The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
In a post-Taliban Afghanistan a young woman (Agheleh Rezaie) attends school against her conservative father's will, hoping to learn more about democracy to fulfill her dream of being the country's next president.
The Gardener is a surreal film made using documentary-style techniques via the cameras of father and son (the Makhmalbafs) who go to Israel to learn about a religion (Baha'i faith) that ... See full summary »
Ririva Eona Mabi,
Bal Kumari Gurung
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they ... See full summary »
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a ... See full summary »
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
Nafas is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn't so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she's decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister's life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people.Written by
Filmed on the Iran/Afghanistan border, KANDAHAR is a semi-documentary style movie that chronicles the perilous journey undertaken by an expatriate female journalist, Nafas, to reach the city of Kandahar, where she hopes to rescue her sister from committing suicide during an impending eclipse. However, Nafas's odyssey is really little more than a device to lift the veil on the poverty and hardship of life in Taliban-controlled Afghanistan.
Through a series of vignettes, the movie succeeds beautifully in revealing insights that are both fascinating and harrowing. It is almost impossible to imagine a culture so far removed from the relatively comfortable life enjoyed by more civilised' nations. Young boys rock back and forth, reciting the Koran while learning to become Mullahs, pausing only to recite the meaning and purpose of the sabre and semi-automatic machine gun when prompted by their teacher; young girls have lessons in how to resist the temptation to pick up possibly booby-trapped dolls; a doctor treats his female patient by speaking to them via children as they sit either side of a makeshift screen, and conducts his examinations through a small hole in the screen; the threat and consequences of land-mines pervade everybody's life, and year-long waits for prosthetic legs are commonplace, so that prosthetics become a black-market currency.
True, the acting is poor most of the cast are non-professionals, many never even having seen a moving picture before appearing in this film but, the purpose of this movie was not to dazzle us with superior acting; it was to open an eye to the hardship endured by both men and women in an oppressive regime, and, at this, it succeeds beautifully.
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