Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
Will Yun Lee
Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
Fate deals young orphan Matt Murdock a strange hand when he is doused with hazardous waste. The accident leaves Matt blind but also gives him a heightened "radar sense" that allows him to "see" far better than any man. Years later Murdock has grown into a man and becomes a respected criminal attorney. But after he's done his "day job" Matt takes on a secret identity as "The Man Without Fear," Daredevil, the masked avenger that patrols the neighborhood of Hell's Kitchen and New York City to combat the injustice that he cannot tackle in the courtroom.Written by
In the comics, Bullseye wears a blue and white costume. This wasn't used in the film, in keeping with its realistic tone. Although at some point in the film, he tells Fisk that he wants a costume, he's never seen in one. See more »
In the church fight between Daredevil and Bullseye, Daredevil throws his cane/stick at Bullseye, the camera then cuts back to Daredevil who is running towards Bullseye and his cane is back in his hand (the one he threw), then he picks his cane up from the floor, yet is seen only carrying the one he just picked up. See more »
I would keep my promise. I would help those that others wouldn't. I would seek justice... one way or another.
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There is a scene in the closing credits: Bullseye is in a hospital ward with a full-body cast, but is able to use a syringe to take out a fly. See more »
The R-rated director's cut contains 30 minutes of extra footage. In addition to the added material, some footage was removed. The following is a list of the changes between the PG-13 and R rated versions:
The confession booth scenes between Father Steven and Matt Murdock have been removed.
The love scene between Elektra and Matt Murdock has also been removed.
A flashback scene where young Matt is seen with his adopted mother featured in the comic books.
There are more scenes involving The Kingpin at his most vicious, at point killing two of his own bodyguards by breaking their necks.
The introduction of Bullseye arriving at the airport and going through a metal detector.
The fight scene in the playground with Matt and Elektra is longer.
The scene in the bar where Daredevil takes out the bikers is longer and more violent.
An exchange during the Natchios' party where Foggy and Wesley have a verbal exchange, that ends by Foggy saying "What a dick."
The scene where Matt returns from his battle in the opening of the film, he is seen in his apartment pouring Epsom salt into the water of his coffin and as he is about to lay down he starts to hear noises and sounds from the outside world as far as seeing a woman crawling on the floor and ends by him laying down inside the coffin and the top sealing.
The subplot involving the character of Daunte Jackson (Coolio) who is accused of a murder is reintroduced in it's entirety with Matt Murdock and Foggy Nelson defending him.
Matt and Foggy break into the apartment of Lisa Tazio, the murder victim in the Daunte Jackson trial and finding a clue.
A late night scene where Foggy is working at the office trying to figure out the clue found in Tazio's apartment in which Karen (Ellen Pompeo) discovers the answer.
The scene in the morgue with Ben Urich and Kirby is longer in which Foggy ends up calling him on his cell phone and telling him about who murdered his informant from the clue that Matt had found in the murder victim's apartment.
More scenes between Matt and Ben discussing some personal issues.
Matt interrogating a corrupt police officer played by Jude Cicolella by smashing his car in a parking lot.
The scene where Bullseye demands his own costume is restored to "I want a fucking costume" as opposed to the theatrical version where he says "I want a bloody costume"
The fight between Elektra and Bullseye is longer and ends with Bullseye giving her a kiss before he throws her onto the roof of the adjacent building.
The final confrontation between Daredevil and The Kingpin is longer and more brutal.
During the finale, Daunte Jackson celebrates his acquittal by hugging Foggy on the steps of the courthouse as Matt looks on and the scene shifts with Matt walking by the church where he sees father Steven after the afternoon mass had ended.
Gritty, ambiguous, painted in strong inks ant sharp contrasting colors. Gone is the classic spandex costume for a vaguely BDSM leather outfit. Daredevil takes more of a page from Frank Miller's interpretation of the man without fear. And the result is perhaps the best superhero adaptation to date. While that might sound vaguely like an oxymoron, especially in a sub-genre where "good" is a proxy for "budget for special effects", the reason for it should actually be pretty obvious. People like Miller have heavily contributed in the 80s and 9os to renew a genre that had been stagnant since the sixties. And they did that by introducing more realism and more cinematic elements in the action.
Alan Moore's The Watchmen and Miller's Dark Knight are prime examples of this renewal. Unfortunately, at the same time the introduction of computer- generated effect has allowed one too many directors to recreate their favorite Silver Age character as they remembered it, jumping over 20 or so years of comic book evolution. And too often the result is just another expensive cartoon. Daredevil, by no means a good movie, views however like a step in the right direction.
Of course to enjoy all this one has to stomach the Affleck's "Matt Murdock has something to prove" woody interpretation, and Jennifer Garner's version of Elektra (who looks everything but Greek) in all her protruding silicon special effects. Kudos however to Colin Farrell for bringing to life Bullseye, definitely one of the best villains in the genre.
But the script ls fresh and funny, and the gallery of secondary roles and cameos is really impressive. Stan "the man" Lee is briefly seen during Matt Murdock's childhood, Sopranos' Robert Iler, Wayne Knight through a cloud of smoke, and more.
Now, if only we could get comic scripts by Moore, Garth Ennis and Warren Ellis produced the way they meant to be...
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