7.5/10
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All or Nothing (2002)

R | | Drama | 18 October 2002 (UK)
In a poor working class London home Penny's love for her partner, taxi-driver Phil, has run dry, but when an unexpected tragedy occurs, they and their local community are brought together, and they rediscover their love.

Director:

Mike Leigh

Writer:

Mike Leigh
3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alison Garland Alison Garland ... Rachel
Jean Ainslie Jean Ainslie ... Old Lady
Timothy Spall ... Phil
Badi Uzzaman ... Passenger
Parvez Qadir Parvez Qadir ... Passenger
Russell Mabey ... Nutter
Lesley Manville ... Penny
Ruth Sheen ... Maureen
Thomas Brown-Lowe Thomas Brown-Lowe ... Small Boy
Oliver Golding Oliver Golding ... Small Boy
Henri McCarthy Henri McCarthy ... Small Boy
Ben Wattley Ben Wattley ... Small Boy
Paul Jesson ... Ron
Gary McDonald ... Neville
Diveen Henry ... Dinah
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Storyline

Penny's love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket. Their daughter Rachel cleans in a home for elderly people, and their son Rory is unemployed and aggressive. The joy has gone out of Phil's and Penny's life, but when an unexpected tragedy occurs, they are brought together to rediscover their love. All or Nothing is set on a London working-class housing estate over a long weekend, and also tells the stories of a range of Phil and Penny's neighbors, some of whom become involved in the family's lives, and all of whom experience an emotional journey. Written by Press kit

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for pervasive language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

UK | France

Language:

English | Arabic | French

Release Date:

18 October 2002 (UK) See more »

Also Known As:

A todo o nada See more »

Filming Locations:

Greenwich, London, England, UK See more »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$25,890, 27 October 2002

Gross USA:

$201,546

Cumulative Worldwide Gross:

$2,845,696
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| | (TV)

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

First cinema feature of Sally Hawkins. See more »

Quotes

Jason: Swear on your mom's grave!
Donna: She ain't dead yet!
See more »

Connections

Featured in Imagine: The One and Only Mike Leigh (2014) See more »

Soundtracks

Delilah
Written by Les Reed / Barry Mason
Published by Donna Music
See more »

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User Reviews

Wonderful
14 November 2004 | by swbhoySee all my reviews

Lets be honest, Mike Leigh's films are not for everyone. No effort is made to make them commercially viable, the cast are almost always, largely unknown and certain scenes are so harrowing that even the strongest viewer can find themselves distressed and perturbed. While these factors keep some people away, they also keep many others coming back time and time again. Mike Leigh is quite simply, a national treasure. And I don't mean that in the same fluffy "Gawd Bless 'Em" manner that people applied to Thora Hird and the Queen Mother. I mean that he is simply one of the finest and most honest chroniclers of contemporary Britain that we have produced.

Make no mistake, the British have always enjoyed social realism. We can gauge that through that great yardstick of social self-perceptions, the soap opera. While the Americans produce soaps full of tanned, successful oil barons and their supermodel / actress mistresses, and the Australians show us their blue collar bungalow owners who like a beer with their mates and a barbecue on Sundays, the British make soaps full of characters who are little more than diluted, softened incarnations of Leigh's own subjects. People who work at checkouts and in launderettes, people who are trapped by poverty, alcoholism, violence and stifled or strangled ambition.

But through it all , there's a hope, an anticipation of a better day just around the corner and that's what makes these films ultimately uplifting. Leigh has always shown that no matter how dire the circumstances, how forlorn the existence, love and hope, friendship and family, will find a way to offer support, comfort and succor.

In achieving this, Leigh has the assistance of another of the U.K.'s finest - Timothy Spall. If ever an actor was capable of portraying at once the fragility, insecurity and yet the potential for sheer stubborn strength of the British psyche its Spall. His character in All or Nothing, Phil is an incredibly vulnerable man. A pensive, gentle man, trapped in his own doubts and in a world of people who react by lashing out, verbally or physically and so compounding his doubts and fear. He apologises constantly, and often appears to be apologising for simply existing. An under-educated but intellectual man he even apologises for having an extensive vocabulary, a character trait which Leigh uses cleverly but subtly by having Phil precede each "big word" with "wotsitsname". It appears that Phil is searching for the word, he isn't, he knows exactly what he's about to say but is reluctant to say it in case he appears educated or articulate. We hear Phil talk about destiny and saying "It's...wotsitsname..kismet". In a world of expletives and harsh words he's ashamed at his verbal dexterity viewing it as a weakness rather than a strength.

Devices such as these help us understand technically why Leigh is just such a good writer and the way in which these devices are performed help us understand why Leigh constantly looks to Spall to anchor his scripts with his marvelous humanity.

All or Nothing is a vicious, gut wrenching, graceful, uplifting gem of a movie from a master filmmaker. Its is performed by a marvelous leading man and a collection of wonderfully talented supporting actors. In a world of blockbusters and multi million dollar opening nights Mike Leigh continues to give us humanity, despair, courage and beauty. And do we ever need him.


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