5.8/10
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Life or Something Like It (2002)

PG-13 | | Comedy, Romance | 26 April 2002 (USA)
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A reporter interviews a psychic, who tells her that she's going to die and her life is meaningless.

Director:

Stephen Herek

Writers:

John Scott Shepherd (story), John Scott Shepherd (screenplay) | 1 more credit »
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Angelina Jolie ... Lanie Kerrigan
Edward Burns ... Pete (as Ed Burns)
Tony Shalhoub ... Prophet Jack
Christian Kane ... Cal Cooper
James Gammon ... Pat Kerrigan
Melissa Errico ... Andrea
Stockard Channing ... Deborah Connors
Lisa Thornhill ... Gwen
Gregory Itzin ... Dennis (as Greg Itzin)
Max Baker ... Vin
Andromeda Dunker Andromeda Dunker ... Mo
Jesse James Rutherford Jesse James Rutherford ... Tommy
Veena Sood ... Doctor
Eric Snellman Eric Snellman ... George
Theron Zahn Theron Zahn ... Steve
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Storyline

A reporter, Lanie Kerrigan (Jolie), interviews a psychic homeless man (Shalhoub) for a fluff piece about a football game's score. Instead, he tells her that her life has no meaning, and is going to end in just a few days, which sparks her to action, trying to change the pattern of her life... Written by Greg Dean Schmitz

Plot Summary | Add Synopsis

Taglines:

Destiny is what you make of it. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, brief violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

26 April 2002 (USA) See more »

Also Known As:

7 jours et une vie See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$6,219,234, 28 April 2002

Gross USA:

$14,448,589

Cumulative Worldwide Gross:

$16,872,671
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When the film was in development in 1998, Joel Schumacher was considered to direct with Renée Zellweger set to star, but 20th Century Fox wanted a bigger star and both Schumacher and Zellweger dropped out. See more »

Goofs

When Lanie (Angelina Jolie) is shown around the AM USA set for the first time, she and the producer enter a darkened set before someone flips a switch and everything is illuminated with crew members bustling about (cleaning, checking cameras, etc). As Lanie enters the set, you can clearly see all the crew members are already in position at their stations, standing completely still and waiting for the light cue to start moving. See more »

Quotes

Lanie: Things happen. Things you never see coming. And you think afterward: if I'd known this, would I've change things? Would I've done more? What would I be thinking? I need more time.
See more »

Connections

Referenced in Film Geek (2005) See more »

Soundtracks

Mercy Street
Written and Performed by Peter Gabriel
Courtesy of Geffen Records
Under license from Universal Music Enterprises (in North America)
Courtesy of Real World Records/Virgin Records, Ltd. (in the World
excluding North America)
See more »

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User Reviews

Won't change your life or your mood...
4 July 2002 | by modamagSee all my reviews

If one is asked to sit through 99 minutes of a film that ponders, "Living every day as if it were your last," then the film should at least deliver a fresh prospective on this overdone topic. If it fails to do that, perhaps a character that the audience would care about is in order. Life Or Something Like It fails to do both.

Lanie Kerrigan (Angelina Jolie) is a local Seattle news reporter who is being considered for posh job in New York, for "AM USA." She must first prove herself in the field by working with Pete, an experienced cameraman (Edward Burns) whom she supposedly hates. When the ambitious reporter interviews a homeless prophet, he announces that the blonde reporter will die within a week. Once all of his other predictions come true, Jolie's character begins to realize that she is in fact going to die. As Thursday (D-day) quickly approaches, the reporter re-evaluates her own life.

The premise of the film is a little interesting at first. Sure, it has been done over and over again, but various interpretations have their own charm and there is room for more. However the development of the plot is just too obvious and there is nothing new, nor is anything portrayed in a very intriguing way.

While Life was marketed as a light comedy, it is anything but. Comedy would have been a much better direction for the filmmakers, however aside from a few jokes on the sidelines, the film takes itself very seriously. The tone of the script is confused. It's similar to A Knight's Tale which also tried to hopelessly shift between drama and comic relief. In the end, we end up with a picture that doesn't work as a drama or a comedy. Throughout the film, it feels as though the filmmakers kept changing their minds.

Unfortunately the confusion is not the only self-destructive component in the movie. The character development also does the job fairly well. Jolie shows Lanie's ambition sufficiently, but the movie suggests that there is more wrong with her life than a little healthy competition. It seems ridiculous that a person whose real tough faults we haven't seen is trying to change her ways. The movie seems to artificially pull Lanie into changing, instead of using character development as cause for such an evolution. Lanie changes at the end, but the question, "why?" remains. Pete's relationship with Lanie also seems forced. Pete flashes randomly throughout the movie, cueing Lanie's unfolding.

Edward Burns carries his role well enough, but unfortunately there isn't much to carry. Angelina Jolie just doesn't seem to fit into this role and while she is a talented actress, there is something very odd about her in Life. In fact, Tony Shalhoub is the only actor who remotely stands out in this movie. Although his dialogue follows the same scripted fate as the others, Shalhoub manages to express with his voice and facial expression much more than the script actually inhibits.

The script doesn't allow the audience to care much for any of the characters, doesn't contain a single original idea and tends to push ideas aggressively instead of allowing the audience to discover them. The script also leaves off various unresolved mysteries, most of which only seem to act as space fillers. The filmmakers take us towards one direction and back off immediately afterwards. Maybe they forgot? Considering the pacing, most of the audience did too.

Life Or Something Like It is comparable to one scene where Lanie's soon to be ex-boyfriend, Cal, takes Lanie to a ballpark in the middle of the night to throw a few pitches after a heart-to-heart talk. Lanie expects Cal to have some words of wisdom for her, or at least charm - but doesn't catch anything except the ball. Life Or Something Like It won't change your life and it won't change your mood either.

If you need to kill time, see the movie - But what if today is the last day of your life?

Grade: D


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