Maria and Jeffrey are a married couple in their seventies. Their marriage is in crisis. However, Maria tries to get their two sons and one daughter, Francesco, Marco and Miriam, their ... See full summary »
F. Murray Abraham,
Algiers, 1940. MAMAN TITINE has lived alone with her five children ever since her husband JOSEPH, a Jewish post office employee, set off for Paris with forged papers to find work. Maman ... See full summary »
Vittorio Innocente, a young man, estranged from the tragedies of his Italian immigrant family, has spent his adult life denying his past. When his estranged father starts to stalk ... See full summary »
At the beginning of the century, in Italy, a wealthy woman Francesca (Loren), adopts a poor little girl named Nunziata. The years pass, Nunziata falls in love Federico (Bova), her adoptive brother, son of Francesca.
'Human Voice' is based on Jean Cocteau's iconic one woman play of the same name. Set against the backdrop of Naples, Italy, in 1950, this romantic drama tells the story of Angela, (played ... See full summary »
Enrico Lo Verso,
Il professor Ianniello sostiene che il bradisismo che da secoli interessa la zona di Pozzuoli è prodotto dalla grande madre, la terra. Ma le grandi madri si trovano anche fra la gente ... See full summary »
Luca De Filippo,
Luciano De Crescenzo
Toronto, 2001. Three women in spiritual crisis. In secret from her dismissive husband, Olivia draws what she sees in dreams. Catherine, a world-class cellist, has abandoned her husband and daughter to hunt down her father. Photojournalist Natalia, in her famous father's footsteps, scores her first Time Magazine cover, but realizes she has paid an incalculable price for the photo. Olivia has another secret besides her art; Catherine makes discoveries about her father; Natalia receives a gift that's undeserved: these complications push each woman in a new and unexpected direction.Written by
When the gardener Max after twenty minutes recites a poem, it is the second stanza of the poem "La vie idéale" by Charles Cros (1842-1888). See more »
When John first looks at Olivia's charcoal drawings, the light reflecting off the paper shows it to be a smooth, semi-gloss surface. Neither the drawing paper for charcoal nor the medium itself reflects light in this way; these appear to be photographs of charcoal drawings. See more »
It is rare coming from such a young filmmaker to see a film with this maturity and understanding for women. I recommend it to anyone who wishes not only to be moved but also inspired by the story's message: the courage to be yourself no matter what. This film will stay in me for a long long time.
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