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Femme Fatale (2002)

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A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.

Director:

Brian De Palma

Writer:

Brian De Palma
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Popularity
4,480 ( 79)
2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rebecca Romijn ... Laure / Lily (as Rebecca Romijn-Stamos)
Antonio Banderas ... Nicolas Bardo
Peter Coyote ... Watts
Eriq Ebouaney ... Black Tie
Edouard Montoute ... Racine
Rie Rasmussen ... Veronica
Thierry Frémont ... Serra (as Thierry Fremont)
Gregg Henry ... Shiff
Fiona Curzon Fiona Curzon ... Stanfield Phillips
Daniel Milgram Daniel Milgram ... Pierre / Bartender
Jean-Marc Minéo ... Seated Guard (as Jean-Marc Mineo)
Jean Chatel Jean Chatel ... Cannes Commentator
Stéphane Petit Stéphane Petit ... Bodyguard One (as Stephane Petit)
Olivier Follet Olivier Follet ... Bodyguard Two
Éva Darlan ... Irma (as Eva Darlan)
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Storyline

The thief Laurie Ash steals the expensive diamond jewel called 'Eye of the Serpent' in an audacious heist during an exhibition in Cannes 2001 Festival. She double-crosses her partners and is mistakenly taken as Lily, a woman who lost her husband and son in an accident and is missing since then, by an ordinary family. One day, while having bath in Lily's bathtub, Lily comes back home and commits suicide. Laurie assumes definitely Lily's identity, goes to America where she marries a rich man, who becomes the Ambassador of USA in France. When Laurie returns to France, her past haunts her. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Nothing is more desirable or more deadly than a woman with a secret


Motion Picture Rating (MPAA)

Rated R for strong sexuality, violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Warner Bros.

Country:

France | Switzerland

Language:

English | French | Spanish

Release Date:

6 November 2002 (USA) See more »

Also Known As:

Mujer fatal See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$664,844 (France), 10 May 2002

Opening Weekend USA:

$2,776,248, 10 November 2002, Wide Release

Gross USA:

$6,592,103, 8 December 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Jennifer Lopez was considered for the role of Laure Ash / Lily Watts. See more »

Goofs

The blood on Black Tie's shirt in the woman's bathroom doesn't match the shirt when he is released from prison. See more »

Quotes

Black Tie: Nice Wheels!
Racine: What did you expect?
Racine: I only steal the best
See more »

Connections

Featured in The Life of Brian (2002) See more »

Soundtracks

Transgression
(2002)
(Dose v. 2.0 & Diablo)
Performed by Dead Fly Syndrome
© 2002 by Quinta Communications S.A. & Kinetic Art and Business America, Inc.
Published 2002 by Quinta Communications S.A.
See more »

Frequently Asked Questions

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User Reviews

 
pure movie-making
23 June 2005 | by rbverhoefSee all my reviews

Brian De Palma's 'Femme Fatale' is pure movie-making. In fact, it is done so well you almost forget it is all close to nonsense. But who cares, 'Femme Fatale' is an exercise in style drenched in twists and turns. Instead of cheating De Palma gives us a lot of little hints, easily missed the first time you see it. Explaining the story could ruin a lot and is probably useless anyway.

I can tell the film opens with a heist, probably one of the most erotic ones out there. Laure Ash (Rebecca Romijn-Stamos) is the one who goes away with a very expensive artifact betraying a whole lot of people. This event is what drives her the rest of the movie, but in what way I can not reveal. I can say that we move forward to seven years later and that Laure has changed her identity, more by mistake than on purpose. Another important thing I can tell you is that we meet a photographer named Nicolas Bardo (Antonio Banderas). He takes a picture of Laure while she is still Laure and he is the one who takes a picture of her seven years later, a photo that could spoil everything for her.

I should stop talking about the story. You have to see it for yourself, collecting clues and try to make something out of it. I love a movie like this. 'Memento', 'Mulholland Dr.' and 'Donnie Darko' are other examples. Maybe you can figure them out, if that is the filmmakers intention, maybe you can not. But it is not so much the conclusion I enjoy, it is the ride that brings us there. De Palma does it in a terrific way with a lot of love for the movies.


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