The Blues

I rated the 7 episodes from 8 to 10 and gave it an 8 overall (The 7th episode getting the only 10). If there had been more music and less talking, I would have enjoyed it better. Fuller biographies would have been nice too. Marshall Chess is a walking encyclopedia of the old time blues and was the best talker. It was still a great mini-series and well worth watching.

Just after Gangs of New York was released I heard about a series being made about The Blues and kind of shrugged it off afterwards. I had not previously seen any of Scorsese's documentaries like My Voyage to Italy or a Personal Journey so I didn't really expect anything special from it. A friend of mine knows about my interest in Scorsese films and asked me if I wanted the Feel Like Going Home episode on DVD directed by Martin Scorsese as a gift. I said yes as it would start me off into watching his documentaries and if this is anything to go by the rest he has made then I have got to start building up my Scorsese Documentaries because after I saw this I thought Wow. It was good timing as well as I have just recently started listening to the likes of John Le Hooker and Muddy Waters. Feel Like Going Home though really opened my mind to what the Blues really means and where it came from. The story follows a Blues Guitarist called Corey Harris who goes on a pilgrimage to find out more about his ancestors who first started playing the Blues and Scorsese's own knowledge of the music.

If you are a Martin Scorsese fan then cast your mind back to the beginning of Gangs of New York when The Dead Rabbits are preparing themselves to go up against The Natives. Listen to the music in the background whilst Amsterdam is holding his fathers hand. It sounds just like some of the music you hear in this. The very first scene in FLGH where two black men are holding a drum to them and another one is using the whistle instrument sounds just like the music used in the scene in GONY. I was wondering where that sound came from and now I kind of know. I am yet to see the rest of the episodes Directed by Clint Eastwood, Wim Wenders etc but if they are anything like this then this will go down as one of the greatest series ever of it's kind. Blues Fans will think this is the best thing since The Blues and I think it will like mine open up whether they are young or old to The Blues and just get them started off watch this to see how it developed originally.

A powerful and inspiring look to the Birth of The Blues.

Not all the documentaries are on the same depth level, but generally speaking is one of the best series on any subject, in the whole... Some are excellent movies, and above all I place the piece by Wim Wenders: I quite believe the man is really a better documentarist than a 'movie' director; I mean, watching his film on blues, using actors and cinematography at the highest level, you forget about documentary, and just feel like you're watching ages lost films (just to contradict my first statement about this director: but I'm also thinking about the excellent Tokyo Ga from the same man!). Besides he is the one who is most successful, in my opinion, in communicating the great love he feels for this music and for the 'heroes' involved: well, he is also the most experienced director on this kind of subject, after his other great 'film' Buena Vista Social Club. In general the other documentaries are quite informative and well made too, but I also sense a kind of 'lack of a styling signature' from such otherwise GREAT directors (Eastwood and Scorsese above all); given that, surely it's worth seeing and hearing this whole piece of work.

This movie was a sweet history of the blues. It made me think of more pleasant times in my past. I could only think of a strong heritage, with strong values while watching this movie. It is also a very good educational tool while giving our blues forefathers their propers(recognition). Thanks to Charles Burnett and his cast and crew.

I really enjoyed this series overall, but on the "Red, White & Blues" piece, I was absolutely dismayed and disgusted to see Tom Jones (and hear him sing) portrayed as ANYONE who had ANYTHING to do with the blues movement. Why no George Harrison (this being the British related blues) and why so little of Keith Richards (among many other British blues artists omitted)? There was plenty of Clapton, Beck, Mayall and a few others that were and are truly blues-oriented guys. Mr. Figgis ruined this one with Jones. What a turn off. I give all the others in this series a 10/10 and a 5 for Figgis version and only that much because he did include, although way less than he should have, a small sampling of the blues excellence that came out of Great Britain beginning in the '60's.