7.1/10
525
12 user 14 critic

Schlock! The Secret History of American Movies (2001)

Not Rated | | Documentary
A look at several legendary 'exploitation' film-makers from the golden days of drive-in movies, and how they had a lasting effect on the movie landscape in general.

Director:

Ray Greene

Writer:

Ray Greene
Reviews

Photos

Add Image Add an image

Do you have any images for this title?

Edit

Cast

Cast overview, first billed only:
F.X. Feeney F.X. Feeney ... Self
Maila Nurmi ... Self
Michael Copner Michael Copner ... Self
Samuel Z. Arkoff ... Self
James H. Nicholson James H. Nicholson ... Self (archive footage)
Dick Miller ... Self
Roger Corman ... Self
Forrest J. Ackerman ... Self
Joseph McBride ... Self (as Joseph P. McBride)
David F. Friedman David F. Friedman ... Self
Michael J. Bowen Michael J. Bowen ... Self (as Michael Bowen)
Doris Wishman Doris Wishman ... Self
Harry H. Novak Harry H. Novak ... Self (as Harry Novak)
Kroger Babb Kroger Babb ... Self (archive footage)
Herschell Gordon Lewis ... Self (archive footage)
Edit

Storyline

You've heard of Hollywood, a town of tinsel and glamour, the town of Paramount, Columbia and MGM. But there is another Hollywood, a place where maverick independent EXPLOITATION FILMMAKERS went toe to toe with the big guys and came out on top! "SCHLOCK! THE SECRET HISTORY OF AMERICAN MOVIES" takes you behind the scenes with the legendary EXPLOITATION and SEXPLOITATION filmmakers of those golden "DRIVE-IN" MOVIE days. It's sexy! It's strange! And every word is true! Written by Ray Greene (director of the film)

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

Not Rated

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

The cover illustration used for Schlock! was influenced by Agony of Love (1966). See more »

Connections

References The Seventh Commandment (1932) See more »

Soundtracks

Your One and Only Original Lizard Brain
Arranged and Produced by Johnny English
Words and Music by Ray Greene
Greene/Protagonist Productions
See more »

User Reviews

Interesting, if limited, overview of the Exploitation Cinema
10 May 2006 | by gortxSee all my reviews

No one documentary could reasonably encompass the full range of the Exploitation Cinema, though SCHLOCK! gives it a decent go. By focusing in on just a few key figures, Director Greene gives us some depth into their careers, but limits the overall breadth of the subject.

For those familiar with AIP & Roger Corman, the first section will probably contain nothing new. The dry, academic narration doesn't help matters. Countless articles, books and interviews with and by Corman and Sam Arkoff leave little room for anything fresh to be said. Some of their "discoveries" such as Peter Bogdanovich and Dick Miller also appear. The ID's on the clips are sketchy during this section as well (But improves for some reason during the rest of the film. The one glaring exception there is that the only example of early sexploitation in the cinema are excerpts from METROPOLIS of all things - AND, they're not ID'd).

The Documentary kicks into gear with the long middle section focusing on David Friedman, Doris Wishman and Harry Novak and the less well known Nudist, Nudie Cutie and Roughie Sexploitation era. Friedman too has made the rounds the past couple of decades, but he's the consummate showman. The Documentary springs to life whenever he's on screen. Though there is a brief afterword on the post-Sexploitation era, the Documentary seems to take the point-of-view that Exploitation cinema ended in the early 70's when mainstream Hollywood began making the pictures that these pioneers had been making for decades (an opinion oft echoed). This short-changes the period of Drive-In Exploitation cinema that flourished in the 70s' and then had a brief revival during the VCR boom of the 80's and early-90's (This despite the fact that Corman was and IS active throughout this latter period. The film dismisses Corman's post-AIP career in a few seconds).

A note on the DVD. The behind the scenes "tour" of Novak's studio/office is a fascinating peek at an era long-gone, and David Friedman shows off his best Carnival barker routine. Both pieces are fully worth the price of the DVD. In just the few years since this doc was made, the Cinema has lost both Doris Wishman and Samuel Z. Arkoff, making their inclusion here even more valuable.


14 of 15 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 12 user reviews »

Frequently Asked Questions

This FAQ is empty. Add the first question.
Edit

Details

Country:

USA

Language:

English

Also Known As:

La historia secreta del cine estadounidense See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Aspect Ratio:

1.33 : 1
See full technical specs »

Contribute to This Page



Recently Viewed