The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they ... See full summary »
In a post-Taliban Afghanistan a young woman (Agheleh Rezaie) attends school against her conservative father's will, hoping to learn more about democracy to fulfill her dream of being the country's next president.
The Gardener is a surreal film made using documentary-style techniques via the cameras of father and son (the Makhmalbafs) who go to Israel to learn about a religion (Baha'i faith) that ... See full summary »
Ririva Eona Mabi,
Bal Kumari Gurung
A young guy Valeh is arrested by the security during Shah's reign in Iran. There in prison he remembers his past and his life and begins to asks about his believes and ideals. Finally they ... See full summary »
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a ... See full summary »
Nafas is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn't so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she's decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister's life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people.Written by
When I watched this film, I did not think about the recent events of 9/11. Instead, what I saw was art, philosophy and universal human conditions being displayed extremely well on the screen. It maybe about Kandahar and the people there, but what I saw was a universal message about everyone in all countries. When it comes to the end of the road, and there is nothing else to live for, hope becomes the meaning. I don't think it is a good idea to watch this film as a source of documentary, I think it is better to watch this in the state of mind of watching something beautiful/sorrowful/artful/philosophical all at the same time. I don't think this film is a comment on 9/11, but a comment on the human conditions that is common to all of us.
5 of 11 people found this review helpful.
Was this review helpful to you?
| Report this