theory and the existence of parallel universes. No? Okay, just me then. In any case, this discussion just the other day led to a friend recommending The Butterfly Effect, a film that puts both a stylistic and sinister spin on the idea that even the mere flapping of a butterfly's wings can result in drastic changes in another place or time. Being initially sceptical because of the generally negative reaction from critics, I was certainly not disappointed by film's end.
Ashton Kutcher couldn't be more different that his concurrent role as the dimwitted Kelso from That '70s Show in his lead performance as Evan Treborn, a man who has suffered blackouts since his childhood, and realises that he can access and relive vital gaps in his memory through the help of other sources like journals or images. He uses this skill to, in his eyes, right the wrongs of the past. Namely, injustices that were performed upon his friends Lenny and Tommy and only love Kayleigh (Amy Smart). What he doesn't realise is that the changes he thinks are made for the better actually result in a severely changed future that threatens his own life.
Without trying to sound like a sadist, The Butterfly Effect excels in presenting a consistently dark, melancholy atmosphere. Indeed, there is hardly a happy moment in the entire film, although that may be untrue depending on which ending you watch (more on that later). Any event that looks as if it might provide a slim ray of hope for Evan to make things right is quickly dashed by a sudden escalation of the plot, maintaining the viewer's interest the whole way through. The film doesn't shy away from heavy subject matter either, including prostitution, murder, paedophilia and drug use, all of which culminates in an enjoyably gritty, underground tone.
Positively, the menacing nature of the movie isn't weighed down by comic relief. I suppose when many of us think of this sort of plot, we first think of the Simpsons Halloween special when Homer invents the time-travelling toaster. Not knowing quite how dark the film would turn out to be, I was concerned The Butterfly Effect would go down a similar path, in which Evan keeps returning to the present to find that all humans have grown wings or Pauly D has become President. Instead, any changes are limited to the persona of the characters, rather than altering the physical environment, which was definitely the professional path to take.
The pacing is another strength. For a film that comes in well under two hours, directors Eric Bress and J. Mackye Gruber deserve credit for packing a lot in, and doing it well. Certainly, some thrillers benefit from slow-moving scenes to draw suspense (the superb Eyes Wide Shut, for example) but Butterfly manages to combine compounding urgency with engaging character development in constructing a fast-moving film that requires both thought and stamina to decipher, without being needlessly confusing.
Oddly, the film possesses four different final scenes, and so the lasting message of the movie may differ depending on the copy viewed. My favourite ending is the 'official' one applied to the theatrical release. It is satisfying, yet open-ended, as is the case with its alternate cut. Another is uncharacteristically upbeat and illogical, perhaps suggested in the editing room as a way of appeasing confused screen-test viewers. But if you really want to get down to brass tax, go with the Director's Cut: a far more morbid conclusion with a surreal twist. Intrigued? Don't let me stop you.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*
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Every so often we all seem to move away from the usual nothings we talk about amongst our friends, and instead get into a deeply philosophical conversation about the workings of Chaos Theory and the existence of parallel universes. No? Okay, just me then. In any case, this discussion just the other day led to a friend recommending The Butterfly Effect, a film that puts both a stylistic and sinister spin on the idea that even the mere flapping of a butterfly's wings can result in drastic changes in another place or time. Being initially sceptical because of the generally negative reaction from critics, I was certainly not disappointed by film's end.
Ashton Kutcher couldn't be more different that his concurrent role as the dimwitted Kelso from That '70s Show in his lead performance as Evan Treborn, a man who has suffered blackouts since his childhood, and realises that he can access and relive vital gaps in his memory through the help of other sources like journals or images. He uses this skill to, in his eyes, right the wrongs of the past. Namely, injustices that were performed upon his friends Lenny and Tommy and only love Kayleigh (Amy Smart). What he doesn't realise is that the changes he thinks are made for the better actually result in a severely changed future that threatens his own life.
Without trying to sound like a sadist, The Butterfly Effect excels in presenting a consistently dark, melancholy atmosphere. Indeed, there is hardly a happy moment in the entire film, although that may be untrue depending on which ending you watch (more on that later). Any event that looks as if it might provide a slim ray of hope for Evan to make things right is quickly dashed by a sudden escalation of the plot, maintaining the viewer's interest the whole way through. The film doesn't shy away from heavy subject matter either, including prostitution, murder, paedophilia and drug use, all of which culminates in an enjoyably gritty, underground tone.
Positively, the menacing nature of the movie isn't weighed down by comic relief. I suppose when many of us think of this sort of plot, we first think of the Simpsons Halloween special when Homer invents the time-travelling toaster. Not knowing quite how dark the film would turn out to be, I was concerned The Butterfly Effect would go down a similar path, in which Evan keeps returning to the present to find that all humans have grown wings or Pauly D has become President. Instead, any changes are limited to the persona of the characters, rather than altering the physical environment, which was definitely the professional path to take.
The pacing is another strength. For a film that comes in well under two hours, directors Eric Bress and J. Mackye Gruber deserve credit for packing a lot in, and doing it well. Certainly, some thrillers benefit from slow-moving scenes to draw suspense (the superb Eyes Wide Shut, for example) but Butterfly manages to combine compounding urgency with engaging character development in constructing a fast-moving film that requires both thought and stamina to decipher, without being needlessly confusing.
Oddly, the film possesses four different final scenes, and so the lasting message of the movie may differ depending on the copy viewed. My favourite ending is the 'official' one applied to the theatrical release. It is satisfying, yet open-ended, as is the case with its alternate cut. Another is uncharacteristically upbeat and illogical, perhaps suggested in the editing room as a way of appeasing confused screen-test viewers. But if you really want to get down to brass tax, go with the Director's Cut: a far more morbid conclusion with a surreal twist. Intrigued? Don't let me stop you.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*