Set in the Southern United States, 'Monster's Ball' is a tale of a racist white man, Hank, who falls in love with a black woman named Leticia. Ironically Hank is a prison guard working on Death Row who executed Leticia's husband. Hank and Leticia's interracial affair leads to confusion and new ideas for the two unlikely lovers.Written by
The gas station Hank buys is initially called Clement's and he tells Leticia it is on Prospect Street. Clements and Prospect are two neighboring streets in North Vancouver, BC Canada, where Lions Gate Studios are located. See more »
(at around 1h 40 mins) Credits list special thanks to the non-existent Kernner fire department, while thanking the City of Kenner. See more »
I've always believed that a portrait captures a person far better than a photograph. It truly takes a human being to really see a human being.
See more »
License to Kill
(as "Licensed to Kill")
Performed by Bob Dylan
Written by Bob Dylan
Published by Special Rider Music (SESAC)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing See more »
What are you repulsed by? Perhaps it's having sex with women of African origin inspite of the fact that you are a White male raised in a racist culture that dehmanises them. Add to this predicament, that you are a retired, widowed prison corrections officer who's only son kills himself because he feels he's failed you because he is not racist enough. Even worse, you become enligthtened enough to realise that .. you were ALWAYS wrong.
This is a brilliant story told from the rather selfish perspective of the White male. Mark Forster has directed a tour de force so intricate and psychologically honest that the story literally TELLS itself. Indeed, I'd bet this story organically spewed from souls of screenwirters Milo Addica & Will Rokos. They won't top this fete anytime soon. Such a gateway of insight only comes around once in a lifetime.
As a huge fan of David Mamet and Sam Shepard I am biased to appreciate a well balanced story, illustrated with terse dialogue, structured acting and effective filmic devices (i.e., the use of "white" paint", "black" coffee and "chocolate" ice cream in the film).
Any film student will also appreciate the poetic use of foreshadowing and irony in this film. This truly is SOLID filmaking that takes real chances with provocative subject matter.
The acting is superb more because of the Direction. To be certain: this is a Director's Film. Every aspect of Thorton's and Berry's performances is the result of very savvy Direction and attention to dramatic detail.
Kudos to Mr. Forster. I look forward his upcoming film "Neverland" with great anticipation.
35 of 59 people found this review helpful.
Was this review helpful to you?
| Report this