Femme Fatale (2002)

A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.

Director:

Brian De Palma

Writer:

Brian De Palma

Stars:

Rebecca Romijn, Antonio Banderas, Peter Coyote

2 wins & 3 nominations.

Cast

Cast overview, first billed only:
Rebecca Romijn	...	Laure / Lily (as Rebecca Romijn-Stamos)
Antonio Banderas	...	Nicolas Bardo
Peter Coyote	...	Watts
Eriq Ebouaney	...	Black Tie
Edouard Montoute	...	Racine
Rie Rasmussen	...	Veronica
Thierry Frémont	...	Serra (as Thierry Fremont)
Gregg Henry	...	Shiff
Fiona Curzon	...	Stanfield Phillips
Daniel Milgram	...	Pierre / Bartender
Jean-Marc Minéo	...	Seated Guard (as Jean-Marc Mineo)
Jean Chatel	...	Cannes Commentator
Stéphane Petit	...	Bodyguard One (as Stephane Petit)
Olivier Follet	...	Bodyguard Two
Éva Darlan	...	Irma (as Eva Darlan)

Storyline

The thief Laurie Ash steals the expensive diamond jewel called 'Eye of the Serpent' in an audacious heist during an exhibition in Cannes 2001 Festival. She double-crosses her partners and is mistakenly taken as Lily, a woman who lost her husband and son in an accident and is missing since then, by an ordinary family. One day, while having bath in Lily's bathtub, Lily comes back home and commits suicide. Laurie assumes definitely Lily's identity, goes to America where she marries a rich man, who becomes the Ambassador of USA in France. When Laurie returns to France, her past haunts her.

---

Plot Keywords:

breast play | full frontal female nudity | lesbian sex from behind | female protagonist | sex on a pool table | 

---

Taglines:

Nothing is more desirable or more deadly than a woman with a secret

---

Genres:

Crime | Drama | Mystery | Thriller

---

Motion Picture Rating (MPAA)

Rated R for strong sexuality, violence and language

Details

Official Sites:

Warner Bros.

Country:

France Switzerland

Language:

English French Spanish

Release Date:

6 November 2002 (USA)

Also Known As:

Mujer fatal

Filming Locations:

11 Rue d'Eupatoria, Paris 20, Paris, France

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$664,844 (France), 10 May 2002

Opening Weekend USA:

$2,776,248, 10 November 2002, Wide Release

Gross USA:

$6,592,103, 8 December 2002

Company Credits

Production Co:

Quinta Communications, Epsilon Motion Pictures

Technical Specs

Runtime:

114 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Uma Thurman was originally cast as Laure Ash, but cancelled when she became pregnant.

---

Goofs

In the shot of Bardo's apartment, with the computer saying "new e-mail", right before he enters the room, the camera shadow moves over the paper cutter,.

---

Quotes

Laure Ash: C'mon, Nicolas. You don't have to lick my ass. Just fuck me!

---

Connections

References Code Unknown (2000)

---

Soundtracks

My Ideal
(1930)
Music by Newell Chase and Richard A. Whiting
Lyrics by Leo Robin
Played during the Double Indemnity (1944) clip
Published by Famous Music Corp. (ASCAP)

User Reviews

Auteur theory is alive and well with De Palma

Mr. De Palma is not a critics' darling, and as such his latest, Femme Fatale, has come in for his usual roasting. Is it deserved? Not if you love a film that embraces the visual splendour and techniques that make cinema a unique art form.

Femme Fatale sees De Palma returning to his forte: the suspense thriller. It is a welcome return considering his recent fare have seen him straying to more mainstream efforts - Mission to Mars, Mission: Impossible - that were shells of his virtuoso films of the late 70s and early 80s.

The film leads off with a stunning 20-minute Jewel heist sequence that takes place during the Cannes film festival of 2001. Completely bereft of dialogue, a la Topkapi, Rebecca Romijn-Stamos's character has the enviable task of lifting a diamond dress from Rie Rasmussun in a bathroom encounter. His first original screenplay in 10 years, De Palma writes a tightly-plotted tale that certainly does not lead the audience by the hand, and the resulting twists it provides will allow different perspectives on the film's events with repeat viewings.

Antonio Banderas - usually lost without cause if not working with Robert Rodriguez - does what he needs to do with efficiency; Romijn-Stamos, the Femme Fatale of the title, provides the eye candy. The acting is not top drawer, but it does not need to be: we're here to see an auteur in his element: De Palma delivers. Cinema is more than a stage with a camera - De Palma uses his camera and cinema technique to brilliant effect. Huge swooping camera movements, split-screen, slow motion sequences, no dialogue and an enveloping orchestral score; De Palma's signature is prevalent. And that is good: a director should never be an autonomous entity, happy to turn out derivative drivel that get the masses in and out - directors for hire are too commonplace in Hollywood today - and that is something that De Palma could never be accused of.

Femme Fatale is a great example of a director working in a genre he loves and understands, and given the freedom to create. Total cinema? Its smell is sure intoxicating. Welcome back, Mr. De Palma.