Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
A guy who danced with what could be the girl of his dreams at a valentine mascarade ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her ... See full summary »
Daphne, a seventeen-year-old girl from New York goes to England in search of her father, who does not know he had a child with an American girlfriend he met while working in Morocco, and whose aristocratic family did not approve of the woman.Written by
Before the US release of the film, print advertisements were altered to remove the peace sign that Bynes was giving in the poster. A rep for Warner Bros. explained '"In a time of war, we made a slight alteration so that we could avoid any potential political statement in a completely nonpolitical film." See more »
When Ian first comes to Dashwood Manor and is arguing with the security guard about having an appointment to see Daphne, the size of the gap in between 2 of the gate's metal bars changes from wide during shots of Ian speaking to very, very thin during shots of the guard speaking. See more »
"What a Girl Wants" is a re-tooling/re-telling of William Douglas Home's "The Reluctant Debutante" with the devastatingly charming Amanda Bynes in the title role; in fact 'charming' is the operative word here -everything about the movie is charming, and charmed.
The casting: impeccably superb. Amanda never hits a false note throughout the proceedings, creating a character who is genuinely believable, lovable and worth cheering for (there was a LOT of clapping in the theatre at various points in the film - I clapped AND whistled, myself); Kelly Preston is radiant as Daphne's mother Libby, a musician who still deeply loves Henry, Daphne's father, but has gone on with her life, and Colin Firth (as Daphne's father, Henry Dashwood) is a revelation here, in that he literally becomes more and more attractive as the tale unfolds - as he becomes more and more who he really is underneath his repressed exterior (the scene where he dons his black leather pants and prances in front of the mirror to the horror of his prim prude of a fiancee is priceless), and Oliver James as musician Ian, Daphne's love interest, makes a memorable splash here as well. Everyone else is perfect in their roles too (even the dog rocks).
The screenplay and direction: completely on the mark. Never gets heavy-handed, contrived, mean-spirited, cloying or tedious, believe it or not. The charm is sustained throughout in a dazzling balance of comedy, heartfelt emotion, conflict and growth, culminating in one of the most satisfying resolutions I've experienced in a movie in a long time.
Occasionally, a movie can have predictable elements without that being a bad thing; sometimes predictable elements can be pleasurable -- you realize what's going to happen but you also realize you're in such capable hands that you actually anticipate the playing-out of the scenes you know will occur. Sometimes it's not WHAT is done in a movie but HOW it's achieved, and WHO is doing the achieving.
64 of 85 people found this review helpful.
Was this review helpful to you?
| Report this