- 10 wins & 32 nominations.
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Photos and Videos
Cast verified as complete
Alex Palmer | ... |
Activist
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Bindu De Stoppani | ... |
Activist
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Jukka Hiltunen | ... |
Activist
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David Schneider | ... |
Scientist
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Cillian Murphy | ... |
Jim
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Toby Sedgwick | ... |
Infected Priest
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Naomie Harris | ... |
Selena
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Noah Huntley | ... |
Mark
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Christopher Dunne | ... |
Jim's Father
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Emma Hitching | ... |
Jim's Mother
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Alexander Delamere | ... |
Mr. Bridges
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Kim McGarrity | ... |
Mr. Bridges' Daughter
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Brendan Gleeson | ... |
Frank
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Megan Burns | ... |
Hannah
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Justin Hackney | ... |
Infected Kid
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Luke Mably | ... |
Private Clifton
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Stuart McQuarrie | ... |
Sergeant Farrell
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Ricci Harnett | ... |
Corporal Mitchell
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Leo Bill | ... |
Private Jones
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Junior Laniyan | ... |
Private Bell
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Ray Panthaki | ... |
Private Bedford
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Christopher Eccleston | ... |
Major Henry West
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Sanjay Rambaruth | ... |
Private Davis
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Marvin Campbell | ... |
Private Mailer
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Adrian Christopher | ... |
Featured Infected
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Richard Dwyer | ... |
Featured Infected
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Nick Ewans | ... |
Featured Infected
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Terry John | ... |
Featured Infected
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Paul Kasey | ... |
Featured Infected
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Sebastian Knapp | ... |
Featured Infected
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Nicholas James Lewis | ... |
Featured Infected
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Jenni Lush | ... |
Featured Infected
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Tristan Matthiae | ... |
Featured Infected
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Jeffrey Rann | ... |
Featured Infected
(as Jeff Rann)
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Joelle Simpson | ... |
Featured Infected
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Al Stokes | ... |
Featured Infected
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Steen Young | ... |
Featured Infected
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Rest of cast listed alphabetically: | |||
Danny Boyle | ... |
Infected Running Across Minefield (uncredited)
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Directed by
Danny Boyle |
Written by
Alex Garland | ... | (written by) |
Produced by
Robert How | ... | line producer |
Andrew Macdonald | ... | producer |
Music by
John Murphy |
Cinematography by
Anthony Dod Mantle | ... | director of photography |
Editing by
Chris Gill |
Editorial Department
Fred Chandler | ... | post production executive |
Emanuele Giraldo | ... | editor trainee: FT2 |
Nick Packer | ... | assistant editor |
Jean-Clement Soret | ... | colorist (as Jean Clement Sorret) |
Martin Walsh | ... | color timer |
David Bernstein | ... | colorist: high definition mastering (uncredited) |
Joanna Garrard | ... | assistant editor (uncredited) |
Steve Harrow | ... | post-production consultant (uncredited) |
Richard Rowntree | ... | assistant to post-production controller (uncredited) |
Casting By
Gail Stevens |
Production Design by
Mark Tildesley |
Art Direction by
David Bryan | ||
Mark Digby | ... | supervising art director |
Rod Gorwood | ... | (as Rob Gorwood) |
Patrick Rolfe | ||
Denis Schnegg |
Set Decoration by
Fanny Taylor |
Costume Design by
Rachael Fleming |
Makeup Department
Nuala Conway | ... | additional makeup artist |
Lisa Crawley | ... | prosthetic makeup artist |
Polly Earnshaw | ... | additional makeup artist |
Andy Garner | ... | special makeup effects artist |
Adrian Getley | ... | prosthetic makeup artist |
Richard Glass | ... | contact lens optician |
Barrie Gower | ... | prosthetic makeup artist |
Sian Grigg | ... | makeup artist |
Alan Hedgcock | ... | prosthetics makeup effects |
Kate Hill | ... | prosthetic makeup artist |
Kerry Hormbrey | ... | makeup trainee: FT2 |
Deborah Jarvis | ... | additional makeup artist |
Sallie Jaye | ... | makeup designer |
Melissa Lackersteen | ... | additional makeup artist |
Chris Lyons | ... | special effects teeth |
Ian Morse | ... | prosthetic makeup artist |
Anthony Parker | ... | prosthetic makeup artist |
Susan Parkinson | ... | additional makeup artist (as Sue Parkinson) |
Justin Pitkethly | ... | prosthetic makeup artist (as Justin Pitkethley) |
John Schoonraad | ... | prosthetic makeup artist |
Robin Schoonraad | ... | prosthetic makeup artist |
Tristan Schoonraad | ... | prosthetic makeup artist |
Jemma Scott-Knox-Gore | ... | contact lens technician |
Dee Sherwood-Wallace | ... | prosthetic makeup artist |
Miho Suzuki | ... | prosthetic makeup artist |
Cliff Wallace | ... | prosthetic makeup effects artist |
Norma Webb | ... | additional makeup artist |
Production Management
Monika Kintner | ... | production manager: German production crew |
Anje Krutz | ... | unit manager: Germany (as Antje Krutz) |
Clare St. John | ... | post-production supervisor |
Claire Tovey | ... | unit manager |
Sara Desmond | ... | production manager: reshoots (uncredited) |
Second Unit Director or Assistant Director
Vicki Allen | ... | additional third assistant director |
Sara Desmond | ... | second assistant director |
Carlos Fidel | ... | third assistant director |
Richard Styles | ... | first assistant director |
Sallie Hard | ... | second assistant director: re-shoots (uncredited) |
Eliot Mathews | ... | third assistant director: re-shoots (uncredited) |
Alex Oakley | ... | additional second assistant director (uncredited) |
Chris Stoaling | ... | third assistant director (uncredited) |
Art Department
Britta Albert | ... | prop buyer: Germany |
Bruce Barnes | ... | carpenter |
Mark Bewley | ... | plasterer |
Mark Buck | ... | plasterer |
John Burgess | ... | carpenter |
Gillian Campbell | ... | scenic painter |
Joe Casey | ... | plasterer |
Jamie Churchouse | ... | plasterer |
Raymond Churchouse | ... | head plasterer (as Ray Churchouse) |
Charlie Cobb | ... | art department assistant |
David Cooper | ... | carpenter |
Andrea Couch | ... | art department assistant |
Dan Crandon | ... | construction manager |
Hannah Crick | ... | scenic painter |
Quentin Davies | ... | stand-by props |
Michelle Day | ... | art department assistant |
Sophie Geliot | ... | scenic painter |
Rod Gorwood | ... | draughtsman (as Rob Gorwood) |
Claire Gould | ... | art department trainee: FT2 |
Chris Grace | ... | carpenter |
Ben Green | ... | carpenter |
Mark Guest | ... | stand-by props |
Paul Halter | ... | carpenter |
Martin Kelly | ... | art department trainee: FT2 |
Tim Leadley | ... | stand-by carpenter |
Warren Lever | ... | carpenter |
Chris Lightburn-Jones | ... | assistant construction manager |
Charlie Malik | ... | storeman |
Kamlan Man | ... | stand-by art director (as Kam Lan Man) |
Jane Matthews | ... | scenic painter |
Toby Neville | ... | carpenter |
John Pinkerton | ... | scenic painter |
Tim Powis | ... | carpenter / foreman |
Jody Raynes | ... | scenic painter |
Beth Roberts | ... | dressing props |
Stuart Rushbrook | ... | carpenter |
Simon Scullion | ... | scenic painter |
Nick Slater | ... | stand-by carpenter |
Matthew Streatfield | ... | art department trainee: FT2 |
Paul Tappin | ... | plasterer |
Marc Telford | ... | carpenter |
Nick Thomas | ... | prop master |
Daniel Vernon | ... | art department trainee: FT2 |
Kip Walker | ... | dressing props |
Mark Wallis | ... | carpenter |
Kellie Waugh | ... | prop buyer (as Kelly Waugh) |
John Weller | ... | supervising rigger |
Matthew Button | ... | carpenter (uncredited) |
Roger Dengate | ... | CAD & steel fabrication (uncredited) |
Brendan Houghton | ... | storyboard artist (uncredited) |
Thomas Jones | ... | foam technician (uncredited) |
Mike Rawlings | ... | props (uncredited) |
Sound Department
Orin Beaton | ... | boom operator |
Ricky Butt | ... | foley artist |
Roberto Cappannelli | ... | re-recording mixer |
Paul Carr | ... | adr mixer |
Felicity Cottrell | ... | foley artist |
Adam Daniel | ... | sound re-recordist: final mix |
Graham Daniel | ... | re-recording mixer: final mix |
Gillian Dodders | ... | adr editor / dialogue editor |
Glenn Freemantle | ... | sound designer / supervising sound editor |
Peter Gleaves | ... | adr mixer |
John Hayward | ... | sound re-recording mixer: pre-mix |
Alex Hudd | ... | sound consultant: dolby |
Nicolas Le Messurier | ... | re-recording mixer: pre-mix (as Nick Lemessurier) |
Mitch Low | ... | assistant sound (as Mitch Lowe) |
Tim Maxwell | ... | sound re-recordist |
Ray Merrin | ... | re-recording mixer: final mix |
Doris Perrolf | ... | audio conform |
Grahame Peters | ... | foley editor |
John Rodda | ... | sound recordist |
Tom Sayers | ... | sound effects editor |
Lyle Scott-Darling | ... | sound re-recordist: final mix |
Mike Stewart | ... | adr mixer |
Ruth Sullivan | ... | foley artist |
Ted Swanscott | ... | adr mixer |
Kevin Tayler | ... | foley mixer |
Andrew Wilkinson | ... | assistant sound editor (as Andy Wilkinson) |
Andrew Caller | ... | sound technician (uncredited) |
Colin Cooper | ... | adr recordist (uncredited) |
Mitch Low | ... | sound recordist: pick-ups (uncredited) |
Richard Pryke | ... | re-recording mixer (uncredited) |
John Soukup | ... | sound transfer (uncredited) |
Special Effects by
Richard Conway | ... | special effects supervisor |
Sam Conway | ... | special effects technician |
Bob Hollow | ... | special effects supervisor |
Curtis Iggulden | ... | special effects technician |
Andrew Kelly | ... | special effects technician |
Steve Paton | ... | special effects technician |
Nick Smith | ... | special effects technician |
Cliff Wallace | ... | special effects makeup designer |
Mark White | ... | senior special effects technician |
Nigel Nixon | ... | special effects senior technician (uncredited) |
Tez Palmer | ... | special effects technician (uncredited) |
Visual Effects by
Peter Bach | ... | digital effects consultant |
Matthew Bristowe | ... | producer: MPC |
Greg Caplan | ... | visual effects executive producer: Clear |
Michael Elson | ... | head of production: MPC |
Richard Etchells | ... | Filmtel operator |
Moriah Etherington-Sparks | ... | visual effects production staff (as Moriah Sparks) |
Simon Fallon | ... | visual effects executive producer: Clear |
Symi Fuchs | ... | visual effects production staff |
Steve Garrad | ... | digital effects producer (as Steve Garrard) |
Josh George | ... | 3D animator |
Will Goodchild | ... | visual effects editor: video tape |
Tom Harding | ... | digital artist |
John Harvey | ... | 3D animator |
Jonny Hicks | ... | digital artist |
Simon Hutala | ... | digital artist (as Simon Huhtala) |
Tony Lawrence | ... | digital effects supervisor |
Begoña Lopez | ... | producer: MPC |
Andrew Merlino | ... | digital artist |
Hollie Moreton | ... | visual effects production staff |
Ben Murray | ... | digital artist |
Olly Nash | ... | 3D animator |
Matthew Packham | ... | Filmtel operator |
Jim Parsons | ... | digital artist |
Damien Raymond-Barker | ... | visual effects production staff |
Adrian Russell | ... | 3D animator |
Gary Sandbrook | ... | visual effects editor: video tape |
Jean-Clement Soret | ... | colourist (as Jean Clement Sorret) |
Aleks Ugarow | ... | digital artist |
Scott Winter | ... | visual effects editor: video tape |
Marcus Wood | ... | visual effects editor: video tape |
Melissa Agate | ... | data operator (uncredited) |
Simon Cox | ... | data operator (uncredited) |
Paddy Eason | ... | digital compositor (uncredited) |
Rob Hill | ... | data operator (uncredited) |
Sally Spencer | ... | data operator (uncredited) |
John Van Hoey Smith | ... | data operator (uncredited) |
David J. Zimmerman | ... | tape librarian: CLEAR (uncredited) |
Stunts
Tom Aitken | ... | stunts (as Tom Aitkin) |
Dani Biernat | ... | stunt performer / stunts |
George Cottle | ... | stunts (as George Cottle Jnr.) |
David Cronnelly | ... | stunts |
Richard Dwyer | ... | stunts |
Amanda Foster | ... | stunts |
Eunice Huthart | ... | stunts |
Rowley Irlam | ... | stunts |
Charles Jarman | ... | stunts |
Kim McGarrity | ... | stunts |
Ray Nicholas | ... | stunts fire safety |
Peter Pedrero | ... | full body burn/utility stunts |
Andreas Petrides | ... | stunts |
Gary Powell | ... | stunts |
Nick Powell | ... | stunt coordinator (as Nicholas Powell) |
Seon Rogers | ... | stunts (as Séon Rogers) |
Gordon Seed | ... | stunts |
Colin Skeaping | ... | stunts |
Julian Spencer | ... | stunts |
Leonard Woodcock | ... | stunts (as Lenny Woodcock) |
Camera and Electrical Department
Nick Allsop | ... | camera trainee |
Bill Bullpit | ... | additional electrician |
Ian Chisholm | ... | additional assistant camera |
Wailoon Chung | ... | electrician: dailies |
Andrew Cole | ... | best boy |
Andy Cole | ... | best boy |
Adam Dale | ... | camera operator: aerial unit |
Wayne Mansell | ... | generator operator |
Dave May | ... | additional grip (as David May) |
Peter Mountain | ... | still photographer |
Charlie Muspratt | ... | rigger |
Thomas Neivelt | ... | gaffer |
Ian Pape | ... | rigger |
Mike Parsons | ... | electrician |
Neil Paul | ... | rigger |
Barry Reid | ... | electrician |
Peter Richardson | ... | additional electrician |
John Rundle | ... | grip |
Bob Shipsey | ... | daily camera operator |
Simon Tindall | ... | assistant camera |
Steve Wallace | ... | additional camera operator |
Robert Weller | ... | rigger |
Jaimz Williams | ... | video assist / video assist: re-shoots |
Ray Wilson | ... | rigger |
Charlie Woodburn | ... | assistant camera: Wescam |
Marcel Zyskind | ... | Steadicam operator / camera operator: "b" camera |
Brandon Evans | ... | gaffer (uncredited) |
Ian Speed | ... | libra technician (uncredited) |
Thomas Townend | ... | cinematographer: second unit (uncredited) |
Casting Department
Maureen Duff | ... | casting assistant |
Louis Elman | ... | adr voice casting |
Robin Hudson | ... | casting assistant |
Costume and Wardrobe Department
Charlotte Child | ... | costume assistant |
Anne Lavender-Jones | ... | wardrobe supervisor |
Esme Young | ... | costume maker |
Location Management
Volker Beyer | ... | location controller |
Alex Gladstone | ... | location manager |
Pat Karam | ... | location manager |
Asha Sharma | ... | location marshal |
Tracey Tucker | ... | assistant location manager |
Darren Helman | ... | location assistant (uncredited) |
Jamie Lengyel | ... | location manager (uncredited) |
Christian McWilliams | ... | location manager (uncredited) |
Tom Stourton | ... | location assistant (uncredited) |
Music Department
Hugo Adams | ... | music editor |
Nicole Catino | ... | music coordinator: Avenger Entertainment |
Simon Denny | ... | score engineer |
Daniel L. Griffiths | ... | score mixer / score producer |
Jonas Hansson | ... | composer: producer and performer |
Lee Herrick | ... | music editor |
Mike Hunter | ... | music recordist: strings and choir |
Andrew Price | ... | musician: strings |
Barrie Robinson | ... | music coordinator: Avenger Entertainment |
Laura Ziffren | ... | music consultant (as Laura Z. Wasserman) |
Thomas Cavanaugh | ... | music business & legal affairs (uncredited) |
Script and Continuity Department
Eve Spence | ... | script supervisor |
Transportation Department
Mike Beaven | ... | unit driver |
Roy Clarke | ... | unit driver |
Simon Hudnott | ... | unit driver |
Ali Keshavji | ... | rushes driver |
John Lelko | ... | transportation |
Jara Pöhnitzsch | ... | driver: Germany |
Ceva Ural | ... | driver: Germany |
Mark White | ... | white trux sfx |
Keith Winyard | ... | stand-by driver: props |
Ulrich Bohnefeld | ... | driver: Germany (uncredited) |
Mandula Hilf | ... | driver: Germany (uncredited) |
Additional Crew
John Almond | ... | paramedic |
Jon Baker | ... | armourer |
Tom Bayliss | ... | rushes runner |
Carey Berlin | ... | assistant to producer |
Grace Boyle | ... | traffic marshal |
Sophie Burden | ... | catering manager |
Sally Burns | ... | chaperone |
Jo Cameron Brown | ... | voice coach |
Henry Camilleri | ... | military advisor |
Donna Casey | ... | accounts trainee: FT2 |
Caroline Chapman | ... | floor runner |
Sarah Clark | ... | unit publicist |
Kylie Connell | ... | legal & business affairs assistant |
Matt Dalton | ... | post-production accountant |
Emma Dawson | ... | production assistant: DNA Films |
Candice Fonseca | ... | production coordinator |
David Fox | ... | runner |
Theodore Goddard | ... | production legal services |
Jim Hajicosta | ... | production accountant |
Matthew Horrocks | ... | production runner |
Sylvia Hudlemaier | ... | chimpanzee trainer |
Thomas Hudlemaier | ... | chimpanzee trainer |
Christian Hünemörder | ... | production services: Germany |
Lisa Inman | ... | continuity trainee: FT2 |
Michael Jungfleisch | ... | production services: Germany |
Ged Lynch | ... | drums & percussion (as Ged 'God' Lynch) |
Paul Manning | ... | safety and security |
Jill McCullough | ... | voice coach |
Sarada McDermott | ... | production secretary |
Maggie Murray | ... | accounting assistant |
Ben Nicholas | ... | cutting room assistant |
Stephen North | ... | helicopter safety engineer (as Steve North) |
Dan Palmer | ... | assistant accountant |
Nina Pickford | ... | tutor |
Craig Pinney | ... | production assistant |
Elvis Plese | ... | runner |
Jennifer Saunders | ... | aerial unit operations (as Jennifer Allen) |
Rima Schmidt | ... | accounts assistant: Germany |
Jemma Scott-Knox-Gore | ... | contact lenses (as Gemma Scott) |
Faujja Singh | ... | armorer |
Phillip Small | ... | catering provider |
Cory Smith | ... | catering assistant |
Joanne Smith | ... | general manager: DNA Films |
Paul Swann | ... | laboratory contact |
Simon Warne | ... | chef |
Sarah Wiener | ... | caterer: Germany |
Hayley Williams | ... | production runner |
Birgit Wollny | ... | production coordinator: Germany |
Dave Evans | ... | armorer: boot camp (uncredited) |
Carlton Jarvis | ... | medical advisor (uncredited) / medical special effects (uncredited) |
Oliver Kersey | ... | set production assistant: dailies (uncredited) |
Ian 'Fingers' Lisi | ... | facilities (uncredited) |
Jeremy Pelzer | ... | studio consultant: 3 Mills (uncredited) |
Alexander Xavier Ponce-Bonano | ... | production assistant (uncredited) |
Paul Ralph | ... | production assistant (uncredited) |
Sascha Robey | ... | weapons armorer (uncredited) |
Katryna Samut-Tagliaferro | ... | production coordinator (uncredited) |
Penny Skuse | ... | liaison: film commission (uncredited) |
Thanks
Cornell Chin | ... | thanks |
Walter Donohue | ... | thanks |
Masahiro Hirakubo | ... | thanks |
Alwin H. Küchler | ... | thanks (as Alwin Kuchler) |
Chris Lane | ... | thanks |
Elaine Lane | ... | thanks |
Lois Lane | ... | thanks |
Tom Miller | ... | thanks |
Richard Whelan | ... | thanks |
Production Companies
Distributors
- Twentieth Century Fox (2002) (United Kingdom) (theatrical)
- Fox Columbia TriStar Films (2002) (Australia) (theatrical)
- 20th Century Fox Argentina (2003) (Argentina) (theatrical)
- Bontonfilm (2003) (Czechia) (theatrical)
- Cinemark (2003) (Lithuania) (theatrical)
- FS Film (2003) (Finland) (DVD) (theatrical) (VHS)
- Fox Films A/S (2003) (Norway) (theatrical)
- Fox Searchlight Pictures (2003) (United States) (theatrical)
- Fox-Warner (2003) (Switzerland) (theatrical)
- Gemini Film (2003) (Russia) (theatrical)
- Twentieth Century Fox (2003) (Germany) (theatrical)
- Twentieth Century Fox (2003) (Italy) (theatrical)
- Twentieth Century Fox (2003) (Japan) (theatrical) (Far East)
- Twentieth Century Fox (2003) (Netherlands) (theatrical)
- Twentieth Century Fox (2003) (Sweden) (theatrical)
- UGC-Fox Distribution (UFD) (2003) (France) (theatrical)
- 20th Century Fox Home Entertainment (2003) (Brazil) (DVD)
- 20th Century Fox Home Entertainment (2003) (Brazil) (VHS)
- 20th Century Fox Home Entertainment (2003) (Germany) (DVD)
- 20th Television (2003) (United States) (tv)
- Twentieth Century Fox Home Entertainment (2003) (Netherlands) (DVD) (VHS)
- Gativideo (2004) (Argentina) (DVD)
- Gativideo (2004) (Argentina) (VHS)
- Mainostelevisio (MTV3) (2006) (Finland) (tv)
- 20th Century Fox Home Entertainment (2007) (United States) (Blu-ray) (DVD)
- RTL Entertainment (2008) (Netherlands) (tv) (RTL5)
- 20th Century Fox Home Entertainment (2010) (Germany) (Blu-ray) (DVD)
- Syfy (2023) (United States) (tv)
Special Effects
- Cine Image Film Opticals (end titles)
- Clear (visual effects and DV upconversion)
- Creature Effects (prosthetic makeup effects)
- Emergency House Special Effects (pick ups)
- Moving Picture Company (MPC)
- ReelEye Company (contact lenses)
Other Companies
- A-Z Animals Limited (animal action arranged and coordinated by)
- AON/Albert G. Ruben Insurance Services (insurance services)
- APTN Library (archive clips)
- ARRI Lighting Rental (lighting equipment)
- Avenger Entertainment (music coordination)
- BBC Archives (archive clips)
- Bapty and Co. (armory)
- Bapty and Co. (weapons)
- Bianchi Aviation Film Sevices (jets)
- Camera Revolution (libra technician)
- Casting Collective (extras casting)
- Cine Image Film Opticals (end titles)
- Compuhire (computers provided by)
- Creative Partnership (title design)
- David Deane Associates (health and safety consulting)
- DeLuxe Laboratories (prints)
- Dolby Digital (in selected theatres)
- Faber & Faber (publisher: screenplay)
- Film 4X4 (facility vehicles)
- Film Finances (completion guarantee)
- Flush with Success (facility vehicles)
- Flying Pictures (aerial filming services)
- Fox News (archive clips)
- Future Post (post-production facilities)
- Gambit GmbH (production services)
- Goldcrest Post Production London (adr facility)
- Hyperactive Broadcast (editing equipment)
- ITN Archive (archive clips)
- Lightworks (edited on)
- Moving Picture Company (MPC) (digital film lab)
- Oculus (editing equipment)
- Parr Street Studios (score recording)
- Pinewood Studios (foley recorded at)
- Pinewood Studios (pre-mixing)
- Production Copier Company (production equipment and services)
- Reelsound (sound post-production)
- Sapex Scripts (post-production script)
- Schwaben Zoo, Stuttgart (chimpanzees provided by)
- Science Photo Library (images)
- Set Meals (catering)
- Shepperton Sound (sound re-recording)
- Steeple Post Production Services (post production consultant)
- Sundance Film Festival (festival)
- Technicolor (colour)
- The Travel Company (travel services)
- V.F.G. (camera equipment provided by)
- Vehicles in Vision (action vehicles)
- Visual Emergency Medical Services (paramedics)
- Willie's Wheels (facility vehicles)
- XL Recordings (soundtrack released by)
Storyline
Plot Summary |
A group of animal rights activists break into a lab and release monkeys from their cages to rescue them, despite warnings from a scientist that the monkeys are contagious. As a result of the animal rights activists' actions, a virus that the monkeys contained rapidly across Great Britain and infects numerous people. Jim, who fell into a coma following a bicycle accident shortly before the virus was released, emerges from his coma and finds that London is deserted. He realizes that he is not alone, as within the city there are those that have been infected and those that have not. Jim manages to find more survivors and they head out to Manchester, where a group of British military personnel offer protection of any survivors from the infected. However, Jim and his colleagues have no idea what they're in for. Written by Sam |
Plot Keywords | |
Taglines | His fear began when he woke up alone. His terror began when he realised he wasn't. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Runtime |
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Country | |
Language | |
Color | |
Aspect Ratio |
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Sound Mix | |
Filming Locations |
Box Office
Budget | GBP8,000,000 (estimated) |
Opening Weekend United Kingdom | GBP1,500,079, 03 Nov 2002 |
Cumulative Worldwide Gross | $82,719,885 |
Did You Know?
Trivia | For the scenes on the motorway, the production got permission to shoot on the M1 on a Sunday morning between 7.00am and 9.00am. The police gradually slowed traffic in both directions. Using 10 cameras, the filmmakers managed to capture a total of one minute of usable footage. See more » |
Goofs | When the camera pulls back to show Manchester aflame, a row of flashing lights is visible in the distance. It's the police keeping traffic back so that the road looks empty. About 2 seconds later, a car drives by in the distance. See more » |
Movie Connections | Edited into Cent une tueries de zombies (2012). See more » |
Soundtracks | East Hastings See more » |
Crazy Credits | Other than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle. See more » |
Quotes |
[Jim enters a dark abandoned church when he sees writing on the wall]
Writing on a Wall: 'Repent, The End Is Extremely Fucking Nigh' See more » |