This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. The filmmakers expose this delightfully deranged cult ...
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Confined in an apartment from a New York housing project, the six Angulo brothers learned everything they know about the world through watching films and spend their time reenacting their favorite movies with intricate homemade costumes.
This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. The filmmakers expose this delightfully deranged cult by capturing the daily lives of its members. Interviews in movie houses, on the street and in the homes of the subjects tell the story of each individual. Many cannot hold a job, or choose not to. All of them have demoted the importance of the real world, giving all of their attention to the fantasy world of the movies. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. Many have no physical sex lives, living instead in a world of romance with stars like James Dean or Audrey Hepburn. In Cinemania, Hollywood's biggest fans become the true stars. This is the story of their lives, their memories, their unbending habits and the films they love.Written by
This film means I no longer feel bad about how many films I watch. It's a rather depressing tale about how far obsessions really can go, but also how they can comfort those with mental disorders. Clearly there's some debate as to what is normal. The people themselves justify their actions by saying that normal is just what everybody else is like, and who wants to be like everyone else. While this is certainly true, there are limits. They live on the cheap, have very few social skills, and even plan their diets to make sure their bathroom stops are predictable. There are some genuinely sad moments, such as Roberta's reaction to being comforted about the horses dying. She seems genuinely taken aback and devastated when she is told "They weren't really hurt, it's just a movie." "Why would you say that?" comes her response "You can't suspend disbelief for everything else and not that.". We also hear testimony about her physically attacking a woman that tore her ticket stub. When it reaches a point that dreams are films and nightmares are on video, and saying that sex with real people would be disappointing because it wouldn't be in black and white, it all gets a bit sad. Cinema should be an escape from life, these people need a life to escape cinema.
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