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Signs (2002)

PG-13 | | Drama, Mystery, Sci-Fi | 2 August 2002 (USA)
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A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.

Director:

M. Night Shyamalan
Popularity
1,287 ( 22)
3 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mel Gibson ... Rev. Graham Hess
Joaquin Phoenix ... Merrill Hess
Rory Culkin ... Morgan Hess
Abigail Breslin ... Bo Hess
Cherry Jones ... Officer Paski
M. Night Shyamalan ... Ray Reddy
Patricia Kalember ... Colleen Hess
Ted Sutton ... SFC Cunningham
Merritt Wever ... Tracey Abernathy, the Pharmacist
Lanny Flaherty ... Mr. Nathan
Marion McCorry ... Mrs. Nathan
Michael Showalter ... Lionel Prichard
Kevin Pires Kevin Pires ... Brazilian Birthday Boy
Clifford David ... Columbia University Professor
Rhonda Overby Rhonda Overby ... Sarah Hughes
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Storyline

Preacher Graham Hess, played by Mel Gibson, has lost his faith in God after his wife dies in a brutal car accident. He along with his son and daughter and his brother Merrill lives in a farmhouse. Crop circles begin to appear in their corn fields which Graham dismisses as mischief by miscreants. After hearing strange noises and watching news coverage on crop circles appearing all over the world, the family grows suspicious of alien activities. Now they must stick together and believe, as a family to survive the ordeal and find a way to escape. Written by Radhakrishnan

Plot Summary | Plot Synopsis

Taglines:

A message. A warning. A sign...of things to come. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some frightening moments | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Portuguese

Release Date:

2 August 2002 (USA) See more »

Also Known As:

M. Night Shyamalan's Signs See more »

Filming Locations:

UK See more »

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Box Office

Budget:

$72,000,000 (estimated)

Opening Weekend USA:

$60,117,080, 4 August 2002, Wide Release

Gross USA:

$227,966,634

Cumulative Worldwide Gross:

$408,247,917
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | SDDS | DTS

Color:

Color (DuArt)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Cherry Jones and Joaquin Phoenix also worked together in M. Night Shyamalan's next movie, The Village (2004). See more »

Goofs

In the start of the movie it says that they are 45 miles outside of Philadelphia. In reality they are no more than 10 miles from the Philadelphia border. See more »

Quotes

Morgan: The book says they're probably very good problem solvers. They'll find a way in.
See more »

Crazy Credits

In Memory of Bill Nisselson - June 19, 2001 See more »

Alternate Versions

An additional deleted scene was shown during the credits when it aired on a pay channel in the USA. Grahm Hess tells everyone they must go into the basement. He then tells the story of how he accidentally dislocated Merrill's elbow when he was 1½ years old, and that Merrill never got mad at him. The scene ends with everyone walking down the stairs and closing the basement door. See more »

Connections

Referenced in Stargate SG-1: Orpheus (2003) See more »

Frequently Asked Questions

See more »

User Reviews

Riveting and clever scarefest reinvents the modern horror film
6 August 2002 | by cbhunterSee all my reviews

I have been a horror film fan for 30 years. While I remember a few films actually scaring me as a kid (Jaws, Psycho), I have failed to encounter many in my adult life. I like to be scared, but Hollywood has seen fit to retread every tired formulaic convention in just about everything it throws at the local multiplex. Even the independent filmmakers, free of the "system", seem to forget what FEAR is. Mostly I sit solemnly staring in disbelief at the screen, waiting and hoping to get those goosebumps. Then, finally, we were given Signs. Most will say, including the director, that this is not a horror film; I genuinely disagree. If this is not a horror flick, then it is time for this film to start a branch of its own and begin a new genre. I admired every little aspect of this picture, from the use of everyday objects: baby monitor, a blank television screen and a half empty glass of water, to convey and act as a vehicle to extract fear from the ordinary. Most of all, Shyamalan is an expert craftsman and knows how to get the most out of space, actors and sound. It is the lingering shot on a basement staircase when you are desperately hoping he moves his camera to show us more, or the screeching sound in the next room whose source he won't reveal . This director knows just how long to hold the shot, to increase the tension and build the suspense, long enough for our mind to begin forming pictures. And those pictures can be the most frightening of all. Stay the course Shyamalan.


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