7.1/10
3,487
29 user 42 critic

Hukkle (2002)

Unrated | | Crime, Mystery, Drama | 14 November 2003 (USA)
Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary - an old man with hiccups, a shepherdess and her sheep, an old... See full summary »

Director:

György Pálfi

Writer:

György Pálfi
17 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ferenc Bandi Ferenc Bandi ... Csuklik bácsi
Józsefné Rácz Józsefné Rácz ... Bába
József Farkas József Farkas ... Rendõr (as József Forkas)
Ferenc Nagy Ferenc Nagy ... Méhész
Ferencné Virág Ferencné Virág ... A méhész felesége
Mihályné Király Mihályné Király ... Nagymama
Mihály Király Mihály Király ... Nagypapa
Eszter Ónodi ... Városi anya
Attila Kaszás Attila Kaszás ... Városi papa
Szimonetta Koncz Szimonetta Koncz ... Városi kislány
Gábor Nagy Gábor Nagy ... Városi kisfiú
Jánosné Gyõri Jánosné Gyõri ... Postás
Edit Nagy Edit Nagy ... Pásztorlány
János F. Kovács János F. Kovács ... Vízhordó fiú
Mihályné F. Kovács Mihályné F. Kovács ... A vízhordó fiú anyja
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Storyline

Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary - an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Crime | Mystery | Drama

Certificate:

Unrated | See all certifications »
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Did You Know?

Trivia

Based on true events that took place in Hungary between 1914 and 1929. See more »

User Reviews

Drowning by the Same Number
25 November 2006 | by tedgSee all my reviews

I suppose we should be thankful for this. Its as purely cinematic as you will get if you think of narrative separate from vision. That's the philosophy of this, one I almost violently reject.

But we do have it. And it is enjoyable, clever, engaging. The notion here is one of granularity. I've written elsewhere about the size of the components in a film, that there are wonderful effects that can accrue when these are exploited. By that I meant component in several dimensions. There's the rhythm of the thing is how long the camera lingers and lines are spoken and effects presented. Mastery of this is rare but when you see it, it matters.

But there's granularity in the narrative as well. You might present chunks out of order, in which case the physical life of them is less important than the degree of abstraction in the way they are presented. Moving, shifting levels of abstraction only seems to work when the size of the brick, the steps in levels of abstraction, are constant. When these two bricks: abstraction in several senses and physical heartbeat are modulated together, then you have something that can penetrate your being.

Now to this. Its lovely. Its a slightly interesting puzzle that leaves us with a refreshing and welcome moral. Its offbeat and therefore attractive on that score as well. But I really didn't like it because there's no understanding of the bricks, the nature of the units that make up a film. This isn't me saying I like this tradition or convention, oh no. Its a matter of how our minds actually work.

Look at this seriously. Its difference from what we normally expect is part of its reason to be and presumably is there to increase its effectiveness at what it is. Small things like a bee's dance, or a bud's breaking are the same abstract "size" as larger things like planting and marrying, and they are the same "size" as global earthquakes and war. Placed in this is a mass murder of husbands, established also as the same size.

Its a nice idea. Wish it worked.

Interesting as all getout is the nature of the Hungarian mind. This is a small country. Many small countries in Europe, especially in the southeast, suffer an inferiority complex. Hungary is a bit different. They are ethnically different from other Europeans, profoundly so. They are a nation with one city surrounded by farms. So invested are they in this city that it is the most urban and in many ways sophisticated in Europe. Hungary — given it size — has produced a phenomenal number of brilliant scientists and mathematicians. Absolutely phenomenal.

And if you know these men and their work, you'll know that they are/were the primary warriors in defining the world geometrically. You don't want a treatise on warring theories in science in a movie comment, but be aware that there are different views of how things are put together in the world, and it boils down to how you abstract the bricks.

We owe the bright Hungarians for the notion that the world has symmetries that transcend numbers and probabilities. Mirrors exist before the eye does. If you go to Budapest, you will find great minds. But if you go to the outskirts and talk to the non-urbanites, you get a kindergarten version of geometric existence.

That's where this comes from. Its interesting. Its novel. Its ineffective and dumb. But pretty. Blocks, all the same.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


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Details

Country:

Hungary

Language:

Hungarian | Czech

Release Date:

14 November 2003 (USA) See more »

Also Known As:

Czkawka See more »

Filming Locations:

Hungary See more »

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Box Office

Budget:

$100,000 (estimated)

Gross USA:

$53,715

Cumulative Worldwide Gross:

$132,745
See more on IMDbPro »

Company Credits

Production Co:

Mokép See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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