6.8/10
29,954
137 user 86 critic

Cypher (2002)

An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.

Director:

Vincenzo Natali

Writer:

Brian King
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5 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jeremy Northam ... Morgan Sullivan
Lucy Liu ... Rita Foster
Nigel Bennett ... Finster
Timothy Webber ... Callaway
David Hewlett ... Virgil C. Dunn
Kari Matchett ... Diane
Kristina Nicoll ... Amy
Joseph Scoren ... Digicorp Technician #1
Stephen Brown Stephen Brown ... Digicorp Technician #2
Arnold Pinnock ... Pilot In Mensroom
Jocelyn Snowdon Jocelyn Snowdon ... Stewardess to Buffalo
Boyd Banks ... Fred Garfield
Steve Jackson Steve Jackson ... Waiter Buffalo
Dan Duran Dan Duran ... Buffalo Speaker #1
Valerie Buhagiar ... Buffalo Speaker #2
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Storyline

Hoping for a more exciting life than the suburban drawl he currently inhabits, nerdy salary man Morgan Sullivan takes a job as an industrial spy at Digicorp, a global computer corporation. Digicorp assigns him the duty of flying to various conventions around America, recording the speeches that are made. But when Sullivan meets a mysterious woman he begins to realize that his job may not be what it seems, as he descends into a dark underworld of brainwashing and struggles to maintain his own identity. Written by beansproutlord@yahoo.com.au

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Taglines:

A fascinating trip to the limits of imagination See more »


Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »

Parents Guide:

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Did You Know?

Trivia

In the final scene (on the sailboat) the information contained on the disc reveals numerous details about Rita Foster's life leading up to the reason Sunways Systems wants her executed; however, the text flashes past the screen too quickly for the audience to read. The following is the information exactly as it appears on the disc:

Sunways Security File # 247174y510987h3df8708 This is a Code Orange File. Any persons found in possession of this material without adequate Level 6 Security Clearance will be immediately prosecuted under Sunways Special Order 43875. FOSTER, RITA Sunways Security File #247174y514543gcfdgfc jge454u5 Foster, Rita A.K.A. Dr. Kelley Doris, Natassia Sarbinski, Amy Green, Namie Tsukemodo, Yi Fung-Yu, Kitty Wells, Ju Pau Killbit, Horatia Delusentopolis, Jill Hopkins, Akita Spools, Francesca Pistolesi, Dorlissa "Hurricane" Trubadore, Anias Schmidt, Antionette Dubois, Ilsa Von Kustanst, Erica Sinyor, Ika Vital Stats: Sex: Female, Race: Asian, Height: 5' 6'', Weight: 105 pounds Born: January 6, 1971 Education: Peking Opera, PHD in Criminology and Behavioral Sciences, Stanford University Present whereabouts: Unknown Orphaned at the age of four when her parents were executed by government shock troops for "insurgency and anarchist ties". Rita Foster's original name was Tsing Lung. She was adopted by a family of circus acrobats known as the Panda Clan, famous for unusual "Panda-like" black markings on their skin. To protect her from the clutches of the state orphanage they painted ( * illegible text * ) to resemble their own and took her on a cross country tour. Under Panda tutelage, Foster became a first rate contortionist, performing in the small towns and villages which dot the countryside of the Southern provinces of China. In 1976, Hong Tao, a former strongman saw her act. Recognizing her talent, he brought her to the Peking Opera where she endured the rigors acrobat training. By the age of ten, she became a featured trapeze artist. In spite of her success, she longed to escape from the brutal life of the circus. During the 1982 world tour of the Peking Opera, she defected to the West. Her first home outside of China was in Rome, Italy, where she scraped together a living as street performer. Little is known of this period. It has been rumored that ( * illegible text * ) SABASTIAN ROOKS, who at that time may have orchestrated the illegal sale of priceless artifacts from the Vatican. The procurement of these religious objects was secretly ordered by the highest echelons of the Catholic Church to assist in easing its own financial woes. Foster may have been employed by Rooks to help steal these items from vaults hidden deep in the bowels of the Vatican City and later replace them with flawless forgeries. Most famous of these pieces was the Shroud of Turin which Rooks is rumored to have kept for himself. In 1983, exactly one year later, Foster crossed the Atlantic to New York. It is at this time that Foster acquired her American name and citizenship, presumably with the assistance of Rooks. Foster had little difficulty adopting to the American lifestyle having studied English in Italy. In a very short period of time, she became a fashion model. By the age of sixteen she was courted by New York's top agencies, but she turned her back on the fashion industry when she was accepted to Stanford University. There she studied behavioral sciences, eventually specializing in criminology. Her 1994 graduate thesis "Aberrant Behavior of the Unconscious Criminal" caused a great controversy, linking criminal behavior with the subconscious mind. Foster argued that latent identities exist in recesses of the cerebral cortex. Some of these identities are antisocial by nature and therefore inclined to criminal behavior. Her paper argued that these aberrant entities served an essential function in the evolution of our social design. "By challenging moral standards they invoke change." Therefore she reasoned antisocial behavior is a positive force for societal progression. So explosive was this notion that the Stanford psychology department tried to suppress the publication of Foster's findings. Angered but unable to fight back Foster turned her back on academia. At this critical juncture in her life, Rooks once again appeared on the scene. There is no clear evidence of their meeting but close friends of Foster claimed that she had been invited to a remote island in the South Pacific to spend time on Rooks' yacht. In 1996 all traces of Foster vanished. While there is no conclusive evidence to link her to Rooks' operations in this period, she may have participated in Rooks' famous "Triad Info Highjacking". This constituted a major security breach within the Triad of megacorporations, of which Sunways is a member. It would seem that Foster had come to embody her own thesis of the criminal mind. She is suspected of helping Rooks spread disinformation to Sunways' sister company, New Paths Technologies and send agents in Sunways' most sensitive information centers. By the end of 2000 it became apparent that Rita Foster was Rook's number one operative. Whenever Sunways has required Rooks' services, his chief representative has been Foster. While contact with her remains indirect, it appears that her relationship with Rooks may extend beyond the professional. In other words, Foster may be Rooks' Achilles heel. If she is destroyed, Sunways may have a chance of seriously damaging Rooks' counter-Triad operations. It is the recommendation of the Sunways Security Chief Francis C. Callaway that Rita Foster be targeted for elimination. This a Code Orange Termination Order. Code #48754354. Terminate with extreme prejudice. ( * over her photo * ) TERMINATE WITH EXTREME PREJUDICE

If all of this information is true, it adds another dimension to the story because Rooks and Foster have been troublemakers all along. They have not simply fallen victim to ruthless corporate brainwashing. They have a history of criminal conduct - coupled with criminal ideologies - which has embroiled them in the inner workings of these ruthless corporations. Now, they are forced to take desperate measures to eradicate their troubled past.

Then again, perhaps some or all of the information on the disc was simply fabricated by Sunways Systems to justify the termination order. For example: Security Chief Callaway may have a personal issue with Foster, so he has fabricated her past history to justify his issuance of her termination order.

In either case, the disc's information adds another dimension to the story.

As an aside, the following items are interesting to note:

1. The Sunways Systems security file numbers are similar for the first nine characters but change for the remainder of the string.

2. The surname of one of Foster's alias's is Killbit. A killbit is a security feature in web browsers (based on Microsoft technology) with the main purpose of closing security holes. If a security hole is located, a request can be made for Microsoft to put out a killbit for it. In the film, Foster is deemed a security risk so a killbit request - the termination order - has been put out for her.

Also, the surname resembles the film series "Kill Bill" in which Lucy Liu portrayed O-Ren "Cottonmouth" Ishii.

3. Foster's height is listed as 5' 6'' whereas Lucy Liu is 5' 3'' in height.

4. Foster's date of birth is given as 06 January 1971. Vincenzo Natali, the film's director, was born on 06 January 1969.

5. Rooks's first name is misspelled as Sabastian on the disc. His true name is Sebastian Rooks which appears when he logs in to the console of the helicopter he designed. (Presumably, he knows how to spell his own name correctly, and has used the correct spelling while designing the login prompt.) See more »

Goofs

In one of the airport scenes actors on the top left staircase can be seen waiting for their cue. Well, either that or the characters decided to stop and take in the scenery... See more »

Quotes

[first lines]
Sunways Security Guard: You planning a vacation, Mr. Sullivan?
Morgan Sullivan: No. No, just some reading to pass the time.
See more »

Connections

References The Parallax View (1974) See more »

Soundtracks

Never Been In Love
Written by: Scott Nickoley, Stephen Lang, and Jamie Dunlap
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User Reviews

 
Best if you've never heard of this movie before
6 August 2005 | by SILENCEikillyouSee all my reviews

You'll notice by the stars I've given this GREAT film that '...before you see it the first time,' is implied. I had never before heard of this film and happened across it just because this week (and last) was a very slow rental experience (not much great coming in). I'm not sure how this movie slipped past me -I love Lucy Liu and Jeremy Northam is great too. Still, it did.

This movie is an awesome example of what to do if you don't have a large budget. It had just the right amount of plot and dialog to make it very interesting and keep the viewer in the dark; just enough. The entire film is you (the viewer) trying to figure out the plots many twists and turns. I would have given this film 10/10, however some of the shots were pretty fake looking. I don't hold that against this film too much, but I don't think it deserves a perfect score.

Lucy Liu is beautiful and mysterious (as always). I think she's pretty underrated as a serious talent. Nevermind her beauty (which is difficult), she really takes her roles seriously and doesn't rest on her appearance to drive her through scenes of sophisticated emotion. And she can seem cold and even lifeless if needed, as well.

Jeremy Northam does really well, at first, as quite a geeky corporate rat, willing to run through any maze to prove himself. However, as he changes throughout the film, it's like night and day. I know some fans of Clive Owen, Jude Law, or other hopefuls to become the next James Bond will hate me for this, but Northam would/could/should fit that bill. He's suave and cultured. He's got a great Bond posture and voice. I think he too can be cold if the situation calls for it, and rather down-to-Earth, as well.

Great film and definitely this movie-buff recommends it to be seen at least once if you like corporate espionage films.


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Details

Country:

USA

Language:

English

Release Date:

18 January 2003 (Japan) See more »

Also Known As:

Company Man See more »

Filming Locations:

Toronto, Ontario, Canada

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Box Office

Budget:

$7,500,000 (estimated)

Cumulative Worldwide Gross:

$898,365
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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