In Northern Norway during the 1860s, a little girl named Dina accidentally causes her mother's death. Overcome with grief, her father refuses to raise her, leaving her in the care of the ...
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A Danish comedy about Mona, who suddenly has a lot to deal with after being taken hostage at a bank robbery, then chased by the love sick bank robber. The cocaine sniffing boss makes her days miserable until he ODs and she takes over.
Sidse Babett Knudsen,
Thomas Bo Larsen,
The good-hearted Harbour has spent his whole life trying to take care of his motherless and suicidal little brother, Wilbur. The brothers are inseparable. When in their thirties, they lose ... See full summary »
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big ... See full summary »
Rebecca has inherited her grandmother's Gothic mansion and brings both her best friend an her boyfriend for a weekend. While exploring the crypts they discover an old dusty book, which ... See full summary »
Mette Louise Holland,
Tomas Villum Jensen
Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father evolves into the story of a break-up. In the wake of the events that follow, secrets gradually emerge which threaten to destroy their marriage.
There is a thin line between money and loyalty. Thomas Skepphult runs an investment company, and is arrested for the murder of his business partner when his fingerprint is found on the ... See full summary »
Life in the suburbs as a father of two has worn down Jonas. When a victim of a car crash mistakes him for her boyfriend Sebastian, things take a very dramatic turn as the line between truth and deception is erased.
Anders W. Berthelsen,
Nikolaj Lie Kaas
In Northern Norway during the 1860s, a little girl named Dina accidentally causes her mother's death. Overcome with grief, her father refuses to raise her, leaving her in the care of the household servants. Dina grows up wild and unmanageable, with her only friend being the stable boy, Tomas. She summons her mother's ghost and develops a strange fascination with death as well as a passion for living. Family friend Jacob encourages Dina's father to hire Lorch, a tutor who introduces her to the cello. When Dina is old enough, she marries Jacob and moves to Reinsnes, a port he runs with his mother, Karen, and his stepsons Niels and Anders . Niels doesn't like Dina's wild ways, or the fact that she has taken over accounting duties at Reinsnes. Dina's eccentric tendencies become even stronger, eventually leading Jacob into an accident of his own and bringing Tomas back into her life.Written by
Norway's official submission to the 75th Academy Awards for the Academy Award for Best Foreign Language Film. See more »
He's to be called Jacob of course?
No, he's not. He's to be called Benjamin.
Benjamin? Nobody in our family has ever been called "Benjamin".
You can brawl all you like, it will be as I say.
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"I am Dina" tells us a romantic story, which takes place in the romantic era of Europe.
When I'm saying romantic, I think of the the original meaning of the word, which means something like: emotions at a cosmic scale and importance.
Dina is a joyful child, until a truly unfortunate accident, which scars her soul for eternity, and makes her grow up to be a very troubled woman. On the other hand, she is beautiful, and witty, so men find her very attracting. Now she has to choose herself a man, and a life.
I've always been in trouble with the typical romantic setting (and this film is a fine example for that), for mostly it makes the most illogical (yet, stereotypical) plots, and the best acting performances come together in a film.
And that's the exact same case here. Characters in this movie are endlessly ruining each others life, just because they feel like it. They never think. Never learn. They're all passionate, stubborn, selfish, arrogant people, with a high emotional level, and absolute no sense of reality. And that's what it makes all performances very strong, yet very melodramatic. And since it's a pretty long movie, all this kind of approach, and all the suffering gets a bit too much, too overreacted, and too monotone as the movie flows, and you find yourself waiting for the end. Te tension is always in the air, but it makes you numb after awhile.
But technically, this film is flawless. That's the way it should go. Only a bit shorter maybe.
(I didn't have any problems with the accents of various actors. And since American dubbing voices for foreign movies mostly turn out to be failures, I think this is the best way they could execute this film)
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