Powder Keg

Perhaps there are people who would disdain the grainy look of this film, or hate the jumpy camera work. I, for one, think that Alejandro Gonzalez Inarritu is a genius. You really have to appreciate his film making. Amores Perros is a must see for those of you who haven't seen it yet, and Powder Keg is no exception either. This film focuses much more on emotions and injustices in Central and South America, and really lays the drama on in the end. Brilliant work. I'm glad that BMW did this series, perhaps they will see fit to release it on DVD, that would be excellent.

I was very surprised after watching the other films from the BMWs films "The Hire", because although all were clever and entertaining, none had the emotional power of this one. Guy Richie's was great but in a humorous way, and more as an homage to BMW's cars.... Powder Keg was about as deep and attaching and emotional and real as you can get in a 7 min film.

Shot in a documentary style way in 16mm, it's a great look at the genius of an upcoming director. 8-1/2 /10

This short from The Hire-series looks totally different than the other ones. It is more real, like news footage. The Driver, of course again played by Clive Owen, has to save a war photographer (Stellan Skarsgard) who is shot. No funny moments this time, but action and suspense. Very well done.

As part of the BMWFilms series, Powder Keg is one of several great short films commissioned by the car company. Inarritu is a fantastic director, and his genius shows through this gripping, action-packed car chase. What sets Inarritu's film apart from some of the other BMWfilms is the gritty detail, the harsh realism of what is being portrayed. The violence is not glamorized, nor the main character's plight as a photojournalist romanticized.

This short film occurs in January 13, 2001, where a Times war photographer -Harvey Jacobs (Stellan Skarsgård)- is wounded while witnessing a massacre at Nuevo Colon by terrorists. In a desperate effort, the United Nations sends a vehicle to get him out, a BMW driven by Clive Owen.

This film, in comparison to any other film of the Hire series is possibly the best. The mark of Alejandro González Iñárritu is without contest the deepest one I've seen to date. It can't be denied that every second of the films matters in one way or another, either it is the feel of the environment, characters or even the state of mind. But since I'm a fan of his work I think I might be a little biased.

The real hero of the film is actually the photographer's mother (Lois Smith) who really made a spectacular performance. I've seen the film about five times and I am still touched by her performance. Great Film 9/10