Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
Will Yun Lee
Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Fate deals young orphan Matt Murdock a strange hand when he is doused with hazardous waste. The accident leaves Matt blind but also gives him a heightened "radar sense" that allows him to "see" far better than any man. Years later Murdock has grown into a man and becomes a respected criminal attorney. But after he's done his "day job" Matt takes on a secret identity as "The Man Without Fear," Daredevil, the masked avenger that patrols the neighborhood of Hell's Kitchen and New York City to combat the injustice that he cannot tackle in the courtroom.Written by
The character of "Turk" (mentioned by Coolio in the Director's Cut) is a reference to the comic book, where he is a re-appearing character (mostly during Frank Miller's run). See more »
When Matt puts mustard in his coffee, some of it drips down the side of the mug, but when Foggy goes to drink it, the mustard is gone. See more »
Franklin 'Foggy' Nelson:
Natchios owns the Grand Hotel. And Elektra's the reason you were invited to the ball.
She's out of my league. I'd rather just end it before it starts.
Franklin 'Foggy' Nelson:
That's gotta be some kind of record, Matt. You just completely bypassed the whole relationship phase. You went right into the breakup. Trying to save some time, huh?
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There is a scene in the closing credits: Bullseye is in a hospital ward with a full-body cast, but is able to use a syringe to take out a fly. See more »
During post-production, 20th Century Fox UK sought and was given advice about classification from the BBFC. After receiving that advice, the company chose to make cuts to the film for release in the UK and as a result the UK cinema version differs from the US cinema version. The changes occur in two scenes:
in the fight between Elektra and Bullseye the UK version lacks all sight of a dagger sticking through Elektra's hand and all sight of her removing the dagger from her hand.
Secondly, in the fight between Daredevil and Kingpin the UK version lacks a headbutt and has the sound of breaking bones partially obscured by a crack of thunder. For the home video release, 20th Century Fox submitted the uncut version and the BBFC passed it with no cuts. Therefore, home video/DVD releases in the UK are uncut.
Daredevil is the movie that Burton's 1989 Batman should have been. I know Special Effects have moved on since then, but Daredevil has the pacing, storytelling, character development, direction and overall style that Batman lacked. The director obviously has a lot of fondness for the character, and drops a shed-load of comic book references into the film, like creators names and situations, making it a labour of love - but with the technical ability to make an accessible film for all audiences.
From the opening shot of Daredevil grasping the cross atop the church, the excellent origin structure and the character interaction between Daredevil and Electra, Bullseye and the Kingpin - this movie bridges the gap between the original Comic Book sources and the end film magnificently.
There are a few sections of the film that did not come up to par - the opening titles are a nice idea (braille to letters) but it looks a little cheap and computer-generated, and Daredevil being entombed in the water filled coffin (to block out all outside noise?) seemed surplus to requirements. The end piece with the Kingpin is a little rushed, but I suppose we had all the Super-Hero Slug-Fest we could ask for with the Bullseye church section? I would have preferred a standard music score throughout, and not the "alternative rock track" that got dropped in occasionally. But these little gripes aside - the movie really does hit the spot throughout.
Daredevil also marks the first mainstream venture into a mature audience market for a "kids" super-hero character. The comic character was always a darker version of Spider-Man, with mature storylines supplied by the likes of Frank Miller. But it's still a gent in spandex underwear leaping around New York after hours, brawling with other costumed nut-cases, and leading the customary double-life (Lawyer by Day, Hero by Night) of your regular Super-Hero. The 1989 Batman film, and even Spider-Man, moved Comic Character movies away from the younger audience - but Daredevil really pushed it further without an all-out on-screen blood and sex agenda. A brave move as the potential audience must be reduced by this approach, and it has to be a harder sell to the studio and money-backers.
I am sure there are a legion of Spider-Man and X-Men fans out there that would wave the flag for these to be crowned "best super-hero movie", but my vote would go to this horned devil. Bring on Daredevil 2, by the same team ..
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