A young boy empath who feels the pain and experiences of another is dismissed as having an imaginary friend. Then the two meet and the adventure begins as the discovery of their mutual history unfolds.
Living in different environments and without actually knowing each other, the nine-year-old boys Tom and Thomas have always been aware of the other's existence. At the time they finally meet Tom is on the run from some child smugglers who operate their business from his boy's home. The smugglers mistake Thomas for Tom and attempt to get him out of the country on a plane. Tom, who has no intention of losing his brother, finds himself in the middle of a smuggling operation and it takes all his efforts to reunite with his brother and bring the family together.Written by
Sean Bean and Aaron Taylor-Johnson, respectively, have both portrayed Count Vronsky in Anna Karenina at one point. See more »
Very enjoyable; a crime it's not out on DVD
I watched this on a rainy afternoon in full expectation that it would be another predictable, mediocre kiddies' flick along the lines that those Olsen twins' churn out. Instead, I was very pleasantly surprised by both the interesting plot and the acting of the young child actor.
The story revolves around nine-year-old Thomas who has dreams about his 'imaginary friend' Tom, unaware that these dreams are in fact the manifestation of a psychic bond between him and his long-lost twin brother Tom. Thomas was the lucky twin who was adopted into a loving family whereas Tom grew up in an abusive orphanage. Then the two accidentally meet and it's up to them to break a child trafficking racket that is being conducted in Tom's orphanage.
Sean Bean is excellent as Thomas' father Paul, offering a paternal softness that is rarely required in the characters he usually plays. Aaron Johnson, the young actor who plays both roles of Tom and Thomas, is very talented for a child who very new to acting. He managed to convey the emotions of the story perfectly as well as juggle two accents (something many experienced adult actors can't manage, let alone a nine-year-old child) and two very different characters. It's a shame he's not been in more films since as he's probably qualifies as one of Britain's best young talent. And of course, I can't forget to mention Derek de Lint, who was wonderfully slimy as Mr Bancroft, and Bill Stewart, who was brilliant in capturing the crazed cruelty of Finch.
It might sound contrived but the fact it refuses to delve into the sugary sweetness of your typical American film (there's even a scene where Tom is beaten) and it isn't as predictable as it sounds, with reflection that Tom has problems down to his abusive past, and that is what sets this film aside from other family films doing the 'seperated twin' storyline.
It's just a shame that it wasn't advertised more since it's a film that Britain should have been proud to produce and it's certainly better than many Hollywood family films I've seen over the years.
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