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28 Days Later... (2002)

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Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.

Director:

Danny Boyle

Writer:

Alex Garland
Popularity
810 ( 132)
10 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alex Palmer ... Activist
Bindu De Stoppani ... Activist
Jukka Hiltunen Jukka Hiltunen ... Activist
David Schneider ... Scientist
Cillian Murphy ... Jim
Toby Sedgwick ... Infected Priest
Naomie Harris ... Selena
Noah Huntley ... Mark
Christopher Dunne ... Jim's Father
Emma Hitching Emma Hitching ... Jim's Mother
Alexander Delamere Alexander Delamere ... Mr. Bridges
Kim McGarrity Kim McGarrity ... Mr. Bridges' Daughter
Brendan Gleeson ... Frank
Megan Burns Megan Burns ... Hannah
Justin Hackney Justin Hackney ... Infected Kid
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Storyline

Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

His fear began when he woke up alone. His terror began when he realised he wasn't. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and gore, language and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | Spanish

Release Date:

27 June 2003 (USA) See more »

Also Known As:

Exterminio See more »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

£1,500,079 (United Kingdom), 3 November 2002, Limited Release

Opening Weekend USA:

$10,061,858, 29 June 2003, Wide Release

Gross USA:

$45,064,915

Cumulative Worldwide Gross:

$37,654,970
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

For the London scenes, police would close the roads at 4am, and filming would begin immediately. After 1 hour, the police would reopen the roads. The producers correctly predicted that asking drivers (including clubbers headed home) to either wait for up to an hour or find another route might make some of them angry. They got several extremely attractive young women (including Danny Boyle's daughter) to make the necessary requests, and the drivers responded quite amicably to them. See more »

Goofs

On the radio broadcast about the location of the blockade, it says it is on the M602, north-east of Manchester. But the M602 only runs west of Manchester. See more »

Quotes

[first lines]
Activist: [the three animal activists arrive to the laboratory] Bingo.
Activist: [when seeing all of the caged apes] Fucking hell.
See more »

Crazy Credits

Other than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle. See more »

Connections

Referenced in Ace the Zombie: The Motion Picture (2012) See more »

Soundtracks

An Ending (Ascent)
Written and Performed by Brian Eno
Courtesy of Virgin EG Records Ltd.
Under License from EMI Film and Television Music
Published by Upala Music, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
one of the best European horror films this decade
16 August 2003 | by MisterWhiplashSee all my reviews

The key to keeping the sci-fi horror genre alive in the cinemas, as of late, is to make sure the material and techniques the filmmakers present is at least competent, at it's average creative, and at it's best something that we haven't seen before or haven't seen in such a style or form. George A. Romero did that back in prime 60s and 70s era of film-making, bringing forth one of the most memorable trilogies of all time for the genre. While many consider Romero to be on any given list one of the greatest horror directors (I included), it is important to know that he too had his sources for his little independent film in 1968, and after that was when he really got inventive, resulting in a masterpiece and a lackluster. Director Danny Boyle and author Alex Garland know that if they were to cook up a yarn all too similar to Romero it wouldn't be satisfying. So, they've done what is essential to the success of 28 Days Later- they take ideas that have been in practice for many years, turn them fresh, and as the audience we feel repelled, excited, terrified, nauseous (perhaps), and enthralled, but we won't leave feeling like we've seen complete hack work.

What does Boyle and his team set out to do to freshen up the zombie string? By making not in precise terms a "zombie" movie- you never hear "living-dead" uttered in this film, although you do hear "infected" and a new word for what these people have, "rage". Indeed, this is what the infected have in Britain, when a monkey virus gets let loose on the Island, and from the beginning of the infectious spread the film cuts to a man, Jim, lying in a hospital bed, who wanders abandoned streets and views torn fragments of society in front of him. That Boyle implements atmosphere as heavily as he does with the action/chase scenes gives an indication of his dedication to the detail. Jim soon finds a few other survivors, including Selena (Naomie Harris) and a father and his daughter (Brendan Gleeson and Megan Burns) who hear of salvation on a radio and decide to brave it out to find it. When they do, it's a military outpost that's without any true salvation, outside of the various military typos.

Like in Boyle and producer Andrew MacDonald's spellbinding (if that's the proper terminology) adaptation of Trainspotting, the craft is on par (or arguably topping) with the story and characters, and thus it has to captivate us all the more so to care about the plight of Jim and his companions. The photography by Anthony Dod Mantle is striking, not the least of which since it was done on digital photography (like in Blair Witch, the use of non-professional camera equipment adds the proper shading when needed), but also many of the shot compositions are different for such a film. The editing by Chris Gill goes quicker than expected in the attack scenes, going so fast between the infected throwing up blood, the screaming on-looker; the new infected transforming within seconds, and then the results that follow. Mark Tildesley's production design, as well as John Murphy's music, evokes haunting, evocative moods even in the more mundane scenes. And the acting, considering not many of the actors are well-known, is more than believable for such a script.

I'm not sure if 28 Days Later will be everyone's cup of tea. Some of the horror and science fiction fans out there will immediately hear of this film, see a preview or a TV ad, or even see it, and dismiss it as phooey rubble borrowed from the video-store. I can see their points of view, since I saw many similarities in Romero and some other films (the military scenes reminded me of Day of the Dead, though the chained up Zombie in this was done for more practical reasons, and the supermarket scene is a little unneeded considering the satirical reverence it had in Dawn of the Dead). But what they should understand is that Boyle isn't making a 100% original film, and no one could at this point of the genre's history. He has done, however, the most credible job he could in getting a different tone, a different setting in country, and of a different, enveloping view of the scene structures. Overall, 28 Days Later is constructed and executed like most sci-fi horror films you've ever seen, and like not many other sci-fi horror films you've ever seen combined, in a sense, for a modern audience: fascinating throughout.


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