Fate deals young orphan Matt Murdock a strange hand when he is doused with hazardous waste. The accident leaves Matt blind but also gives him a heightened "radar sense" that allows him to "see" far better than any man. Years later Murdock has grown into a man and becomes a respected criminal attorney. But after he's done his "day job" Matt takes on a secret identity as "The Man Without Fear," Daredevil, the masked avenger that patrols the neighborhood of Hell's Kitchen and New York City to combat the injustice that he cannot tackle in the courtroom.Written by
Wires lifting up Elektra during the rooftop battle. See more »
This just came by messenger. It's your invitation to the Black and White Ball at the Grand, plus one.
Franklin 'Foggy' Nelson:
Plus one? All right! Guess I gotta rent a tux!
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The opening credits are seen in a sequence of dark skyscrapers. There are lit windows in the skyscrapers, which turn into Braille letters which then become English letters spelling out the main cast - later on, the supporting cast and production crew are directly formed in English from the window. See more »
German theatrical version was edited for violence (ca. 1 min.) to secure a more commercial "Not under 12" rating. Shortened were the scenes where Bullseye kills the man in the pub, the lady on the plane and Elektras father. Also shortened was the stabbing of Elektra. The cut version was released on VHS and DVD (single-disc version), the uncut version was released only on DVD (two-disc special edition and re-release of the single-disc version). See more »
Gritty, ambiguous, painted in strong inks ant sharp contrasting colors. Gone is the classic spandex costume for a vaguely BDSM leather outfit. Daredevil takes more of a page from Frank Miller's interpretation of the man without fear. And the result is perhaps the best superhero adaptation to date. While that might sound vaguely like an oxymoron, especially in a sub-genre where "good" is a proxy for "budget for special effects", the reason for it should actually be pretty obvious. People like Miller have heavily contributed in the 80s and 9os to renew a genre that had been stagnant since the sixties. And they did that by introducing more realism and more cinematic elements in the action.
Alan Moore's The Watchmen and Miller's Dark Knight are prime examples of this renewal. Unfortunately, at the same time the introduction of computer- generated effect has allowed one too many directors to recreate their favorite Silver Age character as they remembered it, jumping over 20 or so years of comic book evolution. And too often the result is just another expensive cartoon. Daredevil, by no means a good movie, views however like a step in the right direction.
Of course to enjoy all this one has to stomach the Affleck's "Matt Murdock has something to prove" woody interpretation, and Jennifer Garner's version of Elektra (who looks everything but Greek) in all her protruding silicon special effects. Kudos however to Colin Farrell for bringing to life Bullseye, definitely one of the best villains in the genre.
But the script ls fresh and funny, and the gallery of secondary roles and cameos is really impressive. Stan "the man" Lee is briefly seen during Matt Murdock's childhood, Sopranos' Robert Iler, Wayne Knight through a cloud of smoke, and more.
Now, if only we could get comic scripts by Moore, Garth Ennis and Warren Ellis produced the way they meant to be...
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