When successful business man refuses to save the business of his former business partner, his wife, a private teacher of written arts, and her student are kidnapped. The former business ... See full summary »
The elderly Senzô Tôyama (Nagatoshi Sakamoto) orders his employee, Makoto Katagiri (Yasunori Ishizu), to kidnap and train his wife Shizuko (Naomi Tani) in order to break her pride so that she will submit to his desires.
Tôyama, a weak-willed businessman, is in debt to the Yakuza; they also have a video of him bribing a government minister. To clear his debts, he agrees to let them drug and kidnap his wife ... See full summary »
A businessman is ruthless with his competitors, and in response his competitors after being driven out of business kidnap aforementioned business man's wife and start training her to be a porn star, particularly of the S&M/bondage variety.
Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video ... See full summary »
During World War II, the tyrannical Judge Murayama uses his military power to imprison and torture innocent people. Suspected of helping an anti-government movement, the lovely Namiji ... See full summary »
The story follows a female artist who attends a meditation center that advertises a relaxation session in a large tank filled with water. She is drugged by the clinic's doctor who rapes her in the tank and film's the act.
pause for a disco dance in the midst of all the rape and torture
This is the first of the many remakes of Masaru Konuma's 1974 classic, based in turn upon the writing of Oniroku Dan. Again a big enema scene is at the centre of this telling of the tale and whilst it is a bit wince inducing, it does not quite have the nasty edge of the original. Beautifully, colourfully and gleefully shot, this is an amazingly focused tale of capture, bondage but more especially humiliation. Much is made of the two naked female protagonists being mother and step-daughter and despite the explicit close-ups of the proceedings, there is always room to show the men and women enjoying the 'spectacle'. The serious tone is set at the start and apart from a pause for a disco dance in the midst of all the rape and torture and the eye popping and completely OTT ending, things remain on that level throughout. Amazing and it is only regrettable that the English language does not seem to have words to describe just how amazing Japanese cinema can be.
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