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Title: Talk to Her (2002)
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| Cast overview, first billed only: | |||
| Javier Cámara | ... | Benigno Martín | |
| Darío Grandinetti | ... | Marco Zuluaga | |
| Leonor Watling | ... | Alicia | |
| Rosario Flores | ... | Lydia González | |
| Mariola Fuentes | ... | Rosa | |
| Geraldine Chaplin | ... | Katerina Bilova | |
| Pina Bausch | ... | Bailarina 'Café Müller' | |
 |
Malou Airaudo | ... | Bailarine 'Café Müller' (Dancer) |
| Caetano Veloso | ... | Singer at party - "Cucurrucucú Paloma" | |
| Roberto Álvarez | ... | Doctor Vega | |
| Elena Anaya | ... | Ángela | |
| Lola Dueñas | ... | Matilde | |
|
|
Adolfo Fernández | ... | Niño de Valencia |
| Ana Fernández | ... | Hermana de Lydia | |
| Chus Lampreave | ... | Portera | |
After a chance encounter at a theater, two men, Benigno and Marco, meet at a private clinic where Benigno works. Lydia, Marco's girlfriend and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. The lives of the four characters will flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny. Written by Anonymous
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'Hable con ella' aka 'Talk to Her' (2002) is a powerful cinematic experience It is not the best Almodovar and the narration is not a pristine one as more affective details could have been added. Yet the movie succeeds on so many levels. Why is that so? An original scenario and a bunch of very good actors might very well be the answer. Very baroque at time, adept of kitsch atmospheres Mr. Almodovar also has a cinematic sense of parody as well as drama. His style became famous out of Spain with movie like 'Women on the verge of a Nervous Breakdown' (1988), High Heels (1991) and Kika (1993). 'Talk to her' is no exception. It is baroque in the topic, kitsch in the atmosphere and dramatic in the output. The movie not only talks about friendship between two men but also about loneliness and wounds provoked by passion. It demonstrates how monologue can become dialogue and how silence is in fact 'eloquence of the body'. In between those silences, Benigno Martin (Javier Camera) and soon Marco Zuluaga (Dario Grandinetti) use words as weapons: weapons against Solitude first, against Death and against Madness Yes Madness is another theme in this movie but not the 'dark madness', not the 'killing madness', but the type that is so close to tenderness and common sense that it becomes almost normality and that's exactly where Mr. Almodovar succeeds.