A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.
Emma Caulfield Ford,
Melissa and Yul, Americans honeymooning in China, come across the exotic 'Hungry Ghost' festival. When night falls, the couple end up in a remote village, and soon realize the legend is all... See full summary »
Fourteen-year-old J goes by the pronoun 'They' and lives with their parents in the suburbs of Chicago. J is exploring their gender identity while taking hormone blockers to postpone puberty... See full summary »
After witnessing a horrific and traumatic event, Julia Lund, a graduate student in psychology, gradually comes to the realization that everything which scared her as a child could be real. And what's worse, it might be coming back to get her...Written by
Jessica Amlee filmed an alternate opening scene featuring a young Julia sleeping and being terrorized by "They" in her bedroom, in contrast to the theatrical cut which features a young Billy instead. It was cut and reshot after test screenings, and Jessica Amlee only remains in the film via photographs and a short scene featuring VHS footage of a young Julia awakening from her night terrors in a mental hospital. See more »
When Julia's car stalls on the road, she is shown sitting in the car wearing a seatbelt. After she reaches into the glove compartment and pulls out a flashlight she is no longer wearing the seatbelt. See more »
Playing a good game of pool's a sign of being well-rounded, you know.
Some dead English guy.
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A work print shown to test audiences features an open credits sequence of young Julia sleeping. See more »
A typical genre piece but a reasonably enjoyable one on those terms
When Julia Lund goes to a late night diner to meet friend Billy she assumes he is on something when he starts babbling about how "they" come for him in the dark and how he has to work nights to survive. However she did not expect him to kill himself, claiming that it is his only way to escape the monsters that he fears in the dark. At the funeral she meets some friends of Billy who seem to believe his ramblings and tell her stories that cannot possibly be true. When Julia herself starts seeing things in the dark, she starts to doubt her own sanity.
Opening with a scene that trades nicely on childhood fears of the dark and dark spaces, this film continues with the one idea that there are monsters out there but cannot ever get above the level of basic and rather obvious horror. Not that this is a bad thing in itself but put it this way it is very much a "Wes Craven Presents" affair even if his name was taken off it for wider release. The story isn't great as really it is just enough narrative to string together lots of flickering lights, shadowy movements and jump scares; it never gets below the surface and is never intriguing enough to really engage but then I suppose that is not what the film is aiming for. Rather it just wants to be a horror that trades on sudden things and half seen creatures and, as such, it works well enough. The creatures stay hidden even when you see them (a good thing) and the ending does not betray the mood of the majority.
The cast aren't anything to write home about but they are as good as the standard you expect for such films. Regan is impressive even if a lot of her role involves screaming; she still does manage to descent convincingly and her fear is believable. As director Harmon enjoys the ominous places such as cupboards and corners and he uses them well even if he is never above having something suddenly jump out it is hardly Ring but it suits the type of film he is trying to make.
Overall this is not a great film but it is an enjoyable genre film a horror with unseen beasts and lots of basic jump scares. It doesn't work above that level but thankfully it doesn't really try to. It may be bad grammar, but if you like this sort of thing then "They" is worth checking out, even if it is a bit samey and predictable for the majority.
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