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HotMen CoolBoyz (2000)

X | | Adult | Video April 2000


Cast overview:
Billy Herrington Billy Herrington ... Bondage Master / Roman Orgy Master
Rune Gärtner Rune Gärtner ... Narcissus / Gladiator
Michael Thomsen Michael Thomsen ... Tropical Lover / Pool Lover / Roman Orgy Slave Boy
Bo Larsen Bo Larsen ... Pan / Pool Lover / Gladiator
Taus Stanley Borgquist Taus Stanley Borgquist ... Tropical Lover / Roman Orgy Slave Boy (as Taus Borgquist)
Percy Mundt Percy Mundt ... Bondage Slave
Søren Damgaard Mikkelsen Søren Damgaard Mikkelsen ... Bondage Slave
Steven Gauvin Steven Gauvin ... Man with Gun
Ron Athey Ron Athey ... Narrator
Lulu Marie Pedersen Lulu Marie Pedersen ... Dr. Wanda Icemann (as Lulu)


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Release Date:

April 2000 (Denmark) See more »

Also Known As:

H.M.C.B. See more »

Company Credits

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Technical Specs



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Did You Know?


Featured in Et rigtigt menneske (2001) See more »


My Bitch Now
performed by MNA
Words and Music by STYCO
Recorded and Mixed by Rune Zetterstrom at Rummet
Listharhbriihis inc.'99
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User Reviews

Examining Gay Culture Throughout the 20th Century
26 May 2006 | by NodriesrespectSee all my reviews

After "revolutionizing" straight porn with "Puzzy Power" pics CONSTANCE and PINK PRISON, Lars Von Trier's Zentropa (operating for the occasion through a subdivision labeled Innocent Pictures) attempted to do the same for the gay end of the industry, with mixed results. Sort of a post-modern overview of homosexual iconography throughout the 20th century, it presents viewers with six vignettes of varying intensity, tied together by American writer-poet Ron Athey (an impressive one man collection of body art) who also supplies a brief solo scene while voicing his longing for a distant lover straight out of Jean Genet.

Influences include Greek mythology as represented in PINK NARCISSUS, Kristen Bjorn's ecological rain forest romps, S&M-tinged beat poetry, Tom of Finland's swaggering machos, David Hockney's swimming pools and Greek orgies. All of these scenes are shown against semi-abstract, video-generated backgrounds appropriate to the theme. This means that the film ends up having both a unifying style and a lack of visual variety. Save for Athey and bodybuilder Billy Herrington (a former Colt model and therefore already an icon in his own right), models are Scandinavian, unfamiliar to fans and, sadly, somewhat interchangeable as none of them are given voices. They simply strut their stuff to a thumping techno beat.

Director Knud Vesterskov, a Danish underground filmmaker (with titles like A MOTHERLY PEEPSHOW and URBAN DISSONANCE on his record) who previously helmed Zentropa's maiden porn effort CONSTANCE, keeps a cool distance throughout, scrutinizing his cast as bizarre anthropological artifacts rather than living and breathing human beings, making this perhaps more of a performance art installation for the jaded hipster crowd rather than a really hot gay porno flick. The initial fascination generated by this approach wears decidedly thin over a 95 minute running time. Predictably, only the American performers manage to break through these barriers that separate the audience from the spectacle. Herrington's exaggerated, pumped-up physique makes him the picture-perfect Master in an elaborate and relatively extreme domination sequence with two slender slaves (the movie's undisputed erotic highlight) and I'm sure we could all have done with a lot more of the amazing Athey whose deep, droning voice adds further authority to his already imposing appearance.

As it currently stands, HOTMEN COOLBOYZ is a movie best taken one segment at a time to avoid sensory overload or viewed with the bemused, pretentious posing of an art critic at an exhibition's opening night. Disregarding publicity hype to the contrary, this film is not on a par with truly groundbreaking gay pornographic films of the '70s when directors like Jack Deveau (LEFT-HANDED), Peter De Rome (DESTROYING ANGEL) and Fred Halsted (L.A. PLAYS ITSELF) explored and exposed a community they were part of. Vesterskov remains determinedly outside, looking in on a scene he gives little evidence of understanding.

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