UN's secretary general uses covert operations to help diplomacy along. Shaw's called back 6 months after one such operation. He witnesses the murder of Chinese UN ambassador at UN, NYC, chases the assassin and ends up a suspect.
Dean has PTSD after a wet-job gone bad in Bosnia. Waiting for his police girlfriend at a diner, some bad guys inject him with a hallucinogen. It sends him back to traumatic experiences in Bosnia and he reacts violently.
Rosa Lynn sends her druggie daughter Loretta and her children Thomas and Tracy away from the big city to live with their uncle Earl in the ancestral home in rural Mississippi. Earl puts ... See full summary »
A young woman is murdered in the White House. Homicide detective Regis/W.Snipes investigates while Secret Service works against him. He's assigned agent Chance/D.Lane. She eventually cooperates after a man's framed.
When an escort girl is found dead in the offices of a Japanese company in Los Angeles, detectives Web Smith and John Connor act as liaison between the company's executives and the investigating cop Tom Graham.
Max/W.Snipes has a one night stand with Karen/N.Kinski in NYC. He returns to his wife, 2 kids and career in LA but is affected. A year later, Max and Karen meet again by chance, but this time they're with their spouses.
A gunman ties up an actor and locks him in his dressing room just before a performance. He also puts a bomb with a 90-minute timer next to the actor. Then, he goes to a room above an LA plaza and draws a bead on the actor's lover, international arms dealer, Liberty Wallace. Calling himself "Joe," he calls her cell phone, demonstrates that a rifle is pointed at her, and tells her to cuff herself to a hot-dog cart nearby (the cuffs are there). Over the next 90 minutes, the story unfolds: as a result of his daughter's death, he wants a public debate on the Second Amendment. As Liberty begins to bond with Joe on the phone, he gets some truths from her - and his revenge.Written by
When Liberty first walks over to the hot dog stand and picks up the cuffs, the angle of the view through Joe's scope would imply that he's looking out of a 2nd or 3rd story window at most - which would be an utterly impractical angle for a sniper to be overlooking a crowded area. See more »
Why is it that all the trouble these days start when you answer you phone/cell phone?
From the moment Snipes dials in Fiorentino's cell phone, all the suspense begins. She starts by being the one who's in control, but it's obvious she's not. Shackling herself to a hot dog stand was bad enough with a sniper trained on you, but there's also a little surprise for all those involved in her life.
Snipes plays the sniper well. As one who can turn the tables on anyone, he pulls it off superbly. Fiorentino was all right, but I found myself more attached to Snipes, trying to find out why he was doing what he was doing. But the bottom line was if she didn't play his game, she wasn't going to live.
This is the first I've even heard of this movie. I like Snipes and I watched "Phone Booth" just a couple of months ago. I know it's not right to compare the two, but I can't help but draw on the similarities between the two. Kiefer Sutherland was a psycho, too, but he tended to lose his cool once in a while, where Snipes did not. Not only was he in control of the situation, but he was in control of himself, as well. It kind of makes you believe that he could actually pull off what he meant to do.
I don't know, but, for some reason, I didn't find this film very "suspenseful" at all. When I watch these kinds of movies, I find myself sitting on the edge of my seat, holding my breath, but not this time. I found the movie almost like a soap opera, where I could have stepped out of the room for a couple of minutes, came back, and caught right up with where I was at, knowing everything I missed.
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